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Zager & Evans|In the Year 2525 (Exordium Terminus)

In the Year 2525 (Exordium Terminus)

Zager & Evans

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Text in englischer Sprache verfügbar

Essentially a one-hit record, In the Year 2525 will be of interest to most listeners solely for its compelling opening title track, which is a strangely haunting relic of dystopian kitsch that combines mariachi brass, jangling acoustic guitar, and a millennial narrative of technological meltdown. In one of the worst bits of track programming ever, it is followed by the hilariously awful sap-song "Woman." Zager and Evans are best when contrasting their rather nasal harmonies with an upbeat brass backing, as on "Bayoan" and "Taxi Man." When they repeat the title track's "count-up" narrative gimmick in "Fred," it's with little success. But what really haven't aged well are the slower, dopier numbers; some, like "I Remember Heide" and "Less Than Tomorrow" have spoken portions mid-song that have an undeniable (if unintentional) comic value.

© Paul Collins /TiVo

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In the Year 2525 (Exordium Terminus)

Zager & Evans

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1
In the Year 2525 (Exordium & Terminus)
00:03:19

Zager & Evans, Associated Performer, Main Artist, Producer - Evans Richard, Composer, Lyricist

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

2
Woman
00:01:23

Zager & Evans, Associated Performer, Main Artist - Rick Evans, Composer, Lyricist - Ted Daryll, Producer - Bobby Christian, Arranger

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

3
Bayoan
00:02:25

Zager & Evans, Associated Performer, Main Artist - Rick Evans, Composer, Lyricist - Ted Daryll, Producer - Bobby Christian, Arranger

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

4
I Remember Heide
00:02:21

Zager & Evans, Associated Performer, Main Artist - Rick Evans, Composer, Lyricist - Ted Daryll, Producer - Bobby Christian, Arranger

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

5
Fred
00:03:40

Zager & Evans, Associated Performer, Main Artist - Rick Evans, Composer, Lyricist - Ted Daryll, Producer - Bobby Christian, Arranger

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

6
Cary Lynn Javes
00:02:55

Zager & Evans, Associated Performer, Main Artist - Rick Evans, Composer, Lyricist - Ted Daryll, Producer - Bobby Christian, Arranger

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

7
Less Than Tomorrow
00:02:28

Zager & Evans, Associated Performer, Main Artist - Rick Evans, Composer, Lyricist - Ted Daryll, Producer - Bobby Christian, Arranger

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

8
Taxi Man
00:03:16

Zager & Evans, Associated Performer, Main Artist - Rick Evans, Composer, Lyricist - Ted Daryll, Producer - Bobby Christian, Arranger

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

9
Self
00:02:09

Zager & Evans, Associated Performer, Main Artist - Rick Evans, Composer, Lyricist - Bobby Christian, Arranger - Ted Daryll, Producer

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

10
In the Land of Green
00:04:14

Zager & Evans, Associated Performer, Main Artist - Rick Evans, Composer, Lyricist - Ted Daryll, Producer - Bobby Christian, Arranger

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

11
Little Kids
00:02:45

Zager & Evans, Associated Performer, Main Artist, Producer - Rick Evans, Composer, Lyricist

Originally released 1969. All rights reserved by RCA Records, a division of Sony Music Entertainment

Albumbeschreibung

Essentially a one-hit record, In the Year 2525 will be of interest to most listeners solely for its compelling opening title track, which is a strangely haunting relic of dystopian kitsch that combines mariachi brass, jangling acoustic guitar, and a millennial narrative of technological meltdown. In one of the worst bits of track programming ever, it is followed by the hilariously awful sap-song "Woman." Zager and Evans are best when contrasting their rather nasal harmonies with an upbeat brass backing, as on "Bayoan" and "Taxi Man." When they repeat the title track's "count-up" narrative gimmick in "Fred," it's with little success. But what really haven't aged well are the slower, dopier numbers; some, like "I Remember Heide" and "Less Than Tomorrow" have spoken portions mid-song that have an undeniable (if unintentional) comic value.

© Paul Collins /TiVo

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