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Anita O'Day|All The Sad Young Men

All The Sad Young Men

Anita O'day, The Gary McFarland Orchestra

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When Creed Taylor took over the production reins from Norman Granz when the latter sold Verve to MGM, he continued to place Anita O'Day in imaginative settings that challenged her creativity. On this LP, she was served with a collection of brilliant, difficult big-band charts, courtesy of a 27-year-old emerging master named Gary McFarland who mixed instrumental voices and tempo changes in querulous, turbulent combinations. Even a truly odd pick like "You Came a Long Way From St. Louis" is enlivened with sprouting shafts of outlaw muted brass and reeds. Another highlight is the contemporary update of O'Day's old flag-waver with the Krupa band, "Boogie Blues," complete with one of her patented flip upturned glissandos at the end. This album must have been a traumatic experience for O'Day, for as she tells the story, the tapes of McFarland's arrangements arrived by mail from New York and she had to overdub her vocals in an empty studio in Los Angeles. Yet it is a tribute to O'Day's abilities that she makes it all sound easy, exhibiting a freedom in phrasing and improvising that is extraordinary even for her.
© Richard S. Ginell /TiVo

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All The Sad Young Men

Anita O'Day

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1
Boogie Blues
00:03:44

Remo Biondi, ComposerLyricist - Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - Gene Krupa, ComposerLyricist - Ray Biondi, ComposerLyricist - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

2
You Came A Long Way From St. Louis
00:04:12

John Benson Brooks, ComposerLyricist - Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Russell, ComposerLyricist - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

3
I Want To Sing A Song
00:02:42

Margo Guryan, ComposerLyricist - Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - GARY MCFARLAND, ComposerLyricist - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

4
A Woman Alone With The Blues
00:03:18

Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Arranger, Work Arranger - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - Willard Robinson, ComposerLyricist - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

5
The Ballad Of The Sad Young Men
00:04:23

Frances Landesman, Author, ComposerLyricist - Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Tommy Wolf, ComposerLyricist - Phil Woods, Alto Saxophone, AssociatedPerformer - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - Thomas J. Wolf Jr., Composer - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

6
Do Nothin' Till You Hear From Me
00:04:07

Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Duke Ellington, Composer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Russell, ComposerLyricist - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

7
One More Mile
00:02:39

Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - GARY MCFARLAND, ComposerLyricist - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - Bobby Paxton, ComposerLyricist - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

8
Night Bird
00:03:56

Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Al Cohn, ComposerLyricist - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - Kitty Malone, ComposerLyricist - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

9
Up State
00:02:30

Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - GARY MCFARLAND, ComposerLyricist - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

10
Señor Blues
00:02:46

Doc Severinsen, Trumpet, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Bernie Glow, Trumpet, AssociatedPerformer - Bob Brookmeyer, Trombone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Horace Silver, ComposerLyricist - Hank Jones, Piano, AssociatedPerformer - Zoot Sims, Tenor Saxophone, AssociatedPerformer - Phil Woods, Alto Saxophone, AssociatedPerformer - Barry Galbraith, Guitar, AssociatedPerformer - Anita O'day, Vocals, MainArtist, AssociatedPerformer - Willie Dennis, Trombone, AssociatedPerformer - Herb Pomeroy, Trumpet, AssociatedPerformer - José Enrique Fernández Cordero, ComposerLyricist - Greg Landau, ComposerLyricist - The Gary McFarland Orchestra, MainArtist - Creed Taylor, Producer

℗ 1962 UMG Recordings, Inc.

Chronique

When Creed Taylor took over the production reins from Norman Granz when the latter sold Verve to MGM, he continued to place Anita O'Day in imaginative settings that challenged her creativity. On this LP, she was served with a collection of brilliant, difficult big-band charts, courtesy of a 27-year-old emerging master named Gary McFarland who mixed instrumental voices and tempo changes in querulous, turbulent combinations. Even a truly odd pick like "You Came a Long Way From St. Louis" is enlivened with sprouting shafts of outlaw muted brass and reeds. Another highlight is the contemporary update of O'Day's old flag-waver with the Krupa band, "Boogie Blues," complete with one of her patented flip upturned glissandos at the end. This album must have been a traumatic experience for O'Day, for as she tells the story, the tapes of McFarland's arrangements arrived by mail from New York and she had to overdub her vocals in an empty studio in Los Angeles. Yet it is a tribute to O'Day's abilities that she makes it all sound easy, exhibiting a freedom in phrasing and improvising that is extraordinary even for her.
© Richard S. Ginell /TiVo

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