Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
On Our Endless Numbered Days, the follow-up to 2002's stunningly good Creek Drank the Cradle, the sound of Iron & Wine has changed but the song remains the same. No longer does Sam Beam record his intimate songs in the intimate surroundings of his home. Instead he has made the jump to the recording studio. As a result the record is much cleaner, less cocoon-like, certainly more the product of someone who has become a professional musician and not someone who just records for fun on a four-track. However, all Beam has sacrificed is sound quality. The sound of the record is still very intimate and simple, with very subtle arrangements that leave his voice and lyrics as the focal point. Luckily all the technology in the world can't affect Beam's voice, which still sounds like it comes right from his lips into your ear as if he were an angel perched on your shoulder. His songs are still as strong and memorable as they were on Creek, no drop off whatsoever in quality. "Naked as We Came" with sparkling melody lovely background harmonies by his sister Sarah; the aching folk ballad "Radio War," which wouldn't sound out of place on Prairie Home Companion, only it would be the best thing you ever heard there; the sad and sweet "Each Coming Night"; the crystalline acoustic guitar ballad "Fever Dream," which has the kind of vocal harmony between Beam and his sister that seems to be the exclusive domain of siblings; and the soft rock CSNY "Sodom, South Georgia" are the equal of anything on Iron & Wine's debut and match up well with anything Palace, Smog, or their ilk have done lately. A definite plus to recording in a studio and enlisting the help of outside musicians is that there is much more variety to the album and there are lots of small production touches that liven things up like the Native American chants at the close of "Cinder and Smoke," the pedal steel guitar on "Sunset Soon Forgotten," and the drums and tambourine on the bluesy "Free Until They Cut Me Down." Our Endless Numbered Days is very subdued, thoughtful, melodic, and downright beautiful album and the new sound is more of a progression than a sudden shift in values, production or otherwise. Anyone who found the first album to be wonderful will no doubt feel the same about this one.
© Tim Sendra /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Brian Deck, Producer, Mixer - Sam Beam, Composer, Lyricist, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Lyricist, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Brian Deck, Producer, Mixer - Sam Beam, Composer, Lyricist, Guitar, Vocals, Writer - Iron & Wine, MainArtist - Jonathan Bradley, Percussion - Patrick McKinney, Guitar - EJ Holwicki, Bass - Jeff McGriff, Percussion - Sarah Beam, Vocals
© 2004 Sub Pop Records ℗ 2004 Subpop Records
Albumbeschreibung
On Our Endless Numbered Days, the follow-up to 2002's stunningly good Creek Drank the Cradle, the sound of Iron & Wine has changed but the song remains the same. No longer does Sam Beam record his intimate songs in the intimate surroundings of his home. Instead he has made the jump to the recording studio. As a result the record is much cleaner, less cocoon-like, certainly more the product of someone who has become a professional musician and not someone who just records for fun on a four-track. However, all Beam has sacrificed is sound quality. The sound of the record is still very intimate and simple, with very subtle arrangements that leave his voice and lyrics as the focal point. Luckily all the technology in the world can't affect Beam's voice, which still sounds like it comes right from his lips into your ear as if he were an angel perched on your shoulder. His songs are still as strong and memorable as they were on Creek, no drop off whatsoever in quality. "Naked as We Came" with sparkling melody lovely background harmonies by his sister Sarah; the aching folk ballad "Radio War," which wouldn't sound out of place on Prairie Home Companion, only it would be the best thing you ever heard there; the sad and sweet "Each Coming Night"; the crystalline acoustic guitar ballad "Fever Dream," which has the kind of vocal harmony between Beam and his sister that seems to be the exclusive domain of siblings; and the soft rock CSNY "Sodom, South Georgia" are the equal of anything on Iron & Wine's debut and match up well with anything Palace, Smog, or their ilk have done lately. A definite plus to recording in a studio and enlisting the help of outside musicians is that there is much more variety to the album and there are lots of small production touches that liven things up like the Native American chants at the close of "Cinder and Smoke," the pedal steel guitar on "Sunset Soon Forgotten," and the drums and tambourine on the bluesy "Free Until They Cut Me Down." Our Endless Numbered Days is very subdued, thoughtful, melodic, and downright beautiful album and the new sound is more of a progression than a sudden shift in values, production or otherwise. Anyone who found the first album to be wonderful will no doubt feel the same about this one.
© Tim Sendra /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:44:42
- Künstler: Iron & Wine
- Komponist: Sam Beam
- Label: Sub Pop Records
- Genre: Pop/Rock Rock
© 2004 Sub Pop Records ℗ 2004 Sub Pop Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.