Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Collecting two separate sessions, one with Chris Watson and one without (the former also with guest drummer Alan Fish of fellow Sheffield experimentalists Hula), 2X45 shows the Cabs now well on their way to the perversely upbeat yet ominous funk of their early-'80s days. A song like "Breathe Deep" may have things like Richard H. Kirk's sax and clarinet lines over the stripped-down polyrhythms of Alan Fish and Stephen Mallinder, yet the way Mallinder husks the vocals and the claustrophobic feel of the recording don't entirely lend themselves to just going ahead and tearing the roof off the sucker. It's a careful balance the Cabs maintain, but it does work more often than not, while the influence on later industrial-affiliated acts is immediately apparent. Watson's work in the band at this point isn't as noticeable as before, but the drop-in samples on "Yashar" of intense voices asking where all the people on earth are hiding give a sense of where he still turns up. The second session, with Nort and Eric Random on drums, guitar, and percussion, is a touch murkier at points but only just. "War of Nerves (T.E.S.)" may start with a tape of a guy talking about tortures involving rats and may have Mallinder's distorted, demonic vocals in full effect, but the crisp rhythm punch is still predominant. "Wait and Shuffle" is even, dare it be said, perkier, with a brisk, reggae-touched drum and bass combination and some sprightly keyboards playing around with the sax wails and further found-sound oddities. The lengthy "Get out of My Face" concludes the session and release on perhaps the quirkiest note yet. Mallinder's cryptic sloganeering peppers things throughout, but it's Kirk's intriguing guitar and the relentless but still somehow fun rhythm push which define the song best of all.
© Ned Raggett /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Cabaret Voltaire, Artist, MainArtist - Copyright Control, MusicPublisher - Stephen Mallinder, Composer - Richard H. Kirk, Composer
1982 Richard Kirk under exclusive licence to Mute Records Ltd 1982 Richard Kirk under exclusive licence to Mute Records Ltd
Cabaret Voltaire, Artist, MainArtist - Chris Watson, Composer - Stephen Mallinder, Composer - Complete Music Ltd, MusicPublisher - Richard H. Kirk, Composer
1982 Richard Kirk under exclusive licence to Mute Records Ltd 2002 2002 Mute Records Limited
Cabaret Voltaire, Artist, MainArtist - Copyright Control, MusicPublisher - Stephen Mallinder, Composer - Richard H. Kirk, Composer
1982 Richard Kirk under exclusive licence to Mute Records Ltd 1982 Richard Kirk under exclusive licence to Mute Records Ltd
Cabaret Voltaire, Artist, MainArtist - Copyright Control, MusicPublisher - Stephen Mallinder, Composer - Richard H. Kirk, Composer
1982 Richard Kirk under exclusive licence to Mute Records Ltd 1982 Richard Kirk under exclusive licence to Mute Records Ltd
Cabaret Voltaire, Artist, MainArtist - Copyright Control, MusicPublisher - Stephen Mallinder, Composer - Richard H. Kirk, Composer
1982 Richard Kirk under exclusive licence to Mute Records Ltd 2002 2002 Mute Records Limited
Cabaret Voltaire, Artist, MainArtist - Copyright Control, MusicPublisher - Stephen Mallinder, Composer - Richard H. Kirk, Composer
1982 Richard Kirk under exclusive licence to Mute Records Ltd 1982 Richard Kirk under exclusive licence to Mute Records Ltd
Albumbeschreibung
Collecting two separate sessions, one with Chris Watson and one without (the former also with guest drummer Alan Fish of fellow Sheffield experimentalists Hula), 2X45 shows the Cabs now well on their way to the perversely upbeat yet ominous funk of their early-'80s days. A song like "Breathe Deep" may have things like Richard H. Kirk's sax and clarinet lines over the stripped-down polyrhythms of Alan Fish and Stephen Mallinder, yet the way Mallinder husks the vocals and the claustrophobic feel of the recording don't entirely lend themselves to just going ahead and tearing the roof off the sucker. It's a careful balance the Cabs maintain, but it does work more often than not, while the influence on later industrial-affiliated acts is immediately apparent. Watson's work in the band at this point isn't as noticeable as before, but the drop-in samples on "Yashar" of intense voices asking where all the people on earth are hiding give a sense of where he still turns up. The second session, with Nort and Eric Random on drums, guitar, and percussion, is a touch murkier at points but only just. "War of Nerves (T.E.S.)" may start with a tape of a guy talking about tortures involving rats and may have Mallinder's distorted, demonic vocals in full effect, but the crisp rhythm punch is still predominant. "Wait and Shuffle" is even, dare it be said, perkier, with a brisk, reggae-touched drum and bass combination and some sprightly keyboards playing around with the sax wails and further found-sound oddities. The lengthy "Get out of My Face" concludes the session and release on perhaps the quirkiest note yet. Mallinder's cryptic sloganeering peppers things throughout, but it's Kirk's intriguing guitar and the relentless but still somehow fun rhythm push which define the song best of all.
© Ned Raggett /TiVo
Informationen zu dem Album
- 1 Disc(s) - 6 Track(s)
- Gesamte Laufzeit: 00:44:49
- Künstler: Cabaret Voltaire
- Komponist: Various Composers
- Label: Mute
- Genre: Electronic
1982 Richard Kirk under exclusive licence to Mute Records Ltd 1982 Richard Kirk under exclusive licence to Mute Records Ltd
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.