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Echo And The Bunnymen|Evergreen  (Expanded)

Evergreen (Expanded)

Echo & The Bunnymen

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After years of departures, solo albums, strange alliances, and rapprochement, Echo & the Bunnymen returned with Ian McCulloch at the helm for 1997's Evergreen. It's clear from the first song that the re-formed band is back in all its mysterious, uplifting, and graceful glory. "Don't Let It Bring You Down" features the best elements of the group -- Will Sergeant's soaring, biting guitar work, McCulloch's majestic vocals and yearning lyrics, Les Pattinson's rock-solid bass -- and applies them to a deeply felt midtempo ballad that's as heart-tugging as it is melodic. It's a fine start, and the rest of the album follows suit. The sound of the record bypasses the cold exteriors and machine-bolstered slickness of Echo & the Bunnymen in favor of a more organic approach that puts Sergeant back out front and adds orchestral textures to many of the songs. It's a more mainstream, less operatic take on Ocean Rain that finds room for uptempo rockers -- "I Want to Be There (When You Come)," "Baseball Bill" -- and melodramatic ballads -- "I'll Fly Tonight," Just a Touch Away" -- while sounding like nothing less than a great rock & roll band on the title track and "Altamont." Like most of the rock and pop world in the mid- to late '90s, Echo had their "Wonderwall" moments; both "Nothing Lasts Forever" and "Forgiven" are plaintive, classically structured big ballads that aim for the rafters and achieve their goal magnificently. The twist the band delivers is that it isn't uplifting and laddy, it's painfully sad and deeply felt. There is a gravity and power to these songs that Oasis can't measure up to, and the rest of the album has enough of each of those two elements to knock any Brit-pop contenders to Echo's throne sideways. Evergreen is a strong, sometimes stunning, comeback for the band, one that stays true to the sounds that made them so spectacular while also adding contemporary elements in a totally organic manner.

© Tim Sendra /TiVo

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Evergreen (Expanded)

Echo And The Bunnymen

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1
Don't Let It Get You Down
00:03:50

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer, Writer - Les Pattinson, Composer, Writer - Will Sergeant, Composer, Writer - Mixed By: Clif Norrell, Mixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

2
In My Time
00:03:26

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer - Les Pattinson, Composer - Will Sergeant, Composer - Mixed By: Clif Norrell, Mixer, Remixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

3
I Want to Be There (When You Come)
00:03:38

McCulloch, Composer - Sergeant, Composer - Pattinson, Composer - Echo & The Bunnymen, Composer, Production, MainArtist - Ian Mcculloch, Writer - Les Pattinson, Writer - Will Sergeant, Writer - Mixed By: Clif Norrell, Mixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

4
Evergreen
00:04:09

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer - Les Pattinson, Composer - Will Sergeant, Composer - Mixed By: Clif Norrell, Mixer, Remixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

5
I'll Fly Tonight
00:04:23

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer - Les Pattinson, Composer - Will Sergeant, Composer - Mixed By: Clif Norrell, Mixer, Remixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

6
Nothing Lasts Forever
00:03:55

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer, Writer - Les Pattinson, Composer, Writer - Will Sergeant, Composer, Writer - Mixed By: Clif Norrell, Mixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

7
Baseball Bill
00:04:04

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer - Les Pattinson, Composer - Will Sergeant, Composer - Mixed By: Clif Norrell, Mixer, Remixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

8
Altamont
00:03:52

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer, Writer - Les Pattinson, Composer, Writer - Will Sergeant, Composer, Writer - Mixed By: Clif Norrell, Mixer, Remixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

9
Just a Touch Away
00:05:08

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer - Les Pattinson, Composer - Will Sergeant, Composer - Mixed By: Clif Norrell, Mixer, Remixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

10
Empire State Halo
00:03:59

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer - Les Pattinson, Composer - Will Sergeant, Composer - Mixed By: Clif Norrell, Mixer, Remixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

11
Too Young to Kneel
00:03:40

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer - Les Pattinson, Composer - Will Sergeant, Composer - Mixed By: Clif Norrell, Mixer, Remixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

12
Forgiven
00:05:48

Echo & The Bunnymen, Production, MainArtist - Ian Mcculloch, Composer - Les Pattinson, Composer - Will Sergeant, Composer - Mixed By: Clif Norrell, Mixer, Remixer - Production: Echo & The Bunnymen, Production - Clif Norrell, Mixer

© 1997 London Records Ltd ℗ 1997 London Music Stream Ltd. LC77554

13
I Want to Be There (When You Come) (Live Version)
00:03:29

Echo & The Bunnymen, MainArtist - Ian Mcculloch, Vocals, Writer - Les Pattinson, Writer, Bass - Will Sergeant, Guitar, Writer

© 1997 London Records Ltd ℗ 1997 Warner Records 90 Ltd

14
Bedbugs and Ballyhoo (Live)
00:03:44

Echo & The Bunnymen, MainArtist - Ian Mcculloch, Vocals, Writer - Les Pattinson, Writer - Will Sergeant, Guitar, Writer - Pete de Freitas, Writer

© 1997 London Records Ltd ℗ 1997 Warner Records 90 Ltd

15
Rescue (Live)
00:03:52

Echo & The Bunnymen, MainArtist - Ian Mcculloch, Vocals, Writer - Les Pattinson, Writer - Will Sergeant, Guitar, Writer - Pete de Freitas, Writer

© 1997 London Records Ltd ℗ 1997 Warner Records 90 Ltd

16
Lips Like Sugar (Live)
00:04:42

Echo & The Bunnymen, MainArtist - Ian Mcculloch, Vocals, Writer - Les Pattinson, Writer - Will Sergeant, Guitar, Writer

© 1997 London Records Ltd ℗ 1997 Warner Records 90 Ltd

Albumbeschreibung

After years of departures, solo albums, strange alliances, and rapprochement, Echo & the Bunnymen returned with Ian McCulloch at the helm for 1997's Evergreen. It's clear from the first song that the re-formed band is back in all its mysterious, uplifting, and graceful glory. "Don't Let It Bring You Down" features the best elements of the group -- Will Sergeant's soaring, biting guitar work, McCulloch's majestic vocals and yearning lyrics, Les Pattinson's rock-solid bass -- and applies them to a deeply felt midtempo ballad that's as heart-tugging as it is melodic. It's a fine start, and the rest of the album follows suit. The sound of the record bypasses the cold exteriors and machine-bolstered slickness of Echo & the Bunnymen in favor of a more organic approach that puts Sergeant back out front and adds orchestral textures to many of the songs. It's a more mainstream, less operatic take on Ocean Rain that finds room for uptempo rockers -- "I Want to Be There (When You Come)," "Baseball Bill" -- and melodramatic ballads -- "I'll Fly Tonight," Just a Touch Away" -- while sounding like nothing less than a great rock & roll band on the title track and "Altamont." Like most of the rock and pop world in the mid- to late '90s, Echo had their "Wonderwall" moments; both "Nothing Lasts Forever" and "Forgiven" are plaintive, classically structured big ballads that aim for the rafters and achieve their goal magnificently. The twist the band delivers is that it isn't uplifting and laddy, it's painfully sad and deeply felt. There is a gravity and power to these songs that Oasis can't measure up to, and the rest of the album has enough of each of those two elements to knock any Brit-pop contenders to Echo's throne sideways. Evergreen is a strong, sometimes stunning, comeback for the band, one that stays true to the sounds that made them so spectacular while also adding contemporary elements in a totally organic manner.

© Tim Sendra /TiVo

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