Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Canned Heat's second long-player, Boogie with Canned Heat (1968), pretty well sums up the bona fide blend of amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie. The quintet -- consisting of Alan "Blind Owl" Wilson (guitar/harmonica/vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Aldolfo "Fido" Dela Parra (drums), and Bob "The Bear" Hite (vocals) -- follow up their debut effort with another batch of authentic interpretations, augmented by their own exceptional instrumentation. One development is their incorporation of strong original compositions. "On the Road Again" -- which became the combo's first, and arguably, most significant hit -- as well as the Albert King inspired anti-speed anthem, "Amphetamine Annie," were not only programmed on the then-burgeoning underground FM radio waves, but also on the more adventuresome AM Top 40 stations. Their love of authentic R&B informs "World in a Jug," the dark "Turpentine Blues," and Hite's update of Tommy McClennan's "Whiskey Headed Woman." The Creole anthem "Marie Laveau" is nothing like the more familiar cut by Bobby Bare, although similarities in content are most likely derived from a common source. The side, as rendered here, is arguably most notable for the driving interaction between guitarists Wilson and Vestine as they wail and moan over Hite's imposing leads. Saving the best for last, the Heat are at the height of their prowess during the lengthy audio biography on "Fried Hockey Boogie." Each member is introduced by Hite and given a chance to solo before they kick out the jams, culminating in Hite's crescendo of " ... Don't forget to boogie!" In 1999 the French label, Magic Records, issued an expanded edition of Boogie with Canned Heat supplemented by half-a-dozen sides, such as the 45 RPM edits of "On the Road Again," "Boogie Music" and "Goin' Up the Country." Also included are the once difficult-to-locate 45-only "One Kind Favor," as well as the seasonal offering "Christmas Blues" and "The Chipmunk Song" -- with guest shots from none other than Alvin, Simon, Theodore, and David Seville of the one and only Chipmunks. For enthusiasts as well as listeners curious about the oft-overlooked combo, this is an essential, if not compulsory platter.
© Lindsay Planer /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
LARRY WEISS, Composer - Dallas Smith, Producer - Canned Heat, MainArtist
℗ 1968 Capitol Records, LLC
Dallas Smith, Producer - CBSO Chorus, Composer - Robert Tear, Composer - City Of Birmingham Symphony Orchestra, Composer - Sir Simon Rattle, Composer - Canned Heat, MainArtist - Alan Wilson, Composer - Simon Halsey, Composer - Alison Hargan, Composer - Willard White, Composer - Mary King, Composer - Adolfo De La Parra, Composer - Samuel Taylor, Composer
℗ 1968 Capitol Records, LLC
Dallas Smith, Producer - Canned Heat, MainArtist - Alan Wilson, ComposerLyricist - Floyd Jones, ComposerLyricist
℗ 1968 Capitol Records, LLC.
Dallas Smith, Producer - Robert Tear, ComposerLyricist - City Of Birmingham Symphony Orchestra, ComposerLyricist - Sir Simon Rattle, ComposerLyricist - Canned Heat, MainArtist - Alan Wilson, ComposerLyricist - Simon Halsey, ComposerLyricist - Alison Hargan, ComposerLyricist - Willard White, ComposerLyricist - Henry Vestine, ComposerLyricist - Mary King, ComposerLyricist - Adolfo De La Parra, ComposerLyricist - Samuel Taylor, ComposerLyricist
℗ 1968 Capitol Records, LLC.
Dallas Smith, Producer - S. Taylor, Composer - CBSO Chorus, Composer - Robert Tear, Composer - City Of Birmingham Symphony Orchestra, Composer - Sir Simon Rattle, Composer - Canned Heat, MainArtist - Alan Wilson, Composer - Simon Halsey, Composer - Alison Hargan, Composer - Willard White, Composer - Henry Vestine, Composer - Mary King, Composer - Adolfo De La Parra, Composer
℗ 1968 Capitol Records, LLC
Dallas Smith, Producer - CBSO Chorus, Composer - Robert Tear, Composer - City Of Birmingham Symphony Orchestra, Composer - Sir Simon Rattle, Composer - Canned Heat, MainArtist - Simon Halsey, Composer - Alison Hargan, Composer - Willard White, Composer - Mary King, Composer
℗ 1968 Capitol Records, LLC
Dallas Smith, Producer - CBSO Chorus, Composer - Robert Tear, Composer - City Of Birmingham Symphony Orchestra, Composer - Sir Simon Rattle, Composer - Canned Heat, MainArtist - Alan Wilson, Composer - Simon Halsey, Composer - Alison Hargan, Composer - Willard White, Composer - Henry Vestine, Composer - Mary King, Composer - Adolfo De La Parra, Composer - Les Taylor, Composer
℗ 1968 Capitol Records, LLC
Dallas Smith, Producer - Canned Heat, MainArtist - Alan Wilson, Composer
℗ 1968 Capitol Records, LLC
Dallas Smith, Producer - Canned Heat, MainArtist - Henry Vestine, Composer
℗ 1968 Capitol Records, LLC
Dallas Smith, Producer - S. Taylor, Composer - Canned Heat, MainArtist
℗ 1968 Capitol Records, LLC
Albumbeschreibung
Canned Heat's second long-player, Boogie with Canned Heat (1968), pretty well sums up the bona fide blend of amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie. The quintet -- consisting of Alan "Blind Owl" Wilson (guitar/harmonica/vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Aldolfo "Fido" Dela Parra (drums), and Bob "The Bear" Hite (vocals) -- follow up their debut effort with another batch of authentic interpretations, augmented by their own exceptional instrumentation. One development is their incorporation of strong original compositions. "On the Road Again" -- which became the combo's first, and arguably, most significant hit -- as well as the Albert King inspired anti-speed anthem, "Amphetamine Annie," were not only programmed on the then-burgeoning underground FM radio waves, but also on the more adventuresome AM Top 40 stations. Their love of authentic R&B informs "World in a Jug," the dark "Turpentine Blues," and Hite's update of Tommy McClennan's "Whiskey Headed Woman." The Creole anthem "Marie Laveau" is nothing like the more familiar cut by Bobby Bare, although similarities in content are most likely derived from a common source. The side, as rendered here, is arguably most notable for the driving interaction between guitarists Wilson and Vestine as they wail and moan over Hite's imposing leads. Saving the best for last, the Heat are at the height of their prowess during the lengthy audio biography on "Fried Hockey Boogie." Each member is introduced by Hite and given a chance to solo before they kick out the jams, culminating in Hite's crescendo of " ... Don't forget to boogie!" In 1999 the French label, Magic Records, issued an expanded edition of Boogie with Canned Heat supplemented by half-a-dozen sides, such as the 45 RPM edits of "On the Road Again," "Boogie Music" and "Goin' Up the Country." Also included are the once difficult-to-locate 45-only "One Kind Favor," as well as the seasonal offering "Christmas Blues" and "The Chipmunk Song" -- with guest shots from none other than Alvin, Simon, Theodore, and David Seville of the one and only Chipmunks. For enthusiasts as well as listeners curious about the oft-overlooked combo, this is an essential, if not compulsory platter.
© Lindsay Planer /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:43:41
- Künstler: Canned Heat
- Komponist: Various Composers
- Label: CAPITOL CATALOG MKT (C92)
- Genre: Pop/Rock Rock
© 1968 Capitol Records LLC ℗ 2014 Capitol Records LLC
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.
Playlists