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Eels - Useless Trinkets-B Sides, Soundtracks, Rarieties and Unreleased 1996-2006

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Useless Trinkets-B Sides, Soundtracks, Rarieties and Unreleased 1996-2006

Eels

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Being released on the same day as the companion piece to the CD/DVD package Meet the Eels: Essential Eels, Vol. 1, Useless Trinkets: B-Sides, Soundtracks, Rarities and Unreleased 1996-2006 is a true delight for those who have followed the unwieldy, elliptical career of Mark Oliver Everett (aka "E"), who has employed more musicians than probably even he can count under the Eels moniker. There is a DVD in this triple-disc set. It contains the band's 2006 performance at Lollapalooza. It's a nice addition, the show was fine, but it's almost an afterthought for anyone who digs into these cuts with anything approaching earnestness. First off, there are 50 of them spread over two discs. From the beginning E expresses his own ambivalence with a "Live from Hell" version of "Novocaine for the Soul." How do we know? The opening annotation in the liner notes simply states: "When you have a hit song, you're expected to play it every single day of your life. Good luck not going crazy." The performance reflects that truth. But it is followed immediately by the delightfully poignant, I-love-you-I-hate-you ditty of truth called "Fucker"; according to his notes, it was his girlfriend's nickname for him. (There isn't anyone who hasn't been involved deeply with someone who doesn't get every word of this simple construction.) "Dog's Life" is full of not only wonder-words, but strings, loopy textures, and sparse guitars. Of course, the soundtrack tunes and rarities are awfully welcome -- especially now, before the Eels' single, EP, and movie tunes shelf gets any larger. But E's sense of pulling covers out of his hat walks the same knife-edged push and pull between hell and something less than hell -- purgatory maybe? It adds immeasurably to what's here. The sense of the abject in "I Can't Help Falling in Love with You," accompanied only by his piano, is the opposite of the Elvis version. Elvis begs as a youth begs, E sings into the void of an empty apartment knowing that this confession isn't ever going to be heard because he's already tried that. The reading of the Hollies' "Jennifer Eccles" has a beautiful Chamberlin played by E and a very skeletal Gretsch played by the same. Where the Hollies sang this song with its requisite teen confidence, E's comes from the hall of memory before it fades into the ether. The line "I hope that Jennifer Eccles/Is going to follow me there..." takes on a chilling significance. The version of "Dark End of the Street" (a Chips Moman/Dan Penn soul classic that is performed by everybody, but it still belongs to James Carr) has a mournful horn section -- and perhaps it's Lisa Germano on the backing vocal. Prince's "If I Was Your Girlfriend" is treated with a sublime post-grunge feedback anti-funkiness to begin, but E nails the tune in his way. And the version of Screamin' Jay Hawkins' "I Put a Spell on You" simply has to be heard to be believed; if you haven't already heard it, E sounds like a man possessed with a band out to tear itself apart. And one controversy has finally been resolved: "Rotten World Blues" is only on the U.S. version of the Souljacker bonus EP, kinda making up for the fact that the remix of "Mr. E's Beautiful Blues" was only included in the U.K. version. But there's more. There are alternate readings of album cuts which prove to be just that, alternates without any true revelations, though they are perfectly fitting in this context. The booklet is bursting at the seams with craziness, memorabilia, weird observations written on hotel room stationary, annotated stoicisms, photographs galore, and some hilarious asides. When taken together with its companion, Meet the Eels, the two form a better blueprint for how these kinds of collections should be done. Rather than try to paste it all togeter in a box set, giving people a load of stuff they already have, you can do a basic hits collection with a bonus DVD, providing it contains all the videos. Then, especially for the fanatics, plug in something to cover most if not all of the holes in the tracks, replace bootleg versions, and add an unreleased concert to the mix to make it irresistible. It's still marketing, but at least it's semi-honest. The Essential Eels collection contained those videos for the sake of a kind of complete-ism (and to get the hardcore faithful to buy both sets). It's understandable but utterly questionable. Trinkets would have been perfect had it contained those videos as well as the concert on a single DVD -- there was room. But as it is, it's not to be missed for having the marginal asides collected so handsomely and carefully.
© Thom Jurek /TiVo

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Useless Trinkets-B Sides, Soundtracks, Rarieties and Unreleased 1996-2006

Eels

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1
Novocaine For The Soul (Live From Hell)
00:03:18

Mark Goldenberg, ComposerLyricist - Eels, MainArtist - E, ComposerLyricist - Adam Askey, Producer

℗ 1997 Geffen Records

2
Fucker
00:02:17

Eels, MainArtist - E, Producer, ComposerLyricist

℗ 1996 SKG Music L.L.C.

3
My Beloved Monster (Live From Tennessee)
00:02:32

Eels, MainArtist - E, Producer - Mark Everett, ComposerLyricist

℗ 2002 SKG Music L.L.C.

4
Dog's Life
00:03:58

Eels, MainArtist - E, Producer - JON BRION, Producer - Mark Everett, ComposerLyricist

℗ 1997 SKG Music L.L.C.

5
Susan's Apartment (Mike Simpson Remix)
00:03:28

Eels, MainArtist - E, Producer - Mark Everett, ComposerLyricist - Jim Jacobsen, ComposerLyricist

℗ 1997 SKG Music L.L.C.

6
Manchester Girl (BBC)
00:03:21

Eels, MainArtist - E, ComposerLyricist - Adam Askey, Producer

℗ 1997 British Broadcasting Corporation

7
Flower (BBC)
00:03:16

Eels, MainArtist - E, ComposerLyricist - Jim Jacobsen, ComposerLyricist - Adam Askey, Producer

℗ 1997 British Broadcasting Corporation

8
My Beloved Mad Monster Party (BBC)
00:02:32

Eels, MainArtist - E, ComposerLyricist - Adam Askey, Producer

℗ 1997 British Broadcasting Corporation

9
Animal
00:02:38

Eels, MainArtist - E, Producer - Mark Everett, ComposerLyricist

℗ 1996 SKG Music L.L.C.

10
Stepmother
00:02:50

Eels, MainArtist - E, Producer - Mark Everett, ComposerLyricist

℗ 1996 SKG Music L.L.C.

11
Everything's Gonna Be Cool This Christmas
00:02:51

Eels, MainArtist - E, Producer - Mark Oliver Everett, ComposerLyricist - Michael S. Simpson, Producer

℗ 1998 SKG Music L.L.C.

12
Your Lucky Day In Hell (Michael Simpson Remix)
00:03:57

Mark Goldenberg, Producer, ComposerLyricist - Eels, MainArtist - E, Producer - Mark Everett, ComposerLyricist

℗ 1996 SKG Music L.L.C.

13
Altar Boy
00:02:14

Rickie Lee Jones, ComposerLyricist - Eels, MainArtist - E, Producer

℗ 1997 SKG Music L.L.C.

14
Novocaine For The Soul (Moog Cookbook Remix)
00:03:08

Mark Goldenberg, ComposerLyricist - Eels, MainArtist - Mark Everett, ComposerLyricist - Brian Kehew, Producer - Roger Joseph Manning Jr., Producer

℗ 1998 SKG Music L.L.C.

15
If I Was Your Girlfriend (Live)
00:04:32

Prince, ComposerLyricist - Eels, MainArtist

℗ 2007 E Works

16
Bad News (The End Of Violence/Soundtrack Version)
00:02:56

Mark Goldenberg, Producer - Michael Simpson, Producer - Eels, MainArtist - JON BRION, Producer - Sally Dworsky, ComposerLyricist - Mark Oliver Everett, Producer - Mark Everett, ComposerLyricist

℗ 1997 UMG Recordings, Inc.

17
Funeral Parlor
00:02:10

Eels, MainArtist - E, Producer - Mark Everett, ComposerLyricist

℗ 1998 SKG Music L.L.C.

18
Hospital Food (BBC)
00:03:24

Eels, MainArtist - E, Producer - Mark Everett, ComposerLyricist - Jim Lang, ComposerLyricist - Jonathan Hayes Norton, ComposerLyricist

℗ 1998 British Broadcasting Corporation

19
Open The Door (BBC)
00:03:02

Eels, MainArtist - Linda Hopper, ComposerLyricist - Ruth Morris, ComposerLyricist

℗ 2000 SKG Music L.L.C.

20
Birdgirl On A Cell Phone
00:03:06

Eels, MainArtist - E, Producer - Mark Everett, ComposerLyricist - Michael S. Simpson, Producer

℗ 2000 SKG Music L.L.C.

21
Vice President Fruitley (Non-LP)
00:02:16

Eels, MainArtist - Mark Everett, ComposerLyricist - Lisa Germano, ComposerLyricist - Jonathan Hayes Norton, ComposerLyricist

℗ 2000 SKG Music L.L.C.

22
My Beloved Monstrosity
00:02:11

Eels, MainArtist - Mark Everett, ComposerLyricist

℗ 2001 SKG Music L.L.C.

23
The Dark End Of The Street (Live)
00:02:33

Chips Moman, ComposerLyricist - Dan Penn, ComposerLyricist - Eels, MainArtist

℗ 2007 E Works

24
The Cheater's Guide To Your Heart (Live)
00:02:37

Eels, MainArtist - Mark Oliver Everett, ComposerLyricist

℗ 2007 E Works

25
Useless Trinkets
00:02:22

Eels, MainArtist - Mark Oliver Everett, ComposerLyricist

℗ 2007 E Works

DISC 2

1
Mr. E's Beautiful Blues (Remix)
00:03:54

Eels, MainArtist - Mark Everett, ComposerLyricist

℗ 2001 SKG Music L.L.C.

2
Souljacker Part I (Alternate)
00:03:04

Eels, MainArtist - E, Producer - Mark Oliver Everett, ComposerLyricist - Adam Siegel, ComposerLyricist - Jonathan Hayes Norton, ComposerLyricist

℗ 2007 E Works

3
Dog Faced Boy (Alternate)
00:02:53

Eels, MainArtist - E, Producer - John Parish, Producer, ComposerLyricist - Mark Everett, ComposerLyricist

℗ 2007 E Works

4
Jennifer Eccles (Non-LP Version)
00:03:18

Tony Hicks, ComposerLyricist - Graham nash, ComposerLyricist - Eels, MainArtist - Anthony Ralph Clarke, ComposerLyricist

℗ 2001 SKG Music L.L.C.

5
Rotten World Blues (EP Version)
00:02:45

Eels, MainArtist - E, Producer - Mark Everett, ComposerLyricist

℗ 2002 SKG Music L.L.C., mit freundlicher Genehmigung: Motor Music, a division of Universal Music GmbH

6
Can't Help Falling In Love (Non-LP Version)
00:02:08

GEORGE DAVID WEISS, ComposerLyricist - Hugo Peretti, ComposerLyricist - Luigi Creatore, ComposerLyricist - Eels, MainArtist

℗ 2001 SKG Music L.L.C.

7
Christmas Is Going To The Dogs (Album Version)
00:02:57

Eels, MainArtist - E, Producer, Mixer, StudioPersonnel - Mark Everett, ComposerLyricist

℗ 2000 Interscope Geffen (A&M) Records A Division of UMG Recordings Inc.

8
Mighty Fine Blues
00:03:24

Eels, MainArtist - Mark Oliver Everett, ComposerLyricist

℗ 2007 Geffen Records

9
Eyes Down
00:03:31

Eels, MainArtist - Mark Oliver Everett, ComposerLyricist

℗ 2007 Geffen Records

10
Skywriting
00:02:06

Eels, MainArtist - Mark Oliver Everett, ComposerLyricist

℗ 2007 Geffen Records

11
Taking A Bath In Rust
00:02:28

Eels, MainArtist - Mark Oliver Everett, ComposerLyricist

℗ 2007 Geffen Records

12
Estranged Friends
00:03:20

Eels, MainArtist - Mark Oliver Everett, ComposerLyricist - Koool G. Murder, ComposerLyricist

℗ 2007 E Works

13
Her (Non-LP Version)
00:02:48

Eels, MainArtist - Mark Everett, ComposerLyricist

℗ 2003 SKG Music L.L.C.

14
Waltz Of The Naked Clowns (Non-LP Version)
00:02:47

Eels, MainArtist - Mark Everett, ComposerLyricist

℗ 2003 SKG Music L.L.C.

15
I Like Birds (Live)
00:02:34

MICKEY PETRALIA, Asst. Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel - Butch, Drums, AssociatedPerformer - Eels, MainArtist - E, Producer, Mixer, Vocals, AssociatedPerformer, StudioPersonnel - Mark Everett, ComposerLyricist - Jim Lang, Conductor, String Arranger, AssociatedPerformer - James Stone, Asst. Recording Engineer, StudioPersonnel - Walton Steven "Wally" Gagel, Mixer, Recording Engineer, StudioPersonnel - Robert Caranza, Additional Mixer, Asst. Recording Engineer, StudioPersonnel - Jeff Shannon, Engineer, StudioPersonnel

℗ 2007 E Works

16
Sad Foot Sign (Non-LP Version)
00:02:19

Eels, MainArtist - Mark Everett, ComposerLyricist

℗ 2003 SKG Music L.L.C.

17
Living Life
00:02:49

Eels, MainArtist - Daniel Johnston, ComposerLyricist

℗ 2007 E Works

18
The Bright Side (Non-LP Version)
00:03:42

PETER BUCK, ComposerLyricist - Eels, MainArtist - Mark Everett, ComposerLyricist

℗ 2005 Vagrant Records

19
After The Operation (Non-LP Version)
00:01:54

Eels, MainArtist - Mark Everett, ComposerLyricist

℗ 2005 Vagrant Records

20
Jelly Dancers
00:04:36

Nelson, ComposerLyricist - Eels, MainArtist - Haack, ComposerLyricist

℗ 2007 E Works

21
I Could Never Take The Place Of Your Man
00:03:37

Prince, ComposerLyricist - Eels, MainArtist

℗ 2006 Vagrant Records

22
Mr. E's Beautiful Blues (Live)
00:03:03

Eels, MainArtist - Mark Everett, ComposerLyricist

℗ 2006 Vagrant Records

23
I Want To Protect You
00:03:09

Eels, MainArtist - Mark Oliver Everett, ComposerLyricist

℗ 2007 E Works

24
I Put A Spell On You (Live)
00:02:16

Jay Hawkins, ComposerLyricist - Eels, MainArtist

℗ 2007 Vagrant Records

25
Saw A U.F.O
00:04:37

Eels, MainArtist - Mark Oliver Everett, ComposerLyricist

℗ 2007 E Works

Albumbeschreibung

Being released on the same day as the companion piece to the CD/DVD package Meet the Eels: Essential Eels, Vol. 1, Useless Trinkets: B-Sides, Soundtracks, Rarities and Unreleased 1996-2006 is a true delight for those who have followed the unwieldy, elliptical career of Mark Oliver Everett (aka "E"), who has employed more musicians than probably even he can count under the Eels moniker. There is a DVD in this triple-disc set. It contains the band's 2006 performance at Lollapalooza. It's a nice addition, the show was fine, but it's almost an afterthought for anyone who digs into these cuts with anything approaching earnestness. First off, there are 50 of them spread over two discs. From the beginning E expresses his own ambivalence with a "Live from Hell" version of "Novocaine for the Soul." How do we know? The opening annotation in the liner notes simply states: "When you have a hit song, you're expected to play it every single day of your life. Good luck not going crazy." The performance reflects that truth. But it is followed immediately by the delightfully poignant, I-love-you-I-hate-you ditty of truth called "Fucker"; according to his notes, it was his girlfriend's nickname for him. (There isn't anyone who hasn't been involved deeply with someone who doesn't get every word of this simple construction.) "Dog's Life" is full of not only wonder-words, but strings, loopy textures, and sparse guitars. Of course, the soundtrack tunes and rarities are awfully welcome -- especially now, before the Eels' single, EP, and movie tunes shelf gets any larger. But E's sense of pulling covers out of his hat walks the same knife-edged push and pull between hell and something less than hell -- purgatory maybe? It adds immeasurably to what's here. The sense of the abject in "I Can't Help Falling in Love with You," accompanied only by his piano, is the opposite of the Elvis version. Elvis begs as a youth begs, E sings into the void of an empty apartment knowing that this confession isn't ever going to be heard because he's already tried that. The reading of the Hollies' "Jennifer Eccles" has a beautiful Chamberlin played by E and a very skeletal Gretsch played by the same. Where the Hollies sang this song with its requisite teen confidence, E's comes from the hall of memory before it fades into the ether. The line "I hope that Jennifer Eccles/Is going to follow me there..." takes on a chilling significance. The version of "Dark End of the Street" (a Chips Moman/Dan Penn soul classic that is performed by everybody, but it still belongs to James Carr) has a mournful horn section -- and perhaps it's Lisa Germano on the backing vocal. Prince's "If I Was Your Girlfriend" is treated with a sublime post-grunge feedback anti-funkiness to begin, but E nails the tune in his way. And the version of Screamin' Jay Hawkins' "I Put a Spell on You" simply has to be heard to be believed; if you haven't already heard it, E sounds like a man possessed with a band out to tear itself apart. And one controversy has finally been resolved: "Rotten World Blues" is only on the U.S. version of the Souljacker bonus EP, kinda making up for the fact that the remix of "Mr. E's Beautiful Blues" was only included in the U.K. version. But there's more. There are alternate readings of album cuts which prove to be just that, alternates without any true revelations, though they are perfectly fitting in this context. The booklet is bursting at the seams with craziness, memorabilia, weird observations written on hotel room stationary, annotated stoicisms, photographs galore, and some hilarious asides. When taken together with its companion, Meet the Eels, the two form a better blueprint for how these kinds of collections should be done. Rather than try to paste it all togeter in a box set, giving people a load of stuff they already have, you can do a basic hits collection with a bonus DVD, providing it contains all the videos. Then, especially for the fanatics, plug in something to cover most if not all of the holes in the tracks, replace bootleg versions, and add an unreleased concert to the mix to make it irresistible. It's still marketing, but at least it's semi-honest. The Essential Eels collection contained those videos for the sake of a kind of complete-ism (and to get the hardcore faithful to buy both sets). It's understandable but utterly questionable. Trinkets would have been perfect had it contained those videos as well as the concert on a single DVD -- there was room. But as it is, it's not to be missed for having the marginal asides collected so handsomely and carefully.
© Thom Jurek /TiVo

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