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Andrew Manze|Brahms: Complete Symphonies

Brahms: Complete Symphonies

Andrew Manze

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Text in englischer Sprache verfügbar

One might expect Andrew Manze's interpretations of Johannes Brahms' four symphonies to adhere to ideas of the movement for historically informed performance practice, due to his scholarship and dedication to authenticity in his early music performances. However, and somewhat paradoxically, he and the Helsingborg Symphony Orchestra have delivered more or less mainstream readings on modern instruments; there are no signs of late 19th century woodwind or brass timbres, and the strings play with standard vibrato. Yet Manze's historical fact finding has gone to a deeper level than just replicating instrumentation or orchestral scale, and he has found numerous clues to Brahms' intentions in the composer's transcriptions of the symphonies for two pianos, which often vary with the published orchestral scores in accentuation, tempo indications, and phrasing. These are fine points that can be discerned with careful listening and great familiarity with many other recordings of the symphonies, both conventional and historic, but they may not be the main thing listeners will consider in appreciating this set. The playing and the recording quality are up to the extraordinarily high levels set by CPO in all its releases, and these resilient works sound as good as they ever did under any other conductor. Indeed, it's difficult to tell where Manze has discovered much that's novel, though the most obvious example would be the steadily brisk tempo he maintains throughout the Finale of the Symphony No. 1, not slowing down for the big theme as has become customary. With equally fine versions of the Haydn Variations, the Tragic Overture, and the Academic Festival Overture, this is a classic presentation that will please connoisseurs and casual listeners alike, without causing any controversy.
© TiVo

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Brahms: Complete Symphonies

Andrew Manze

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Symphony No. 1 in C minor, Op. 68 (Johannes Brahms)

1
I. Un poco sostenuto - Allegro
Helsingborgs Symfoniorkester
00:15:01

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

2
II. Andante sostenuto
Helsingborgs Symfoniorkester
00:09:30

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

3
III. Un poco allegretto e grazioso
Helsingborgs Symfoniorkester
00:04:43

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

4
IV. Adagio - Più andante - Allegro non troppo ma con brio
Helsingborgs Symfoniorkester
00:16:17

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations" (Johannes Brahms)

5
Theme. Chorale St. Antoni: Andante
Helsingborgs Symfoniorkester
00:02:01

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variation 1 (Johannes Brahms)

6
Andante con moto
Helsingborgs Symfoniorkester
00:01:16

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variation 2 (Johannes Brahms)

7
Vivace
Helsingborgs Symfoniorkester
00:01:01

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variation 3 (Johannes Brahms)

8
Con moto
Helsingborgs Symfoniorkester
00:01:53

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variation 4 (Johannes Brahms)

9
Andante
Helsingborgs Symfoniorkester
00:02:21

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variation 5 (Johannes Brahms)

10
Poco presto
Helsingborgs Symfoniorkester
00:01:02

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variation 6 (Johannes Brahms)

11
Vivace
Helsingborgs Symfoniorkester
00:01:12

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variation 7 (Johannes Brahms)

12
Grazioso
Helsingborgs Symfoniorkester
00:03:12

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variation 8 (Johannes Brahms)

13
Poco presto
Helsingborgs Symfoniorkester
00:01:17

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations" (Johannes Brahms)

14
Finale. Andante
Helsingborgs Symfoniorkester
00:03:49

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

DISC 2

Symphony No. 2 in D major, Op. 73 (Johannes Brahms)

1
I. Allegro non troppo
Helsingborgs Symfoniorkester
00:19:50

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

2
II. Adagio non troppo - L'istesso tempo, ma grazioso
Helsingborgs Symfoniorkester
00:11:04

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

3
III. Allegretto grazioso (quasi andantino) - Presto ma non assai
Helsingborgs Symfoniorkester
00:05:26

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

4
IV. Allegro con spirito
Helsingborgs Symfoniorkester
00:08:50

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Tragic Overture, Op. 81 (Johannes Brahms)

5
Tragic Overture, Op. 81
Helsingborgs Symfoniorkester
00:13:36

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Academic Festival Overture, Op. 80 (Johannes Brahms)

6
Academic Festival Overture, Op. 80
Helsingborgs Symfoniorkester
00:10:17

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

DISC 3

Symphony No. 3 in F major, Op. 90 (Johannes Brahms)

1
I. Allegro con brio - Un poco sostenuto
Helsingborgs Symfoniorkester
00:12:23

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

2
II. Andante
Helsingborgs Symfoniorkester
00:10:19

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

3
III. Poco allegretto
Helsingborgs Symfoniorkester
00:05:30

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

4
IV. Allegro - Un poco sostenuto
Helsingborgs Symfoniorkester
00:08:25

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Symphony No. 4 in E minor, Op. 98 (Johannes Brahms)

5
I. Allegro non troppo
Helsingborgs Symfoniorkester
00:12:19

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

6
II. Andante moderato
Helsingborgs Symfoniorkester
00:11:54

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

7
III. Allegro giocoso - Poco meno presto
Helsingborgs Symfoniorkester
00:06:07

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

8
IV. Allegro energico e passionato - Più allegro
Helsingborgs Symfoniorkester
00:10:21

Helsingborg Symphony Orchestra - Andrew Manze, Conductor

(C) 2012 CPO (P) 2012 CPO

Albumbeschreibung

One might expect Andrew Manze's interpretations of Johannes Brahms' four symphonies to adhere to ideas of the movement for historically informed performance practice, due to his scholarship and dedication to authenticity in his early music performances. However, and somewhat paradoxically, he and the Helsingborg Symphony Orchestra have delivered more or less mainstream readings on modern instruments; there are no signs of late 19th century woodwind or brass timbres, and the strings play with standard vibrato. Yet Manze's historical fact finding has gone to a deeper level than just replicating instrumentation or orchestral scale, and he has found numerous clues to Brahms' intentions in the composer's transcriptions of the symphonies for two pianos, which often vary with the published orchestral scores in accentuation, tempo indications, and phrasing. These are fine points that can be discerned with careful listening and great familiarity with many other recordings of the symphonies, both conventional and historic, but they may not be the main thing listeners will consider in appreciating this set. The playing and the recording quality are up to the extraordinarily high levels set by CPO in all its releases, and these resilient works sound as good as they ever did under any other conductor. Indeed, it's difficult to tell where Manze has discovered much that's novel, though the most obvious example would be the steadily brisk tempo he maintains throughout the Finale of the Symphony No. 1, not slowing down for the big theme as has become customary. With equally fine versions of the Haydn Variations, the Tragic Overture, and the Academic Festival Overture, this is a classic presentation that will please connoisseurs and casual listeners alike, without causing any controversy.
© TiVo

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