Everybody's in Show-Biz (2022 Remaster)

The Kinks

Erschienen am 01.08.72 bei Sanctuary Records
Künstler: The Kinks
Genre: Rock

Verfügbar in

16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu "Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face"). Still, the live record is just a bonus, no matter how fun it is, since the travelogue of the first record is where the heart of Everybody's in Show-Biz lies. Davies views the road as monotony -- an endless stream of identical hotels, drunken sleep, anonymous towns, and really, really bad meals (at least three songs are about food, or have food metaphors). There's no sex on the album, at all, not even on Dave Davies' contribution, "You Don't Know My Name." Some of this is quite funny -- not just Ray's trademark wit, but musical jokes like the woozy beginning of "Unreal Reality" or the unbearably tongue-in-cheek "Look a Little on the Sunnyside" -- but there's a real sense of melancholy running throughout the record, most notably on the album's one unqualified masterpiece, "Celluloid Heroes." By the time it gets there, anyone that's not a hardcore fan may have turned it off. Why? Because this album is where Ray begins indulging his eccentricities, a move that only solidified the Kinks' status as a cult act. There are enough quirks to alienate even fans of their late-'60s masterpieces, but those very things make Everybody's in Show-Biz an easy album for those cultists to hold dear to their hearts.

© Stephen Thomas Erlewine /TiVo

Weitere Informationen

Everybody's in Show-Biz (2022 Remaster)

The Kinks

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

Here Comes Yet Another Day (2022 Remaster)

00:03:55

Raymond Douglas Davies, Composer, Producer, Guitar, Keyboards, Vocals, Writer - Dave Davies, Vocals, Lead Guitar - Mike Cotton, Trumpet - Barry Hammond, Engineer - The Kinks, MainArtist - Mike Bobak, Engineer - Martin Levan, Engineer - John Gosling, Accordion, Keyboards - MIKE BUTCHER, Engineer - Mick Avory, Drums - John Dalton, Bass - John Beecham, Trombone, Tuba - Alan Holmes, Clarinet, Baritone Saxophone

© 2022 Kinks Properties Limited, under exclusive license to Sanctuary Records Group Ltd., a BMG Company ℗ 2022 Kinks Properties Limited under exclusive license to Sanctuary Records Group Ltd., a BMG Company

Maximum Consumption (2022 Remaster)