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Clelia Iruzun|Oswald, Saint-Saëns & Nepomuceno: Piano Works

Oswald, Saint-Saëns & Nepomuceno: Piano Works

Clelia Iruzun, Royal Philharmonic Orchestra, Jac van Steen

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Iruzun’s Brazilian compatriot Henrique Oswald shared a long friendship with Camille Saint-Saëns based on mutual admiration for each other as composers and pianists. They occasionally performed together some of Saint-Saëns’ music for two pianos in public recitals. Saint-Saëns’ exotic Fifth Piano Concerto, the "Egyptian", was composed during a North African holiday in 1896. Combining complex piano writing with a deft lightness of touch, it boasts a lyrical main theme (described by Saint-Saëns as “a Nubian love song”), hypnotic echoes of the gamelan and a finale bursting with virtuosity.
Oswald’s Piano Concerto was composed in Italy a decade before Saint-Saëns’ "Egyptian". With bravura passages recalling Saint-Saëns’ Second Piano Concerto, its richly Romantic vein carries allusions to Fauré while brimming with Oswald’s intriguing native Brazilian rhythms.
Like Oswald, Alberto Nepomuceno was a Brazilian who studied in Europe, later succeeding him in a prestigious teaching position in Rio de Janeiro. Modelled on Grieg’s Suite from Holberg’s Time, his Suite Antiga (Suite in the Old Style) combines Baroque style and Romantic attitude with a bewitching savoir-faire.
Gavin Dixon’s informative booklet notes trace the revealing connections between all three composers. © SOMM Recordings

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Oswald, Saint-Saëns & Nepomuceno: Piano Works

Clelia Iruzun

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Piano Concerto in G Minor, Op. 10 (Henrique Oswald)

1
I. Allegro un poco agitato
00:14:56

Royal Philharmonic Orchestra, Orchestra - Clelia Iruzun, Artist, MainArtist - Henrique Oswald, Composer - Jac van Steen, Conductor

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

2
II. Adagio
00:07:57

Royal Philharmonic Orchestra, Orchestra - Clelia Iruzun, Artist, MainArtist - Henrique Oswald, Composer - Jac van Steen, Conductor

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

3
III. Allegro
00:07:01

Royal Philharmonic Orchestra, Orchestra - Clelia Iruzun, Artist, MainArtist - Henrique Oswald, Composer - Jac van Steen, Conductor

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Piano Concerto No. 5 in F Major, Op. 103, R. 250 "Egyptian" (Camille Saint-Saëns)

4
I. Allegro animato
00:11:26

Royal Philharmonic Orchestra, Orchestra - CAMILLE SAINT-SAENS, Composer - Clelia Iruzun, Artist, MainArtist - Jac van Steen, Conductor

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

5
II. Andante
00:10:53

Royal Philharmonic Orchestra, Orchestra - CAMILLE SAINT-SAENS, Composer - Clelia Iruzun, Artist, MainArtist - Jac van Steen, Conductor

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

6
III. Molto allegro
00:06:29

Royal Philharmonic Orchestra, Orchestra - CAMILLE SAINT-SAENS, Composer - Clelia Iruzun, Artist, MainArtist - Jac van Steen, Conductor

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Suite antique, Op. 11 (Alberto Nepomuceno)

7
I. Prélude
00:01:15

Clelia Iruzun, Artist, MainArtist - Alberto Nepomuceno, Composer

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

8
II. Menuet
00:04:05

Clelia Iruzun, Artist, MainArtist - Alberto Nepomuceno, Composer

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

9
III. Air
00:04:20

Clelia Iruzun, Artist, MainArtist - Alberto Nepomuceno, Composer

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

10
IV. Rigaudon
00:03:29

Clelia Iruzun, Artist, MainArtist - Alberto Nepomuceno, Composer

(C) 2020 SOMM Recordings (P) 2020 SOMM Recordings

Albumbeschreibung

Iruzun’s Brazilian compatriot Henrique Oswald shared a long friendship with Camille Saint-Saëns based on mutual admiration for each other as composers and pianists. They occasionally performed together some of Saint-Saëns’ music for two pianos in public recitals. Saint-Saëns’ exotic Fifth Piano Concerto, the "Egyptian", was composed during a North African holiday in 1896. Combining complex piano writing with a deft lightness of touch, it boasts a lyrical main theme (described by Saint-Saëns as “a Nubian love song”), hypnotic echoes of the gamelan and a finale bursting with virtuosity.
Oswald’s Piano Concerto was composed in Italy a decade before Saint-Saëns’ "Egyptian". With bravura passages recalling Saint-Saëns’ Second Piano Concerto, its richly Romantic vein carries allusions to Fauré while brimming with Oswald’s intriguing native Brazilian rhythms.
Like Oswald, Alberto Nepomuceno was a Brazilian who studied in Europe, later succeeding him in a prestigious teaching position in Rio de Janeiro. Modelled on Grieg’s Suite from Holberg’s Time, his Suite Antiga (Suite in the Old Style) combines Baroque style and Romantic attitude with a bewitching savoir-faire.
Gavin Dixon’s informative booklet notes trace the revealing connections between all three composers. © SOMM Recordings

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