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Dreamland is the second volume in Joni Mitchell's self-compiled series of "theme" retrospectives. The first, issued on the Geffen label, was entitled The Beginning of Survival. It focused on songs that dug deep into social, cultural, political, and environmental themes, as "commentaries on the world in which we live." Dreamland was compiled from her Asylum, Reprise, and Nonesuch years and focuses, for lack of a better term, on the jazzier side of her catalog musically, including songs with lyrics are all highly imagistic in their makeup. Most are dealing with love and life in the process of moving through it. From "Free Man in Paris" and the title track, to "In France They Kiss on Main Street," "Come in From the Cold," "Help Me," and of course, "You Turn Me on I'm a Radio," these songs turn the tide for the listener from the place of observing love to the terrain of being caught up in it, where everything is hyperreal and the senses are heightened. The other, tempered side of love is offered with the orchestral version of "Both Sides Now" and "For the Roses." But there are other songs, too, like "Furry Sings the Blues," which paints a nocturnal landscape of the blues past, as visited by the protagonist in dreaming, or travel as an other reality in the orchestral reading of "Amelia," or in "California." In each instance, the view of reality presented is distorted, either by memory, the acute hypersensitivity of the heart, or by the notion of displacement. All of these strains weave a new terrain from Mitchell's oeuvre. The package is, once again, a delight, featuring a fine appreciation by Cameron Crowe, and reproductions of ten of Mitchell's paintings. While the material here has all been released before, as has always been the case with Mitchell's work, context is everything. This bold new context offers a startling view of the artist as auteur.
© Thom Jurek /TiVo
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David Crosby, Backing Vocals - Milt Holland, Chimes - WILTON FELDER, Bass Guitar - Bernie Grundman, MasteringEngineer - Tom Scott, Oboe - JOHN GUERIN, Drums, Percussion - Henry Lewy, Engineer - Joni Mitchell, Producer, Piano, Vocals, Backing Vocals, Writer, MainArtist - JOE SAMPLE, Piano - Jose Feliciano, Electric Guitar - Graham nash, Backing Vocals - LARRY CARLTON, Electric Guitar
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1974 Asylum Records
David Crosby, Backing Vocals - Bernie Grundman, MasteringEngineer - Victor Feldman, Piano - JOHN GUERIN, Drums - Henry Lewy, Engineer, MixingEngineer - JAMES TAYLOR, Backing Vocals - Joni Mitchell, Producer, Acoustic Guitar, Vocals, Writer, MainArtist, MixingEngineer - JEFF BAXTER, Electric Guitar - Graham nash, Backing Vocals - Max Bennett, Bass Guitar - Robben Ford, Guitar - Ellis Sorkin, AssistantEngineer
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1975 Asylum Records
Steve Katz, Audio Recording Engineer, MixingEngineer - Bernie Grundman, MasteringEngineer - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Vocals, Writer, MainArtist - CHAKA KHAN, Vocals - Frank Laico, Orchestral Engineer - Don Alias, Percussion - JACO PASTORIUS, Cowbell Percussion - Alejandro Acuna, Shaker - Manola Badrena, Congas Drums - Airto, Surdo - Robert Ash, AssistantEngineer
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1977 Asylum Records
Bernie Grundman, MasteringEngineer - Henry Lewy, Engineer, MixingEngineer - Joni Mitchell, Producer, Acoustic Guitar, Vocals, Writer, Synthesizer, MainArtist, MixingEngineer - Ellis Sorkin, AssistantEngineer
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1975 Asylum Records
Steve Katz, Audio Recording Engineer, AssistantProducer - Bernie Grundman, MasteringEngineer - Neil Young, Harmonica - JOHN GUERIN, Drums - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Vocals, Writer, MainArtist - Max Bennett, Bass Guitar - LARRY CARLTON, Guitar
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1976 Asylum Records
WILTON FELDER, Bass Guitar - Russ Kunkel, Drums - Henry Lewy, Engineer - Joni Mitchell, Producer, Piano, Vocals, Writer, MainArtist - Bobbye Hall, Percussion - Graham nash, Harmonica
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1972 Asylum Records
Stephen Stills, Guitar, Bass Guitar - Russ Kunkel, Drums - Henry Lewy, Engineer - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1971 Reprise Records
Milt Holland, Percussion - Henry Lewy, Engineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, MainArtist - Paul Horn, Clarinet, Flute - Teresa Adams, Cello - The Sasaktunes, Chorus - Jim Horn, Baritone Saxophone - Don Bagley, Cello Arranger
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1970 Reprise Records
Russ Kunkel, Drums - Henry Lewy, Engineer - JAMES TAYLOR, Guitar - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist - Sneeky Pete, Pedal Steel Guitar
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1971 Reprise Records
Milt Holland, Chimes - Bernie Grundman, MasteringEngineer - Tom Scott, Oboe - JOHN GUERIN, Drums, Percussion - Henry Lewy, Engineer - Joni Mitchell, Producer, Piano, Vocals, Writer, MainArtist - JOE SAMPLE, Piano - Max Bennett, Bass Guitar - LARRY CARLTON, Electric Guitar
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1974 Asylum Records
Steve Katz, Audio Recording Engineer, AssistantProducer - Bernie Grundman, MasteringEngineer - Victor Feldman, Vibraphone - Henry Lewy, Audio Recording Engineer, MixingEngineer - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist - LARRY CARLTON, Lead Guitar
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 2002 Nonesuch Records
Henry Lewy, Engineer - Joni Mitchell, Producer, Guitar, Vocals, Writer, MainArtist
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 2002 Nonesuch Records
Gavyn Wright, Violin, Concertmaster - Iain Dixon, Bass Clarinet - Phil Todd, Clarinet, Flute - Dave Arch, Piano - Bernie Grundman, MasteringEngineer - Everton Nelson, Violin - Matthew Scrivener, Violin - Andy Crowley, Trumpet - Richard Edwards, Trombone - Chris Laurence, Bass - Richard Henry, Bass Trombone - Richard Watkins, Horn - Frank Ricotti, Percussion - Joni Mitchell, Producer, Vocals, Writer, MainArtist - Vince Mendoza, Conductor - Dermot Crehan, Violin - mary Scully, Bass - Anthony Pleeth, Cello - Dave Stewart, Bass Trombone - Geoff Foster, Audio Recording Engineer - Owen Slade, Tuba - Perry Montague-Mason, Violin - Peter Lale, Viola - ALLEN SIDES, MixingEngineer, AdditionalEngineer - Mike Thompson, Horn - LARRY KLEIN, Producer, Director - Steve Sidwell, Trumpet - Andy Findon, Flute - Gerard Presencer, Trumpet - BEN GEORGIADES, AssistantEngineer - Neil Sidwell, Trombone - Nigel Black, Horn - Chris Tombling, Violin - Patrick Kiernan, Violin - Frank Schaefer, Cello - Julian Leaper, Violin - Roger Garland, Violin - Cathy Thompson, Violin - Dave Woodcock, Violin - Rachel Bolt, Viola - Bruce White, Viola - Tony Lewis, Cello - Martin Loveday, Cello - JOHN ANDERSON, Oboe - John Barclay, Trumpet - Warren Zielinski, Violin - Maciej Rakowski, Violin - Jim McLeod, Violin - Derek Watkins, Trumpet - Don McVay, Viola - Paul Kegg, Cello - Dave Daniels, Cello - Jackie Shave, Violin - Rita Manning, Violin - Ivo Van Der Werff, Viola - Skaila Kanga, Harp - Chuck Berghofer, Bass - Simon Fischer, Violin - Rebecca Hirsch, Violin - Mike McMenemy, Violin - Katie Wilkinson, Viola - Ben Cruft, Violin - Kathy Shave, Violin - John Pigneguy, Horn - Nick Bucknall, Clarinet - Anthony Pike, Clarinet, Bass - Peter Davies, Trombone - Julie Andrews, Bassoon - Richard Skinner, Bassoon - Gavin McNaughton, Bassoon - Sue Bohling, Oboe - Bill Benham, Viola - Jonathan Strange, Violin - Jamie Talbot, Clarinet, Flute, Alto Saxophone - Paul Gardham, Horn - Wayne Shorter, Soprano Saxophone, Tenor Saxophone - Peter Erskine, Drums - Antonia Fuchs, Violin - Boguslav Kotecki, Violin - Catherine Bradshaw, Viola - Godfrey Salmon, Violin - Helen Liebmann, Cello - Helenn Keen, Flute - Hugh Seenan, Horn - Mike Brittain, Bass - Peter Oxet, Violin - Phil Eastop, Horn - Stan Sulzman, Clarinet, Flute - Vaughn Armon, Violin - Wilf Gibson, Violin - John Tyree, Assistant Mixing Engineer - Peter Beachil, Trombone
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 2000 Reprise Records
Milt Holland, Percussion - Henry Lewy, Engineer - Joni Mitchell, Producer, Arranger, Guitar, Piano, Vocals, Writer, MainArtist - Paul Horn, Clarinet, Flute - Teresa Adams, Cello - The Sasaktunes, Chorus - The Lookout Mountain United Downstairs Chorus, Chorus - Jim Horn, Baritone Saxophone - Don Bagley, Cello Arranger
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 1970 Reprise Records
Albumbeschreibung
Dreamland is the second volume in Joni Mitchell's self-compiled series of "theme" retrospectives. The first, issued on the Geffen label, was entitled The Beginning of Survival. It focused on songs that dug deep into social, cultural, political, and environmental themes, as "commentaries on the world in which we live." Dreamland was compiled from her Asylum, Reprise, and Nonesuch years and focuses, for lack of a better term, on the jazzier side of her catalog musically, including songs with lyrics are all highly imagistic in their makeup. Most are dealing with love and life in the process of moving through it. From "Free Man in Paris" and the title track, to "In France They Kiss on Main Street," "Come in From the Cold," "Help Me," and of course, "You Turn Me on I'm a Radio," these songs turn the tide for the listener from the place of observing love to the terrain of being caught up in it, where everything is hyperreal and the senses are heightened. The other, tempered side of love is offered with the orchestral version of "Both Sides Now" and "For the Roses." But there are other songs, too, like "Furry Sings the Blues," which paints a nocturnal landscape of the blues past, as visited by the protagonist in dreaming, or travel as an other reality in the orchestral reading of "Amelia," or in "California." In each instance, the view of reality presented is distorted, either by memory, the acute hypersensitivity of the heart, or by the notion of displacement. All of these strains weave a new terrain from Mitchell's oeuvre. The package is, once again, a delight, featuring a fine appreciation by Cameron Crowe, and reproductions of ten of Mitchell's paintings. While the material here has all been released before, as has always been the case with Mitchell's work, context is everything. This bold new context offers a startling view of the artist as auteur.
© Thom Jurek /TiVo
Informationen zu dem Album
- 1 Disc(s) - 14 Track(s)
- Gesamte Laufzeit: 01:00:30
- Künstler: Joni Mitchell
- Label: Rhino
- Genre: Jazz
© 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing ℗ 2004 Elektra Entertainment Group. Manufactued and Marketed by Warner Strategic Marketing
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