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John Martyn|In Session At The BBC

In Session At The BBC

John Martyn

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These are the complete sessions that John Martyn recorded for two BBC disc jockeys between 1973 and 1978, and though a few have seen release elsewhere before, the majority are new to CD and a welcome addition to the Martyn canon. There's plenty of electric improvisation here, including "Devil Got My Woman" (really "I'd Rather Be the Devil") and "Inside" (better known as "Inside Out"), which get extensive workouts, and there's a 1978 take on "Small Hours" that ends the disc on a lovely, aching note. In between there's plenty of acoustic music (four tracks with a barely audible Danny Thompson on bass) that trawls through Martyn's work on three classic albums from his golden period. He pulls out some excellent performances, his fingers wonderfully agile, and his voice as deep as the bottom of a bottle of Scotch. This is good enough to be more than a footnote; for Martyn fans it's essential.

© Chris Nickson /TiVo

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In Session At The BBC

John Martyn

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1
Devil Get My Woman [BBC - Bob Harris 4/6/73]
00:06:25

John Martyn, MainArtist - Pete Ritzema, Producer - James Nehemiah, ComposerLyricist

℗ 1973 BBC

2
Inside [BBC - Bob Harris 4/6/73]
00:07:45

John Martyn, MainArtist, ComposerLyricist - Pete Ritzema, Producer

℗ 1973 BBC

3
Medley: Beverley / Make No Mistake (Live)
00:05:25

Jeff Griffin, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1973 BBC

4
May You Never [BBC - Bob Harris 15/10/73]
00:03:39

Jeff Griffin, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1973 BBC

5
Fine Lines [BBC - Bob Harris 15/10/73]
00:03:12

Jeff Griffin, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1973 BBC

6
Eibhli Ghail Chiuin Ni Chearbhail [BBC - Bob Harris 15/10/73]
00:02:53

Traditional, ComposerLyricist - Jeff Griffin, Producer - John Martyn, Arranger, Work Arranger, MainArtist

℗ 1973 BBC

7
One Day (Without You) (Live)
00:03:42

Mike Robinson, Engineer, StudioPersonnel - Tony Wilson, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1975 BBC

8
Discover The Lover [BBC - John Peel 13/1/75]
00:03:24

Mike Robinson, Engineer, StudioPersonnel - Tony Wilson, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1975 BBC

9
My Baby Girl (Live)
00:03:05

Mike Robinson, Engineer, StudioPersonnel - Tony Wilson, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1975 BBC

10
The Message [BBC - John Peel 13/1/75]
00:02:51

Mike Robinson, Engineer, StudioPersonnel - Tony Wilson, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1975 BBC

11
Spencer The Rover (Live)
00:03:57

Traditional, ComposerLyricist - Mike Robinson, Engineer, StudioPersonnel - Tony Wilson, Producer - John Martyn, Arranger, Work Arranger, MainArtist

℗ 1975 BBC

12
May You Never [BBC - John Peel 4/2/77]]
00:03:56

Mike Robinson, Engineer, StudioPersonnel - Tony Wilson, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1977 BBC

13
Medley: Certain Surprise / Couldn't Love You More (Live)
00:05:41

Mike Robinson, Engineer, StudioPersonnel - Tony Wilson, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1977 BBC

14
Over The Hill [BBC - John Peel 4/2/77]
00:02:28

Mike Robinson, Engineer, StudioPersonnel - Tony Wilson, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1977 BBC

15
One Day (Without You) [BBC - John Peel 4/2/77]
00:03:23

Mike Robinson, Engineer, StudioPersonnel - Tony Wilson, Producer - John Martyn, MainArtist, ComposerLyricist

℗ 1977 BBC

16
Small Hours - [BBC - John Peel 16/1/78]
00:08:22

Tony Wilson, Producer - John Martyn, MainArtist, ComposerLyricist - David Dade, Engineer, StudioPersonnel

℗ 1978 BBC

Albumbeschreibung

These are the complete sessions that John Martyn recorded for two BBC disc jockeys between 1973 and 1978, and though a few have seen release elsewhere before, the majority are new to CD and a welcome addition to the Martyn canon. There's plenty of electric improvisation here, including "Devil Got My Woman" (really "I'd Rather Be the Devil") and "Inside" (better known as "Inside Out"), which get extensive workouts, and there's a 1978 take on "Small Hours" that ends the disc on a lovely, aching note. In between there's plenty of acoustic music (four tracks with a barely audible Danny Thompson on bass) that trawls through Martyn's work on three classic albums from his golden period. He pulls out some excellent performances, his fingers wonderfully agile, and his voice as deep as the bottom of a bottle of Scotch. This is good enough to be more than a footnote; for Martyn fans it's essential.

© Chris Nickson /TiVo

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