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Garth Knox|Saltarello

Saltarello

Garth Knox, Agnès Vesterman, Sylvain Lemêtre

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Saltarello is very much a companion album to Irish violist Garth Knox's first solo recital for ECM, D'Amore, released in 2008 -- a richly diverse collection of works for viola d'amore featuring Contemporary and Baroque repertoire as well as music from folk traditions -- periods and styles that are also represented on the new album, as well as Medieval vocal and instrumental pieces. On his first album he was joined by cellist Agnès Vesterman, who returns here, along with percussionist Sylvain Lemêtre. Besides viola d'amore, he plays modern viola and folk fiddle. Knox made the arrangements of the folk material and of the Baroque pieces. For the songs by Purcell and Dowland, one of the folk songs, and the Vivaldi Concerto in D minor, he uses viola d'amore and cello; the instruments sound gorgeous together, and he treats them as equal partners, interweaving the roles of solo and accompaniment. The English lute songs make an especially seamless transition to this instrumentation, and Dowland's Flow my Tears is wonderfully effective and affecting, a highlight of the album. Kaija Saariaho's Vent nocturne for viola and electronics, which she wrote for Knox, is a mysterious, subtly shaded evocation of the sounds of the night. Knox's own Fuga libre for solo viola is a skillful and timbrally colorful virtuoso tour de force. The Medieval dances, arranged for fiddle and percussion, are appropriately rambunctious, and in the other pieces for that combination -- folk songs and Hildegard's hymn, Ave Generosa, paired with Machaut's chanson Tels rit au matin qui au soir pleure -- the percussion is deployed with delicacy and discretion. ECM's sound is characteristically clear, clean, and immediate.

© TiVo

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Saltarello

Garth Knox

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Black Is The Colour Of My True Love's Hair - Arr. For Viola D'amore And Cello (Cunningham, Johnny)

1
Black Brittany
Garth Knox
00:04:00

Johnny Cunningham, ComposerLyricist - Traditional, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Winifred Horan, ComposerLyricist - Trevor Hutchinson, ComposerLyricist - Sharon Shannon, ComposerLyricist - Donogh Patrick Hennessy, ComposerLyricist - Garth Knox, Arranger, Viola d amore, Work Arranger, MainArtist, AssociatedPerformer - Agnès Vesterman, Cello, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Oedipus - Arr. For Viola D'amore And Cello (Henry Purcell)

2
Music For A While
Purcell
00:03:29

Henry Purcell, Composer - John Dryden, Author - Nathaniel Lee, Author - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Garth Knox, Arranger, Viola d amore, Work Arranger, MainArtist, AssociatedPerformer - Agnès Vesterman, Cello, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Viola D'amore Concerto In D Minor, RV 393 - Arr. For Viola D'amore And Cello (Antonio Vivaldi)

3
Allegro
Antonio Vivaldi
00:03:23

Antonio Vivaldi, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Garth Knox, Arranger, Viola d amore, Work Arranger, MainArtist, AssociatedPerformer - Agnès Vesterman, Cello, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

4
Largo
Antonio Vivaldi
00:02:19

Antonio Vivaldi, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Garth Knox, Arranger, Viola d amore, Work Arranger, MainArtist, AssociatedPerformer - Agnès Vesterman, Cello, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Viola D'amore Concerto In D Minor, RV 393 - Arr. For Viola d'amore And Cello (Antonio Vivaldi)

5
Presto
Antonio Vivaldi
00:03:45

Antonio Vivaldi, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Garth Knox, Arranger, Viola d amore, Work Arranger, MainArtist, AssociatedPerformer - Agnès Vesterman, Cello, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Fuga libre (Knox, Garth)

6
Knox: Fuga libre
Garth Knox
00:07:42

Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Garth Knox, Composer, Viola, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Ave, Generosa - Arr. For Fiddle And Percussion (von Bingen, Hildegard)

7
Ave, generosa - Complainte "Tels rit au main qui au soir pleure"
Garth Knox
00:07:21

Hildegard Von Bingen, ComposerLyricist - Stephan Schellmann, Recording Engineer, StudioPersonnel - Guillaume de Machaut, ComposerLyricist - Manfred Eicher, Producer - Garth Knox, Arranger, Fiddle, Work Arranger, MainArtist, AssociatedPerformer - Sylvain Lemêtre, Percussion, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Vent Nocturne (Saariaho, Kaija)

8
I. Sombres miroirs (Dark Mirrors)
Sylvain Lemêtre
00:06:58

Stephan Schellmann, Recording Engineer, StudioPersonnel - Kaija Saariaho, Composer - Manfred Eicher, Producer - Garth Knox, Viola, MainArtist, AssociatedPerformer - Sylvain Lemêtre, Programming, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Second Booke Of Songes, 1600 - Arr. For Viola D'amore And Cello (John Dowland)

9
Flow My Tears
Garth Knox
00:04:03

John Dowland, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Garth Knox, Arranger, Viola d amore, Work Arranger, MainArtist, AssociatedPerformer - Agnès Vesterman, Cello, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Vent Nocturne (Saariaho, Kaija)

10
II. Soupirs de l'obscur (Breaths Of The Obscure)
Sylvain Lemêtre
00:05:49

Stephan Schellmann, Recording Engineer, StudioPersonnel - Kaija Saariaho, Composer - Manfred Eicher, Producer - Garth Knox, Viola, MainArtist, AssociatedPerformer - Sylvain Lemêtre, Programming, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Three Dances: Saltarello I - Ghaetta - Saltarello II ((traditional))

11
Traditional: Three Dances: Saltarello I - Ghaetta - Saltarello II
Sylvain Lemêtre
00:05:49

Traditional, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Garth Knox, Arranger, Fiddle, Work Arranger, MainArtist, AssociatedPerformer - Sylvain Lemêtre, Percussion, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Pipe, harp and fiddle ((traditional))

12
Traditional: Pipe, Harp And Fiddle
Sylvain Lemêtre
00:05:17

Traditional, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Garth Knox, Arranger, Fiddle, Work Arranger, MainArtist, AssociatedPerformer - Sylvain Lemêtre, Percussion, MainArtist, AssociatedPerformer

℗ 2012 ECM Records GmbH

Albumbeschreibung

Saltarello is very much a companion album to Irish violist Garth Knox's first solo recital for ECM, D'Amore, released in 2008 -- a richly diverse collection of works for viola d'amore featuring Contemporary and Baroque repertoire as well as music from folk traditions -- periods and styles that are also represented on the new album, as well as Medieval vocal and instrumental pieces. On his first album he was joined by cellist Agnès Vesterman, who returns here, along with percussionist Sylvain Lemêtre. Besides viola d'amore, he plays modern viola and folk fiddle. Knox made the arrangements of the folk material and of the Baroque pieces. For the songs by Purcell and Dowland, one of the folk songs, and the Vivaldi Concerto in D minor, he uses viola d'amore and cello; the instruments sound gorgeous together, and he treats them as equal partners, interweaving the roles of solo and accompaniment. The English lute songs make an especially seamless transition to this instrumentation, and Dowland's Flow my Tears is wonderfully effective and affecting, a highlight of the album. Kaija Saariaho's Vent nocturne for viola and electronics, which she wrote for Knox, is a mysterious, subtly shaded evocation of the sounds of the night. Knox's own Fuga libre for solo viola is a skillful and timbrally colorful virtuoso tour de force. The Medieval dances, arranged for fiddle and percussion, are appropriately rambunctious, and in the other pieces for that combination -- folk songs and Hildegard's hymn, Ave Generosa, paired with Machaut's chanson Tels rit au matin qui au soir pleure -- the percussion is deployed with delicacy and discretion. ECM's sound is characteristically clear, clean, and immediate.

© TiVo

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