Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. Vaughan expanded her trio with a quartet of Count Basie titans, including trumpeter Thad Jones and tenor Frank Wess, and as if the settings weren't challenging enough already, decided to record a set that, in true after-hours fashion, was completely improvised. (The cover photo even shows her studying a sheet as she sings.) Although the results are certainly far looser and more relaxed than a studio date, Vaughan and the instrumentalists don't shine as expected. Vaughan in particular plays it safe with this material, drawing out her cozy ballads with interpretive ease, but never taking them as far as she could in a more stable setting. The format breaks down completely on the final song, "Thanks for the Memory," when Vaughan misreads a lyric, puzzles over it for a few seconds, restarts the number, flubs it again, starts over one more time, and finally wraps up after seven minutes by declaring the session -- while still singing, of course -- "the most craziest, upsettin', down-sided recording date I ever had in my life."
© John Bush /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Johnny Burke, Author - Sarah Vaughan, MainArtist - Jimmy Van Heusen, Composer - Bob Shad, Producer - Richard Seidel, Producer
℗ 1958 UMG Recordings, Inc.
Sarah Vaughan, MainArtist - Herb Ellis, ComposerLyricist - Lou Carter, ComposerLyricist - Jack Tracy, Producer - David Carroll, Producer - John Van Frigo, ComposerLyricist
℗ 1958 The Verve Music Group, a Division of UMG Recordings, Inc.
Sarah Vaughan, MainArtist - Bert Kalmar, ComposerLyricist - Harry Ruby, ComposerLyricist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 UMG Recordings, Inc.
AL DUBIN, Author - Harry Warren, Composer - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 The Verve Music Group, a Division of UMG Recordings, Inc.
Cole Porter, ComposerLyricist - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 The Verve Music Group, a Division of UMG Recordings, Inc.
Kurt Weill, Composer - Ogden Nash, Author - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 UMG Recordings, Inc.
Cole Porter, ComposerLyricist - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 Verve Label Group, a Division of UMG Recordings, Inc.
Leo Robin, ComposerLyricist - Ralph Rainger, ComposerLyricist - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 The Verve Music Group, a Division of UMG Recordings, Inc.
Albumbeschreibung
Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. Vaughan expanded her trio with a quartet of Count Basie titans, including trumpeter Thad Jones and tenor Frank Wess, and as if the settings weren't challenging enough already, decided to record a set that, in true after-hours fashion, was completely improvised. (The cover photo even shows her studying a sheet as she sings.) Although the results are certainly far looser and more relaxed than a studio date, Vaughan and the instrumentalists don't shine as expected. Vaughan in particular plays it safe with this material, drawing out her cozy ballads with interpretive ease, but never taking them as far as she could in a more stable setting. The format breaks down completely on the final song, "Thanks for the Memory," when Vaughan misreads a lyric, puzzles over it for a few seconds, restarts the number, flubs it again, starts over one more time, and finally wraps up after seven minutes by declaring the session -- while still singing, of course -- "the most craziest, upsettin', down-sided recording date I ever had in my life."
© John Bush /TiVo
Informationen zu dem Album
- 1 Disc(s) - 8 Track(s)
- Gesamte Laufzeit: 00:38:04
- Künstler: Sarah Vaughan
- Komponist: Various Composers
- Label: Verve Reissues
- Genre: Jazz Jazzgesang
© 2005 UMG Recordings, Inc. ℗ 1958 UMG Recordings, Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.