Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Sambao is Kenny Barron's tribute to Brazilian music done his way. These original compositions by the peerless pianist combine jazz and samba in a modernistic way, with no copying of tunes from the master Antonio Carlos Jobim, and no hint of the populist Stan Getz approach due to the lack of a lead instrument, save Barron's attractive and inventive piano. He's accompanied by heavyweights of the Rio-cum-New York City scene, including guitarist Toninho Horta, bassist Nico Assumpção, and French-born percussionist Mino Cinelu. Barron's (and most people's) favorite jazz drummer Victor Lewis is included, reinforcing the rhythms expertly as usual. Though not a working or touring group on any level, the ensemble sounds extremely tight and exactly in tune with what Barron's wants to portray. The tune "Bacchanal" is one Barron's fans might remember in his early days when recording for the Muse label, also included on the Sonny Fortune LP Serengeti Minstrel, and it is happily revised in full, bright regalia. Cinelu's composition "Yalele" is also joyous, as shouted vocals and a group chorus of the title soar over a deeper piano sound from Barron. The lengthy "Encounter" and "Gardenia" stretch out, allowing all the players to fully interact and especially improvise, the former in a mysterious mood mixing up meters but settling in 4/4, the latter nicely sweet, patient, and more collaborative as Barron's genius musings turn into occasional flourishes à la Oscar Peterson. Modal jazz meets the rain forest during "On the Other Side" as a pure singsong melody is adopted, quite similar to the Barry Harris tribute "Nascimento." "Ritual" is a fast, faded-in-samba jam that might have been an accidental afterthought turned into a welcome inclusion, while the most airy and breezy tune is "Belem," in the straightest Brazilian style. Horta is always excellent, but is more restrained save "Gardenia," and Lewis keeps thing rolling along without allowing them to burst out. Anyone who has appreciated the genius of Kenny Barron over the many fruitful years of his career can easily enjoy this sidebar project, with the hope that someday, he'll do it again.
© Michael G. Nastos /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Kenny Barron, MainArtist, ComposerLyricist
℗ 1992 Decca Records France
Kenny Barron, MainArtist - Mino Cinelu, ComposerLyricist
℗ 1992 Decca Records France
Kenny Barron, MainArtist, ComposerLyricist
℗ 1992 Decca Records France
Kenny Barron, MainArtist, ComposerLyricist
℗ 1992 Decca Records France
Kenny Barron, MainArtist, ComposerLyricist
℗ 1992 Decca Records France
Kenny Barron, MainArtist, ComposerLyricist
℗ 1992 Decca Records France
Kenny Barron, MainArtist, ComposerLyricist
℗ 1992 Decca Records France
Kenny Barron, MainArtist, ComposerLyricist
℗ 1992 Decca Records France
Albumbeschreibung
Sambao is Kenny Barron's tribute to Brazilian music done his way. These original compositions by the peerless pianist combine jazz and samba in a modernistic way, with no copying of tunes from the master Antonio Carlos Jobim, and no hint of the populist Stan Getz approach due to the lack of a lead instrument, save Barron's attractive and inventive piano. He's accompanied by heavyweights of the Rio-cum-New York City scene, including guitarist Toninho Horta, bassist Nico Assumpção, and French-born percussionist Mino Cinelu. Barron's (and most people's) favorite jazz drummer Victor Lewis is included, reinforcing the rhythms expertly as usual. Though not a working or touring group on any level, the ensemble sounds extremely tight and exactly in tune with what Barron's wants to portray. The tune "Bacchanal" is one Barron's fans might remember in his early days when recording for the Muse label, also included on the Sonny Fortune LP Serengeti Minstrel, and it is happily revised in full, bright regalia. Cinelu's composition "Yalele" is also joyous, as shouted vocals and a group chorus of the title soar over a deeper piano sound from Barron. The lengthy "Encounter" and "Gardenia" stretch out, allowing all the players to fully interact and especially improvise, the former in a mysterious mood mixing up meters but settling in 4/4, the latter nicely sweet, patient, and more collaborative as Barron's genius musings turn into occasional flourishes à la Oscar Peterson. Modal jazz meets the rain forest during "On the Other Side" as a pure singsong melody is adopted, quite similar to the Barry Harris tribute "Nascimento." "Ritual" is a fast, faded-in-samba jam that might have been an accidental afterthought turned into a welcome inclusion, while the most airy and breezy tune is "Belem," in the straightest Brazilian style. Horta is always excellent, but is more restrained save "Gardenia," and Lewis keeps thing rolling along without allowing them to burst out. Anyone who has appreciated the genius of Kenny Barron over the many fruitful years of his career can easily enjoy this sidebar project, with the hope that someday, he'll do it again.
© Michael G. Nastos /TiVo
Informationen zu dem Album
- 1 Disc(s) - 8 Track(s)
- Gesamte Laufzeit: 00:59:53
- Künstler: Kenny Barron
- Komponist: Various Composers
- Label: Universal Music Division Decca Records France
- Genre: Jazz
© 1992 Universal Music Jazz France ℗ 1992 Decca Records France
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.