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Sinner|Judgement Day

Judgement Day

Sinner

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Though regularly lumped in with the barrage of post-Helloween German power metal bands, Sinner's albums have always been more representative of traditional hard rock and metal, as heard in the early '80s. Indeed, aside from its obvious Judas Priest fixation, the German quintet owes much of its pedigree to compatriots like the Scorpions and Accept -- before Helloween's thrash-styled double kick drums and ear-piercing falsetto vocals took hold and pushed everything to an altogether more frenetic and hysterical level. Well into its second decade, Sinner remains steadfastly committed to its roots, and 1997's impressive Judgement Day opus is no exception, merely updating guitar tones to appropriate distortion levels for the year at hand. Mixed by legendary producer Keith Olsen (Fleetwood Mac, Santana, Foreigner, etc.), the album is strictly 1984, with pounding drums, driving riffs, soaring harmonies, and dive-bombing guitar solos providing the perfect backdrop for Mat Sinner's almost unbearably trite lyrics (remember, nobody cared about lyrics back then). And for those with fond memories of those more innocent (and, OK, sometimes embarrassing) times will appreciate undeniable winners such as the thrusting "Used to the Truth," the epic title track, and the closing, über-dramatic power ballad "Streets of Sin."
© Eduardo Rivadavia /TiVo

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Judgement Day

Sinner

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1
Smoke and Mirror
00:01:41

Mat Sinner, Composer, Author - Sinner, Artist, MainArtist - Alex Beyrodt, Composer, Author

2000 Nuclear Blast 2000 Nuclear Blast

2
Used to the Truth
00:04:58

Mat Sinner, Composer, Author - Tom Naumann, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

3
Troublemaker
00:03:52

Mat Sinner, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

4
White Lightning
00:03:59

Mat Sinner, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

5
Judgement Day
00:08:50

Mat Sinner, Composer, Author - Sinner, Artist, MainArtist - Alex Beyrodt, Composer, Author

2000 Nuclear Blast 2000 Nuclear Blast

6
Jump the Gun
00:04:05

Mat Sinner, Composer, Author - Tom Naumann, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

7
Streets of Sin
00:07:21

Mat Sinner, Composer, Author - Tom Naumann, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

8
Pray for Mercy
00:04:35

Mat Sinner, Composer, Author - Tom Naumann, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

9
Blue Tattoo
00:03:10

Mat Sinner, Composer, Author - Tom Naumann, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

10
School of Hard Knocks
00:05:11

Mat Sinner, Composer, Author - Tom Naumann, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

11
Deathwalker
00:03:23

Mat Sinner, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

12
The Fugitive
00:04:08

Mat Sinner, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

13
The River Runs Dry
00:07:51

Mat Sinner, Composer, Author - Tom Naumann, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

14
Had Enough
00:05:15

Mat Sinner, Composer, Author - Sinner, Artist, MainArtist

2000 Nuclear Blast 2000 Nuclear Blast

Albumbeschreibung

Though regularly lumped in with the barrage of post-Helloween German power metal bands, Sinner's albums have always been more representative of traditional hard rock and metal, as heard in the early '80s. Indeed, aside from its obvious Judas Priest fixation, the German quintet owes much of its pedigree to compatriots like the Scorpions and Accept -- before Helloween's thrash-styled double kick drums and ear-piercing falsetto vocals took hold and pushed everything to an altogether more frenetic and hysterical level. Well into its second decade, Sinner remains steadfastly committed to its roots, and 1997's impressive Judgement Day opus is no exception, merely updating guitar tones to appropriate distortion levels for the year at hand. Mixed by legendary producer Keith Olsen (Fleetwood Mac, Santana, Foreigner, etc.), the album is strictly 1984, with pounding drums, driving riffs, soaring harmonies, and dive-bombing guitar solos providing the perfect backdrop for Mat Sinner's almost unbearably trite lyrics (remember, nobody cared about lyrics back then). And for those with fond memories of those more innocent (and, OK, sometimes embarrassing) times will appreciate undeniable winners such as the thrusting "Used to the Truth," the epic title track, and the closing, über-dramatic power ballad "Streets of Sin."
© Eduardo Rivadavia /TiVo

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