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The Rolling Stones|Flowers

Flowers

The Rolling Stones

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Flowers was dismissed as a rip-off of sorts by some critics, since it took the patchwork bastardization of British releases for the American audience to extremes, gathering stray tracks from the U.K. versions of Aftermath and Between the Buttons, 1966-1967 singles (some of which had already been used on the U.S. editions of Aftermath and Between the Buttons), and a few outtakes. Judged solely by the music, though, it's rather great. "Lady Jane," "Ruby Tuesday," and "Let's Spend the Night Together" are all classics (although they had all been on an LP before); the 1966 single "Mother's Little Helper," a Top Ten hit, is also terrific; and "Have You Seen Your Mother Baby, Standing in the Shadow?," making its first album appearance, is the early Stones at their most surrealistic and angst-ridden. A lot of the rest of the cuts rate among their most outstanding 1966-1967 work. "Out of Time" is hit-worthy in its own right (and in fact topped the British charts in an inferior cover by Chris Farlowe); "Backstreet Girl," with its European waltz flavor, is one of the great underrated Stones songs. The same goes for the psychedelic Bo Diddley of "Please Go Home," and the acoustic, pensively sardonic "Sittin' on a Fence," with its strong Appalachian flavor. Almost every track is strong, so if you're serious about your Stones, don't pass this by just because a bunch of people slag it as an exploitative marketing trick (which it is). There's some outstanding material you can't get anywhere else, and the album as a whole plays very well from end to end.

© Richie Unterberger /TiVo

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Flowers

The Rolling Stones

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1
Ruby Tuesday
00:03:14

KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - The Rolling Stones, MainArtist

℗ 2007 ABKCO Music & Records Inc.

2
Have You Seen Your Mother, Baby, Standing In The Shadow? (Stereo Version)
00:02:35

Andrew Loog Oldham, Producer - KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - The Rolling Stones, Recording Arranger, MainArtist, AssociatedPerformer - GLYN JOHNS, Engineer, StudioPersonnel

℗ 1966 ABKCO Music & Records Inc.

3
Let's Spend The Night Together
00:03:38

KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - The Rolling Stones, MainArtist

℗ 2010 ABKCO Music & Records Inc.

4
Lady Jane (Mono Version)
00:03:08

Andrew Loog Oldham, Producer - Dave Hassinger, Engineer, StudioPersonnel - KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - The Rolling Stones, Recording Arranger, MainArtist, AssociatedPerformer

℗ 2008 ABKCO Music & Records Inc.

5
Out Of Time (Edit Version)
00:03:42

Andrew Loog Oldham, Producer - Dave Hassinger, Engineer, StudioPersonnel - KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - The Rolling Stones, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1966 ABKCO Music & Records Inc.

6
My Girl
00:02:39

Ronald White, ComposerLyricist - Andrew Loog Oldham, Producer - SMOKEY ROBINSON, ComposerLyricist - The Rolling Stones, Recording Arranger, MainArtist, AssociatedPerformer

℗ 2002 ABKCO Music & Records Inc.

7
Back Street Girl
00:03:26

Andrew Loog Oldham, Producer - KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - The Rolling Stones, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1967 ABKCO Music & Records Inc.

8
Please Go Home
00:03:19

Andrew Loog Oldham, Producer - KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - The Rolling Stones, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1967 ABKCO Music & Records Inc.

9
Mother's Little Helper
00:02:47

Andrew Loog Oldham, Producer - Dave Hassinger, Engineer, StudioPersonnel - KEITH RICHARDS, Acoustic Guitar, Electric Guitar, Vocals, AssociatedPerformer, ComposerLyricist - MICK JAGGER, Percussion, Vocals, Harmonica, AssociatedPerformer, ComposerLyricist - The Rolling Stones, Recording Arranger, MainArtist, AssociatedPerformer - Brian Jones, Acoustic Guitar, Electric Guitar, AssociatedPerformer - Bill Wyman, Bells, Bass Guitar, AssociatedPerformer - Charlie Watts, Bells, Drums, Percussion, AssociatedPerformer

℗ 2008 ABKCO Music & Records Inc.

10
Take It Or Leave It
00:02:47

Andrew Loog Oldham, Producer - Dave Hassinger, Engineer, StudioPersonnel - KEITH RICHARDS, Acoustic Guitar, Electric Guitar, Vocals, AssociatedPerformer, ComposerLyricist - MICK JAGGER, Percussion, Vocals, Harmonica, AssociatedPerformer, ComposerLyricist - The Rolling Stones, Recording Arranger, MainArtist, AssociatedPerformer - Brian Jones, Acoustic Guitar, Electric Guitar, AssociatedPerformer - Bill Wyman, Bells, Bass Guitar, AssociatedPerformer - Charlie Watts, Bells, Drums, Percussion, AssociatedPerformer

℗ 1966 ABKCO Music & Records Inc.

11
Ride On Baby
00:02:53

Andrew Loog Oldham, Producer - Dave Hassinger, Engineer, StudioPersonnel - KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - The Rolling Stones, Recording Arranger, MainArtist, AssociatedPerformer

℗ 1967 ABKCO Music & Records Inc.

12
Sittin' On A Fence
00:03:02

KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - The Rolling Stones, MainArtist

℗ 1967 ABKCO Music & Records Inc.

Albumbeschreibung

Flowers was dismissed as a rip-off of sorts by some critics, since it took the patchwork bastardization of British releases for the American audience to extremes, gathering stray tracks from the U.K. versions of Aftermath and Between the Buttons, 1966-1967 singles (some of which had already been used on the U.S. editions of Aftermath and Between the Buttons), and a few outtakes. Judged solely by the music, though, it's rather great. "Lady Jane," "Ruby Tuesday," and "Let's Spend the Night Together" are all classics (although they had all been on an LP before); the 1966 single "Mother's Little Helper," a Top Ten hit, is also terrific; and "Have You Seen Your Mother Baby, Standing in the Shadow?," making its first album appearance, is the early Stones at their most surrealistic and angst-ridden. A lot of the rest of the cuts rate among their most outstanding 1966-1967 work. "Out of Time" is hit-worthy in its own right (and in fact topped the British charts in an inferior cover by Chris Farlowe); "Backstreet Girl," with its European waltz flavor, is one of the great underrated Stones songs. The same goes for the psychedelic Bo Diddley of "Please Go Home," and the acoustic, pensively sardonic "Sittin' on a Fence," with its strong Appalachian flavor. Almost every track is strong, so if you're serious about your Stones, don't pass this by just because a bunch of people slag it as an exploitative marketing trick (which it is). There's some outstanding material you can't get anywhere else, and the album as a whole plays very well from end to end.

© Richie Unterberger /TiVo

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