Charles Munch
A genial conductor with a particular gift for French music, Charles Munch extended the Boston Symphony's glory years (begun under the baton of Serge Koussevitzky) into the early 1960s. Munch was so venerated that conservative Bostonians even declined to fuss over rumors that he was having an affair with his niece, pianist Nicole Henriot-Schweitzer; they wrote it off as part of his romantic French nature. Paradoxically, Munch was not precisely French. He was born in Alsace-Lorraine, which at the time (1891) was controlled by Germany and has long hovered between two cultural worlds. Munch himself benefitted from both French and German musical training, and his first important musical posts were in Germany (his last name was even originally spelled with an umlaut). Yet he came to be regarded as the quintessential French conductor, and his recordings of French repertory with the Boston Symphony remain standards by which others are judged.
Munch studied violin at the Strasbourg Conservatory, where his father was a professor, and, from 1912, in Paris with Lucien Capet. As an Alsatian, he was conscripted into the German army at the outbreak of World War I. Gassed and wounded as an artillery sergeant, he nevertheless survived the war reasonably intact. In 1919, upon returning to Alsace-Lorraine (now back in French hands), he took French citizenship and a violin professorship in Strasbourg. Nevertheless, his professional interests soon sent him to Germany; he studied violin with Carl Flesch in Berlin, then moved to Leipzig to take a violin professorship at the conservatory there, and became concertmaster of the Leipzig Gewandhaus Orchestra from 1926 to 1933, during Furtwängler's tenure.
But it was back in Paris, in 1933, that Munch made his successful conducting debut in a self-financed concert with the Straram Orchestra. He conducted the Paris Orchestre de la Société Philharmonique (1935-38) and in 1937 was named director of the Société des Concerts du Conservatoire de Paris, a post he held through World War II. Munch introduced many new works, including, in 1945, Messiaen's L'Ascension; he quickly became known as a conductor attentive to music's grand structure as well as to small details of color. Despite his allegiances twenty-five years before, Munch refused to collaborate with the Nazis and indeed supported the French resistance; he was awarded the Légion d'honneur in 1945.
Munch's career quickly accelerated after the war. In 1946 he made his debut with the Boston Symphony (and several other American orchestras) as a guest conductor, and he toured America with the French National Radio Orchestra in 1948. The following year he was appointed music director of the Boston Symphony, which he took on an unprecedented tour of the Soviet Union in 1956. Munch retired from the BSO in 1962 but continued to guest conduct, and helped Serge Baudo launch the Orchestre de Paris in 1967. On tour in America with that orchestra, he died the following year.
Munch was easygoing in rehearsal, reluctant to drill the spontaneity out of an orchestra. He was particularly noted as an elegant, colorful interpreter of French music of the nineteenth and twentieth centuries; his recordings of that material with the Boston Symphony for RCA are still regarded as classics of their kind. He was a strong advocate for the Franco-Swiss composers of his own generation, especially Roussel, Milhaud, and Honegger. But he had a good touch with the conservative contemporary music of other lands, as may be heard in his few but important recordings of Martinu, Piston, and Barber. Indeed, during his Boston years Munch's commitment to American music was almost as strong as his allegiance to new French works.
© James Reel /TiVo
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Roussel, Debussy & Schmitt: Hommage à Charles Munch
Charles Munch, Nicole Henriot, Orchestre Philharmonique de la RTF, Orchestre National
Klassik - Erschienen bei Euromuses am 12.10.1991
16-Bit CD Quality 44.1 kHz - Stereo -
Saint-Saëns: Symphony No. 3 - Debussy: La Mer - Ibert: Escales
Klassik - Erschienen bei RCA Red Seal am 12.01.2015
24-Bit 176.4 kHz - Stereo -
Mendelssohn & Bruch: Violin Concertos (1951/52)
Yehudi Menuhin, RCA Victor String Orchestra, Berliner Philharmoniker, Boston Symphony Orchestra, Wilhelm Furtwängler, Charles Munch
Klassik - Erschienen bei Naxos am 01.05.2005
16-Bit CD Quality 44.1 kHz - Stereo -
Dvorák: Symphony No. 8
Klassik - Erschienen bei Sony Classical am 16.09.2016
24-Bit 192.0 kHz - Stereo -
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral"
Klassik - Erschienen bei Sony Classical am 16.09.2016
24-Bit 192.0 kHz - Stereo -
Brahms: Symphony No. 4 in E Minor, Op. 98
Klassik - Erschienen bei Sony Classical am 16.09.2016
24-Bit 192.0 kHz - Stereo -
Brahms: Symphony No. 2 in D Major, Op. 73 & Tragic Overture, Op. 81
Klassik - Erschienen bei Sony Classical am 16.09.2016
24-Bit 192.0 kHz - Stereo -
Ravel: Daphnis et Chloé, M. 57 (1955 Recording)
Klassik - Erschienen bei Sony Classical am 20.01.2015
24-Bit 176.4 kHz - Stereo -
Berlioz: Symphonie fantastique, Op. 14 (1954 Recording) (2005 SACD Remastered)
Klassik - Erschienen bei Sony Classical am 04.11.2016
24-Bit 88.2 kHz - Stereo -
Mendelssohn: Symphonies No. 4 in A Major, Op. 90 "Italian" & No. 5 in D Minor, Op. 107 "Reformation - Smith: The Star-Spangled Banner
Klassik - Erschienen bei Sony Classical am 04.11.2016
24-Bit 88.2 kHz - Stereo -
Bach: Intégrale des Concertos brandebourgeois (Mono Version)
Boston Symphony Orchestra, Charles Munch
Verschiedenes - Erschienen bei BNF Collection am 01.01.2013
24-Bit 96.0 kHz - Stereo -
Berlioz: Symphonie fantastique, Op. 14 (1962 Recording)
Klassik - Erschienen bei Sony Classical am 01.03.1988
16-Bit CD Quality 44.1 kHz - Stereo -
Ravel: Piano Concerto in G Major, Rapsodie espagnole, Boléro & Pavane
Klassik - Erschienen bei Warner Classics am 28.09.2018
24-Bit 96.0 kHz - Stereo -
Best of Klassik - Die 100 größten Werke der klassischen Musik
Charles Munch, Fritz Reiner, Karl Böhm
Symphonieorchester - Erschienen bei Four Seasons Records am 29.01.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Bohuslav Martinů: The Symphonist
Charles Munch, Karel Sejna, Karel Ancerl, Rafael Kubelik
Symphonien - Erschienen bei Praga Digitals am 01.01.2018
24-Bit 96.0 kHz - Stereo -
César Franck, Gabriel Fauré: Symphonie en ré mineur - Suite tirée de Pelléas et Mélisande
Charles Munch, Orchestre National de France
Symphonieorchester - Erschienen bei naïve classique am 01.01.1998
16-Bit CD Quality 44.1 kHz - Stereo -
Brahms: Symphony No. 1 in C Minor, Op. 68
Klassik - Erschienen bei Sony Classical am 16.09.2016
24-Bit 192.0 kHz - Stereo -
Saint-Saëns: Symphony No. 3 / Debussy: La Mer / Ibert: Escales
Klassik - Erschienen bei Living Stereo am 01.01.1959
Qobuz’ SchallplattensammlungStereophile: Record To Die For16-Bit CD Quality 44.1 kHz - Stereo -
Tchaikovsky: Serenade for String Orchestra, Op. 48, TH 48 - Barber: Adagio for Strings, Op. 11 - Elgar: Introduction and Allegro, Op. 47
Klassik - Erschienen bei Sony Classical am 04.11.2016
16-Bit CD Quality 44.1 kHz - Stereo -
The French Touch
Klassik - Erschienen bei Sony Classical am 31.05.1999
16-Bit CD Quality 44.1 kHz - Stereo -
Schubert: Symphony No. 9 in C Major "Great"; Symphony No. 8 "Unfinished"
Klassik - Erschienen bei Living Stereo am 23.01.2007
16-Bit CD Quality 44.1 kHz - Stereo