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Geri Allen|LIVE AT THE VILLAGE VANGUARD Unissued Tracks

LIVE AT THE VILLAGE VANGUARD Unissued Tracks

GERI ALLEN, CHARLIE HADEN and PAUL MOTIAN

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Langue disponible : anglais

What a shame this trio didn't keep working together longer -- the finely honed veteran rhythm section of Charlie Haden and Paul Motian was a match made in heaven for Geri Allen, the most stylistically versatile and creative pianist of her generation. But praise the music gods they managed to record as much as they did, even though Live at the Village Vanguard may not be the best starting point to sample the interaction of this creatively balanced trio. The compositions, split among all three, avoid repetition with studio releases -- but don't expect any fireworks. The opening "Prayer for Peace" is as low-key and moody as the title would suggest, and "Obtuse Angles" seems designed mainly to provide frameworks for brief individual breakdowns. There's an underlying somberness running through "It Should Have Happened a Long Time Ago" and the ruminative "Fiasco" that seems to come from Allen -- her spare playing style generally shows a fondness for the lower and middle registers, so it's not entirely out of musical character. Motian's solo at the end of "Fiasco" starts energizing the music -- if any one member of the trio really shines bright on this disc, it's the drummer. But Allen's pensiveness remains on "In the Year of the Dragon," even as Haden's lines weave countermelodies to her piano at the end. "Vanguard Blues" briefly brings the tempo up before Haden's arco bass imitates underwater whale speech on "Song for the Whales" and Allen's haunting piano melody complements the bassist's mammalian moans. Live at the Village Vanguard is a good CD musically, but there's not much jump-up factor here -- it's moody and very bluesy in feeling if not actual form, almost like chamber jazz at times. The very compressed, muted recorded sound doesn't alleviate the somber aspect of the listening experience any, but jazz is about capturing the moment. And those were the moments, emotional and musical, caught by these three master musicians on those two December nights.

© Don Snowden /TiVo

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LIVE AT THE VILLAGE VANGUARD Unissued Tracks

Geri Allen

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1
Announcement by Paul Motian
00:00:30

Unknown, Composer, MusicPublisher - Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist

2022 diskunion 2022 diskunion

2
In Walked Bud
00:08:13

Thelonious Monk, Composer - Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist - Music Sales, MusicPublisher

2022 diskunion 2022 diskunion

3
Obtuse Angles
00:06:16

PD, MusicPublisher - Geri Allen, Composer, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist

2022 diskunion 2022 diskunion

4
Dancing in the Dark
00:05:21

Arthur Schwartz, Composer - Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist - Yamaha Music Entertainment Holdings, MusicPublisher

2022 diskunion 2022 diskunion

5
Fiasco
00:09:23

Arthur Schwartz, Composer - Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist - Yazgol Music, MusicPublisher

2022 diskunion 2022 diskunion

6
Cherokee
00:06:17

Ray Noble, Composer - Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist - Music Publishing, MusicPublisher

2022 diskunion 2022 diskunion

7
Announcement by Paul Motian 2
00:00:16

Unknown, Composer, MusicPublisher - Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist

2022 diskunion 2022 diskunion

8
Two Women From Padua
00:04:29

Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, Composer, MainArtist - Yazgol Music, MusicPublisher

2022 diskunion 2022 diskunion

9
I Don't Know What Time It Was
00:05:10

Richard Rodgers, Composer - Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist - Warner Chappell Music, MusicPublisher

2022 diskunion 2022 diskunion

10
Mambo Jumbo
00:08:05

Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, Composer, MainArtist - Yazgol Music, MusicPublisher

2022 diskunion 2022 diskunion

11
Song for the Whales
00:08:38

Geri Allen, MainArtist - Charlie Haden, Composer, MainArtist - PAUL MOTIAN, MainArtist - Music Publishing, MusicPublisher

2022 diskunion 2022 diskunion

12
Dance of Infidels
00:03:41

PD, MusicPublisher - Bud Powell, Composer - Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist

2022 diskunion 2022 diskunion

13
Announcement by Geri Allen
00:00:25

Unknown, Composer, MusicPublisher - Geri Allen, MainArtist - Charlie Haden, MainArtist - PAUL MOTIAN, MainArtist

2022 diskunion 2022 diskunion

Chronique

What a shame this trio didn't keep working together longer -- the finely honed veteran rhythm section of Charlie Haden and Paul Motian was a match made in heaven for Geri Allen, the most stylistically versatile and creative pianist of her generation. But praise the music gods they managed to record as much as they did, even though Live at the Village Vanguard may not be the best starting point to sample the interaction of this creatively balanced trio. The compositions, split among all three, avoid repetition with studio releases -- but don't expect any fireworks. The opening "Prayer for Peace" is as low-key and moody as the title would suggest, and "Obtuse Angles" seems designed mainly to provide frameworks for brief individual breakdowns. There's an underlying somberness running through "It Should Have Happened a Long Time Ago" and the ruminative "Fiasco" that seems to come from Allen -- her spare playing style generally shows a fondness for the lower and middle registers, so it's not entirely out of musical character. Motian's solo at the end of "Fiasco" starts energizing the music -- if any one member of the trio really shines bright on this disc, it's the drummer. But Allen's pensiveness remains on "In the Year of the Dragon," even as Haden's lines weave countermelodies to her piano at the end. "Vanguard Blues" briefly brings the tempo up before Haden's arco bass imitates underwater whale speech on "Song for the Whales" and Allen's haunting piano melody complements the bassist's mammalian moans. Live at the Village Vanguard is a good CD musically, but there's not much jump-up factor here -- it's moody and very bluesy in feeling if not actual form, almost like chamber jazz at times. The very compressed, muted recorded sound doesn't alleviate the somber aspect of the listening experience any, but jazz is about capturing the moment. And those were the moments, emotional and musical, caught by these three master musicians on those two December nights.

© Don Snowden /TiVo

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