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Rachel Sweet|...And Then He Kissed Me

...And Then He Kissed Me

Rachel Sweet

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Rachel Sweet's third album opens with D.L. Byron's "Shadows of the Night," and though Pat Benatar put it on the charts the next year in a glorious overdrive worthy of Jim Steinman, here it's scaled back just a notch, with the lovers' mutual pledge, their sacrifices to each other, even as the majestic chords come ringing out. Paired now with producers Rick Chertoff and Pete Solly, Sweet keeps her huge voice and her hell-bent-for-leather energy with plenty of nods to Phil Spector's masterpieces, but the '60s joie de vivre proves simpatico with '80s creeping synths and anthemic guitar solos. The nervous "Little Darlin," borrowed from Spider's debut, makes a second-side highlight, but two of the strongest tracks emerge from Sweet's own pen at the end of the first side: "Billy and the Gun," a quiet, cinematic crisis wound tight like piano wire, and "Party Girl," a curiously passionate argument against physical passion ("Don't let him know you save it all for rock & roll" is dispensed like spiritual advice from a big sister). The big hit, "Everlasting Love," sticks in your head even if Sweet's duet partner, Rex Smith, sounds like he stepped out of a Pepsodent commercial, but it's the less-conventional material that'll bring this one down off the shelf.

© Andrew Hamlin /TiVo

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...And Then He Kissed Me

Rachel Sweet

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1
Shadows of the Night
00:03:57

Rachel Sweet, Associated Performer, Composer, Lyricist, Main Artist - David Leigh Byron, Composer, Lyricist - Rick Chertoff, Producer

(P) 1981 Columbia Records, a division of Sony Music Entertainment

2
Then He Kissed Me/Be My Baby
00:04:35

Rachel Sweet, Associated Performer, Main Artist - Phil Spector, Composer, Lyricist - Ellie Greenwich, Composer, Lyricist - Rick Chertoff, Producer - Jeff Barry, Composer, Lyricist

(P) 1981 Columbia Records, a division of Sony Music Entertainment

3
Billy and the Gun
00:04:19

Rachel Sweet, Associated Performer, Composer, Lyricist, Main Artist - Pete Solley, Producer

(P) 1981 Columbia Records, a division of Sony Music Entertainment

4
Party Girl
00:04:23

Rachel Sweet, Associated Performer, Composer, Lyricist, Main Artist - Pete Solley, Producer

(P) 1981 Columbia Records, a division of Sony Music Entertainment

5
Two Hearts Full of Love
00:03:11

Rachel Sweet, Associated Performer, Main Artist - Eddie Schwartz, Composer, Lyricist - Rick Chertoff, Producer

(P) 1981 Columbia Records, a division of Sony Music Entertainment

6
Little Darlin'
00:03:53

Rachel Sweet, Associated Performer, Main Artist - Holly Knight, Composer, Lyricist - Pete Solley, Producer - AMANDA BLUE, Composer, Lyricist

(P) 1981 Columbia Records, a division of Sony Music Entertainment

7
Fool's Story
00:05:01

Rachel Sweet, Associated Performer, Composer, Lyricist, Main Artist - Pete Solley, Producer

(P) 1981 Columbia Records, a division of Sony Music Entertainment

8
Everlasting Love
00:03:45

Rachel Sweet, Associated Performer, Main Artist - Rex Smith, Associated Performer - Rachel Sweet with Rex Smith, Associated Performer - Buzz Cason, Composer, Lyricist - Mac Gayden, Composer, Lyricist - Rick Chertoff, Producer

(P) 1981 Columbia Records, a division of Sony Music Entertainment

9
Streetheart
00:03:51

Rachel Sweet, Associated Performer, Composer, Lyricist, Main Artist - Pete Solley, Producer

(P) 1981 Columbia Records, a division of Sony Music Entertainment

Albumbeschreibung

Rachel Sweet's third album opens with D.L. Byron's "Shadows of the Night," and though Pat Benatar put it on the charts the next year in a glorious overdrive worthy of Jim Steinman, here it's scaled back just a notch, with the lovers' mutual pledge, their sacrifices to each other, even as the majestic chords come ringing out. Paired now with producers Rick Chertoff and Pete Solly, Sweet keeps her huge voice and her hell-bent-for-leather energy with plenty of nods to Phil Spector's masterpieces, but the '60s joie de vivre proves simpatico with '80s creeping synths and anthemic guitar solos. The nervous "Little Darlin," borrowed from Spider's debut, makes a second-side highlight, but two of the strongest tracks emerge from Sweet's own pen at the end of the first side: "Billy and the Gun," a quiet, cinematic crisis wound tight like piano wire, and "Party Girl," a curiously passionate argument against physical passion ("Don't let him know you save it all for rock & roll" is dispensed like spiritual advice from a big sister). The big hit, "Everlasting Love," sticks in your head even if Sweet's duet partner, Rex Smith, sounds like he stepped out of a Pepsodent commercial, but it's the less-conventional material that'll bring this one down off the shelf.

© Andrew Hamlin /TiVo

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