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Mott was so good that the sequel, appropriately named The Hoople, has been unfairly dismissed as not living up to the group's promise. No, it doesn't compare to its predecessor, but most records don't. The bigger problem is that Mick Ralphs chose to leave during the supporting tour for Mott, leaving Ian Hunter as the undisputed leader of the group and subtly changing the character of the band's sound. Even with Hunter as the band's main songwriter, Ralphs helped shape their musical direction, so without a collaborator in hand, Hunter was left without a center. It isn't surprising that the record seems a little uneven, both in terms of songwriting and sound, but it's hardly without merit. "Roll Away the Stone," a leftover from Mott, is first-rate; "Crash Street Kidds" rocks viciously; "The Golden Age of Rock & Roll" is a pleasant spin on Bowie-esque nostalgia (think "Drive-In Saturday"); and Overend Pete Watts follows through on that theme with "Born Late '58," a perfectly credible rocker. This all makes The Hoople an entertaining listen, even if it doesn't compare to Mott's earlier masterpieces.
© Stephen Thomas Erlewine /TiVo
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Ariel Bender, Guitar - Barry St. John, Background Vocal - Dale Griffin, Background Vocal - Dale Griffin, Drums - Dale Griffin, Producer - Graham Preskett, Violin - Howie Casey, Saxophone - I. Hunter, Composer - I. Hunter, Lyricist - Ian Hunter, Guitar - Ian Hunter, Piano - Ian Hunter, Producer - Ian Hunter, Vocal - Lynsey De Paul, Background Vocal - Morgan Fisher, Background Vocal - Morgan Fisher, Organ - Morgan Fisher, Piano - Morgan Fisher, Synthesizer - Mott The Hoople, Performer - Overend Watts, 12 String Guitar - Overend Watts, Acoustic Bass - Overend Watts, Guitar - Overend Watts, Producer - Overend Watts, Vocal - Sue & Sunny, Background Vocal - Various, Acoustic Cello - Various, Saxophone
(P) 1974 Columbia Records, a division of Sony Music Entertainment
Bill Price, Engineer - Gary Edwards, Engineer - I. Hunter, Composer - Ian Hunter, Arranger - Ian Hunter, Vocal - Mike Dunne, Engineer - Mott The Hoople, Performer - Paul Hardiman, Engineer - Peter Swettenham, Engineer - Sean Milligan, Engineer
(P) 1974 Sony Music Entertainment Inc.
I. Hunter, Composer - Mott The Hoople, Performer
(P) 1974 Columbia Records, a division of Sony Music Entertainment
I. Hunter, Composer - Mott The Hoople, Performer
(P) 1974 Sony Music Entertainment Inc.
Don DeVito, Producer - Guy Stevens, Producer - Mott The Hoople, Performer - O. Watts, Composer - O. Watts, Lyricist - Vic Anesini, Re-Mastering Engineer
(P) 1974 Sony Music Entertainment Inc.
Bill Price, Engineer - Gary Edwards, Engineer - I. Hunter, Composer - Ian Hunter, Arranger - Ian Hunter, Vocal - Mike Dunne, Engineer - Mott The Hoople, Performer - Paul Hardiman, Engineer - Peter Swettenham, Engineer - Sean Milligan, Engineer
(P) 1974 Sony Music Entertainment Inc.
Bill Price, Engineer - Gary Edwards, Engineer - I. Hunter, Composer - Ian Hunter, Arranger - Ian Hunter, Vocal - Mike Dunne, Engineer - Mott The Hoople, Performer - Paul Hardiman, Engineer - Peter Swettenham, Engineer - Sean Milligan, Engineer
(P) 1974 Sony Music Entertainment Inc.
Don DeVito, Producer - Guy Stevens, Producer - I. Hunter, Composer - I. Hunter, Lyricist - Mott The Hoople, Performer - Vic Anesini, Re-Mastering Engineer
(P) 1974 Columbia Records, a division of Sony Music Entertainment.
Don DeVito, Producer - Guy Stevens, Producer - I. Hunter, Composer - I. Hunter, Lyricist - Mott The Hoople, Performer - Vic Anesini, Re-Mastering Engineer
(P) 1974 Sony Music Entertainment Inc.
Ariel Bender, Guitar - Barry St. John, Background Vocal - Dale Griffin, Background Vocal - Dale Griffin, Drums - Dale Griffin, Producer - Graham Preskett, Violin - Howie Casey, Saxophone - I. Hunter, Composer - I. Hunter, Lyricist - Ian Hunter, Guitar - Ian Hunter, Piano - Ian Hunter, Producer - Ian Hunter, Vocal - Lynsey De Paul, Background Vocal - M. Ralphs, Composer - M. Ralphs, Lyricist - Morgan Fisher, Background Vocal - Morgan Fisher, Organ - Morgan Fisher, Piano - Morgan Fisher, Synthesizer - Mott The Hoople, Performer - O. Watts, Composer - O. Watts, Lyricist - Overend Watts, 12 String Guitar - Overend Watts, Acoustic Bass - Overend Watts, Guitar - Overend Watts, Producer - Overend Watts, Vocal - Sue & Sunny, Background Vocal - T. Griffin, Composer - T. Griffin, Lyricist - Various, Acoustic Cello - Various, Saxophone
(P) 1974 Columbia Records, a division of Sony Music Entertainment
Ariel Bender, Guitar - Barry St. John, Background Vocal - Dale Griffin, Background Vocal - Dale Griffin, Drums - Dale Griffin, Producer - Graham Preskett, Violin - Howie Casey, Saxophone - I. Hunter, Composer - I. Hunter, Lyricist - Ian Hunter, Guitar - Ian Hunter, Piano - Ian Hunter, Producer - Ian Hunter, Vocal - Lynsey De Paul, Background Vocal - Morgan Fisher, Background Vocal - Morgan Fisher, Organ - Morgan Fisher, Piano - Morgan Fisher, Synthesizer - Mott The Hoople, Performer - Overend Watts, 12 String Guitar - Overend Watts, Acoustic Bass - Overend Watts, Guitar - Overend Watts, Producer - Overend Watts, Vocal - Sue & Sunny, Background Vocal - Various, Acoustic Cello - Various, Saxophone
(P) 1974 Columbia Records, a division of Sony Music Entertainment
Carol Nelson, A&R Coordinator - David Bowie, Producer - I. Hunter, Composer - Mott The Hoople, Performer - Various, Producer
(P) 1972, 1973, 1974 Sony Music Entertainment Inc.
Albumbeschreibung
Mott was so good that the sequel, appropriately named The Hoople, has been unfairly dismissed as not living up to the group's promise. No, it doesn't compare to its predecessor, but most records don't. The bigger problem is that Mick Ralphs chose to leave during the supporting tour for Mott, leaving Ian Hunter as the undisputed leader of the group and subtly changing the character of the band's sound. Even with Hunter as the band's main songwriter, Ralphs helped shape their musical direction, so without a collaborator in hand, Hunter was left without a center. It isn't surprising that the record seems a little uneven, both in terms of songwriting and sound, but it's hardly without merit. "Roll Away the Stone," a leftover from Mott, is first-rate; "Crash Street Kidds" rocks viciously; "The Golden Age of Rock & Roll" is a pleasant spin on Bowie-esque nostalgia (think "Drive-In Saturday"); and Overend Pete Watts follows through on that theme with "Born Late '58," a perfectly credible rocker. This all makes The Hoople an entertaining listen, even if it doesn't compare to Mott's earlier masterpieces.
© Stephen Thomas Erlewine /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:49:33
- Künstler: Mott The Hoople
- Komponist: Various Composers
- Label: Columbia
- Genre: Pop/Rock
(P) 2000 Sony Music Entertainment (UK) Ltd.
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