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T-Bone Walker|Every Day I Have the Blues

Every Day I Have the Blues

T-Bone Walker

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Two songs into Every Day I Have the Blues, T-Bone Walker starts singing a slow-crawling 12-bar blues about "Vietnam," a pretty good indication that this 1969 LP belongs to its era. That's not the only way this record evokes its time. Released on Bob Thiele's newly launched Bluestime imprint, this is redolent of every production trend of the late '60s: topical songs compete for space with fuzz guitar, tracks that stretch out, way out, as both Walker and his supporting band get a lot of space to solo. Compared to other LPs from Bluestime -- including The Real Boss of the Blues by Big Joe Turner and Otis Spann's Sweet Giant of the Blues, both reissued in 2014 simultaneously with this Walker record -- Every Day I Have the Blues is more about the sounds and feel of 1969, which makes sense. Turner belonged to the '50s and Spann was an amiable session man but Walker was a frontman ready to ride the wave of fashion, hopefully getting toward the charts but, more realistically, garnering just enough attention to get back into the studio one more time. Every Day is filled with his signature single-note runs -- he was never less than a consummate guitarist -- and he amiably plays with the burbling organ, slightly too bawdy horns, and too loose rhythms. What's fun here is that very distant disconnect, how Walker doesn't fully embrace his new surroundings but is game anyway, playing up a storm on otherwise undistinguished instrumentals like "T-Bone Blues Special" and launching a cut called "For B.B. King" that is inexplicably based on Ray Charles' "Lonely Avenue" and finds T-Bone playing in his own style, never once attempting B.B.'s runs. Then again, much of the pleasure of this record is hearing Walker stay true to himself, no matter what his band does. He's happy to groove, he'll weather the fashions but he won't change his style, and that makes for an enjoyable listen. [Ace's 2014 reissue is augmented by two tracks originally released on the live 1970 LP Super Black Blues, Vol. 2.]

© Stephen Thomas Erlewine /TiVo

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Every Day I Have the Blues

T-Bone Walker

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1
Every Day I Have the Blues
00:04:22

T-Bone Walker, MainArtist - Copyright Control, MusicPublisher - Peter Chatman, Composer - Trio Music Company, Inc., MusicPublisher - FORT KNOX MUSIC, INC., MusicPublisher - BMG PLATINUM SONGS OBO ARC MUSIC CORP, MusicPublisher

(C) 2014 Ace Records (P) 1969 Flying Dutchman Records

2
Vietnam
00:05:05

T-Bone Walker, MainArtist - Bob Thiele, Composer - EMI Music Pub Ltd, MusicPublisher - Bienstock Publishing Company, MusicPublisher

(C) 2014 Ace Records (P) 1969 Flying Dutchman Records

3
Shake It Baby
00:03:07

John Lee Hooker, Composer - T-Bone Walker, MainArtist - Ambassador Music Ltd, MusicPublisher - GEORGE PINCUS & SONS CORP OBO JOHN LEE HOOKER MUSIC CORP, MusicPublisher

(C) 2014 Ace Records (P) 1969 Flying Dutchman Records

4
Cold, Cold Feeling
00:03:16

Jessie Mae Robinson, Composer - T-Bone Walker, MainArtist - Emi Unart Catalog Inc, MusicPublisher - EMI UNITED PARTNERSHIP LTD, MusicPublisher

(C) 2014 Ace Records (P) 1969 Flying Dutchman Records

5
T-Bone Blues Special
00:08:51

T-Bone Walker, MainArtist - Aaron Walker, Composer - Carlin Music Corp, MusicPublisher - Wixen Music Pub Inc OBO Lord and Walker Music, MusicPublisher

(C) 2014 Ace Records (P) 1969 Flying Dutchman Records

6
For B.B. King
00:03:49

Louie Shelton, Composer - T-Bone Walker, MainArtist - Carlin Music Corp, MusicPublisher - FREDDY BIENSTOCK MUSIC COMPANY, MusicPublisher

(C) 2014 Ace Records (P) 1969 Flying Dutchman Records

7
Sail On
00:03:23

T-Bone Walker, MainArtist - Aaron Walker, Composer - Carlin Music Corp, MusicPublisher - Wixen Music Pub Inc OBO Lord and Walker Music, MusicPublisher

(C) 2014 Ace Records (P) 1969 Flying Dutchman Records

8
Stormy Monday Blues (Live Version)
00:04:37

T-Bone Walker, MainArtist - Aaron Walker, Composer - Burlington Music Co Ltd, MusicPublisher - PEERMUSIC III LTD OBO GREGMARK MUSIC, MusicPublisher - Wixen Music Pub Inc OBO Lord and Walker Music, MusicPublisher

(C) 2014 Ace Records (P) 1970 Flying Dutchman Records

9
Sail On (Live Version)
00:02:24

T-Bone Walker, MainArtist - Aaron Walker, Composer - Carlin Music Corp, MusicPublisher - Wixen Music Pub Inc OBO Lord and Walker Music, MusicPublisher

(C) 2014 Ace Records (P) 1970 Flying Dutchman Records

Albumbeschreibung

Two songs into Every Day I Have the Blues, T-Bone Walker starts singing a slow-crawling 12-bar blues about "Vietnam," a pretty good indication that this 1969 LP belongs to its era. That's not the only way this record evokes its time. Released on Bob Thiele's newly launched Bluestime imprint, this is redolent of every production trend of the late '60s: topical songs compete for space with fuzz guitar, tracks that stretch out, way out, as both Walker and his supporting band get a lot of space to solo. Compared to other LPs from Bluestime -- including The Real Boss of the Blues by Big Joe Turner and Otis Spann's Sweet Giant of the Blues, both reissued in 2014 simultaneously with this Walker record -- Every Day I Have the Blues is more about the sounds and feel of 1969, which makes sense. Turner belonged to the '50s and Spann was an amiable session man but Walker was a frontman ready to ride the wave of fashion, hopefully getting toward the charts but, more realistically, garnering just enough attention to get back into the studio one more time. Every Day is filled with his signature single-note runs -- he was never less than a consummate guitarist -- and he amiably plays with the burbling organ, slightly too bawdy horns, and too loose rhythms. What's fun here is that very distant disconnect, how Walker doesn't fully embrace his new surroundings but is game anyway, playing up a storm on otherwise undistinguished instrumentals like "T-Bone Blues Special" and launching a cut called "For B.B. King" that is inexplicably based on Ray Charles' "Lonely Avenue" and finds T-Bone playing in his own style, never once attempting B.B.'s runs. Then again, much of the pleasure of this record is hearing Walker stay true to himself, no matter what his band does. He's happy to groove, he'll weather the fashions but he won't change his style, and that makes for an enjoyable listen. [Ace's 2014 reissue is augmented by two tracks originally released on the live 1970 LP Super Black Blues, Vol. 2.]

© Stephen Thomas Erlewine /TiVo

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