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Mississippi John Hurt|Live (Live)

Live (Live)

Mississippi John Hurt

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Text in englischer Sprache verfügbar

Mississippi John Hurt's vocal and guitar style are always easy on the ears. Unlike a number of Delta stylists with their high-pitched voices and slashing slide guitars, Hurt's approach to country blues is immediately accessible. Recorded (for the most part) at Oberlin College in 1965, Live captures Hurt a couple of years after his rediscovery and one year before his death. He kicks off with several spirituals, including "I Shall Not Be Moved" and "Nearer My God to Thee." As Billy Altman points out in the liner notes, religious material was often excluded from studio recordings because no one believed it marketable. The remainder of Live consists of folk-blues, from "Salty Dog Blues" to "Coffee Blues" to "Ain't Nobody's Business." Hurt's finger-style guitar reminds one of Elizabeth Cotton and has more in common with the Piedmont players in general than those of his Mississippi home. Perhaps this connection helps explain why Hurt, who is considered primarily a bluesman, covered so many traditional folk songs. Indeed, the inclusion of songs like "C.C. Rider" also connects him to that other great straddler of folk and blues, Leadbelly. The last three tracks -- "Hop Joint," "Trouble, I've Had It All My Days," and "Spike Driver Blues" -- originate from the Newport Folk Festival in 1965 and fit in well with the other material. Fans will thank their Maker that Tom Hoskins traveled to Mississippi in 1963 to find out if Hurt was still among the living. Otherwise, excellent recordings like Live would've never been made.

© Ronnie D. Lankford, Jr. /TiVo

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Live (Live)

Mississippi John Hurt

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1
Here I Am, Oh Lord, Send Me
00:03:06

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

2
I Shall Not Be Moved (Live)
00:03:30

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

3
Nearer My God To Thee (Live)
00:03:08

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

4
Baby What's Wrong With You (Live)
00:03:37

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

5
Ain't Nobody's Business
00:02:36

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

6
Salty Dog Blues (Live)
00:03:04

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 1998 Vanguard Records, a Welk Music Group Company

7
Coffee Blues (Live)
00:03:18

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

8
Avalon, My Home Town (Live)
00:03:42

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 1998 Vanguard Records, a Welk Music Group Company

9
Make Me A Pallet On Your Floor (Live)
00:03:50

Traditional, Composer - Mississippi John Hurt, MainArtist - Jimmy Yancey, ComposerLyricist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

10
Since I've Laid My Burden Down (Live)
00:03:40

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

11
Sliding Delta (Live)
00:03:11

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

12
Monday Morning Blues (Live)
00:03:59

Mississippi John Hurt, MainArtist, ComposerLyricist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

13
Richland Woman Blues (Live)
00:04:37

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

14
Candy Man (Live)
00:03:52

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

15
Stagolee (Live)
00:04:15

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

16
My Creole Belle (Live)
00:02:31

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

17
C.C. Rider (Live)
00:03:57

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

18
Spanish Fandango
00:01:12

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

19
Talking Casey (Live)
00:04:25

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

20
Chicken (Live)
00:00:58

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

21
You Are My Sunshine (Live)
00:02:36

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

22
Hop Joint (Live)
00:02:33

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

23
Trouble, I've Had It All My Days (Live)
00:02:30

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

24
Spike Driver Blues (Live)
00:03:52

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

Albumbeschreibung

Mississippi John Hurt's vocal and guitar style are always easy on the ears. Unlike a number of Delta stylists with their high-pitched voices and slashing slide guitars, Hurt's approach to country blues is immediately accessible. Recorded (for the most part) at Oberlin College in 1965, Live captures Hurt a couple of years after his rediscovery and one year before his death. He kicks off with several spirituals, including "I Shall Not Be Moved" and "Nearer My God to Thee." As Billy Altman points out in the liner notes, religious material was often excluded from studio recordings because no one believed it marketable. The remainder of Live consists of folk-blues, from "Salty Dog Blues" to "Coffee Blues" to "Ain't Nobody's Business." Hurt's finger-style guitar reminds one of Elizabeth Cotton and has more in common with the Piedmont players in general than those of his Mississippi home. Perhaps this connection helps explain why Hurt, who is considered primarily a bluesman, covered so many traditional folk songs. Indeed, the inclusion of songs like "C.C. Rider" also connects him to that other great straddler of folk and blues, Leadbelly. The last three tracks -- "Hop Joint," "Trouble, I've Had It All My Days," and "Spike Driver Blues" -- originate from the Newport Folk Festival in 1965 and fit in well with the other material. Fans will thank their Maker that Tom Hoskins traveled to Mississippi in 1963 to find out if Hurt was still among the living. Otherwise, excellent recordings like Live would've never been made.

© Ronnie D. Lankford, Jr. /TiVo

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