Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Toto - Toto IV

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Toto IV

Toto

Verfügbar in
logo Hi-Res
24-Bit 192.0 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

It was do or die for Toto on the group's fourth album, and they rose to the challenge. Largely dispensing with the anonymous studio rock that had characterized their first three releases, the band worked harder on its melodies, made sure its simple lyrics treated romantic subjects, augmented Bobby Kimball's vocals by having other group members sing, brought in ringers like Timothy B. Schmit, and slowed down the tempo to what came to be known as "power ballad" pace. Most of all, they wrote some hit songs: "Rosanna," the old story of a lovelorn lyric matched to a bouncy beat, was the gold, Top Ten comeback single accompanying the album release; "Make Believe" made the Top 30; and then, surprisingly, "Africa" hit number one ten months after the album's release. The members of Toto may have more relatives who are NARAS voters than any other group, but that still doesn't explain the sweep they achieved at the Grammys, winning six, including Album of the Year and Record of the Year (for "Rosanna"). Predictably, rock critics howled, but the Grammys helped set up the fourth single, "I Won't Hold You Back," another soft rock smash and Top Ten hit. As a result, Toto IV was both the group's comeback and its peak; it remains a definitive album of slick L.A. pop for the early '80s and Toto's best and most consistent record. Having made it, the members happily went back to sessions, where they helped write and record Michael Jackson's Thriller.
© William Ruhlmann /TiVo

Weitere Informationen

Toto IV

Toto

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
Rosanna Album Version
00:05:30

Toto, Performer - Toto, Producer - Jerry Hey, Arranger - Jerry Hey, Trumpet - Jim Horn, Saxophone - Bobby Kimball, Background Vocal - Bobby Kimball, Vocal - Jimmy Pankow, Trombone - Steve Lukather, Background Vocal - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Steve Porcaro, Keyboards - Steve Porcaro, Vocal - Jeff Porcaro, Drums - Jeff Porcaro, Percussion - David Paich, Composer - David Paich, Lyricist - David Paich, Arranger - David Paich, Keyboards - David Paich, Vocal - David Paich, Background Vocal - Gary Grant, Trumpet - Tom Scott, Saxophone - Al Schmitt, Recording Engineer - Tom Kelly, Background Vocal - Lenny Castro, Percussion - Lenny Castro, Congas

(P) 1982 Columbia Records, a division of Sony Music Entertainment

2
Make Believe Album Version
00:03:43

Toto, Producer - Toto, Performer - Tom Knox, Recording Engineer - Bobby Kimball, Vocal - Bobby Kimball, Background Vocal - Steve Lukather, Vocal - Steve Lukather, Background Vocal - Steve Lukather, Guitar - David Hungate, Bass - Steve Porcaro, Vocal - Steve Porcaro, Keyboards - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Jon Smith, Saxophone - David Paich, Composer - David Paich, Lyricist - David Paich, Vocal - David Paich, Background Vocal - David Paich, Keyboards - Tom Kelly, Background Vocal

(P) 1982 Columbia Records, a division of Sony Music Entertainment

3
I Won't Hold You Back Album Version
00:04:53

Toto, Producer - Toto, Performer - Marty Paich, Orchestrator - James Newton Howard, Orchestrator - S. Lukather, Composer - S. Lukather, Lyricist - Bobby Kimball, Vocal - Timothy B. Schmit, Background Vocal - Steve Lukather, Vocal - Steve Lukather, Guitar - Steve Porcaro, Vocal - Steve Porcaro, Keyboards - David Hungate, Bass - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - David Paich, Vocal - David Paich, Orchestrator - David Paich, Keyboards - Al Schmitt, Recording Engineer

(P) 1982 Columbia Records, a division of Sony Music Entertainment

4
Good for You Album Version
00:03:17

Toto, Producer - Toto, Performer - S. Lukather, Composer - S. Lukather, Lyricist - Bobby Kimball, Vocal - Timothy B. Schmit, Background Vocal - Steve Lukather, Vocal - Steve Lukather, Guitar - Steve Lukather, Piano - Steve Porcaro, Vocal - Steve Porcaro, Keyboards - Doug Sax, Mastering Engineer - David Hungate, Bass - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - David Paich, Vocal - David Paich, Keyboards - Mike Porcaro, Acoustic Cello - B. Kimball, Composer - B. Kimball, Lyricist - Al Schmitt, Recording Engineer - Lenny Castro, Percussion - Lenny Castro, Congas

(P) 1982 Columbia Records, a division of Sony Music Entertainment

5
It's a Feeling Album Version
00:03:05

Toto, Producer - Toto, Performer - James Newton Howard, Conductor - James Newton Howard, Orchestrator - Bobby Kimball, Vocal - Joe Porcaro, Percussion - Steve Lukather, Vocal - Steve Lukather, Guitar - S. Porcaro, Composer - S. Porcaro, Lyricist - Steve Porcaro, Vocal - Steve Porcaro, Keyboards - David Hungate, Bass - Doug Sax, Mastering Engineer - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - David Paich, Vocal - David Paich, Orchestrator - David Paich, Keyboards - Al Schmitt, Recording Engineer - Lenny Castro, Percussion - Lenny Castro, Congas

(P) 1982 Columbia Records, a division of Sony Music Entertainment

6
Afraid of Love Album Version
00:03:51

Toto, Producer - Toto, Performer - James Newton Howard, Conductor - James Newton Howard, Orchestrator - S. Lukather, Composer - S. Lukather, Lyricist - Bobby Kimball, Vocal - Joe Porcaro, Xylophone - Greg Ladanyi, Recording Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Steve Porcaro, Vocal - Steve Porcaro, Keyboards - Doug Sax, Mastering Engineer - David Hungate, Bass - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - David Paich, Vocal - David Paich, Orchestrator - David Paich, Keyboards - David Paich, Lyricist - David Paich, Composer - J. Porcaro, Composer - J. Porcaro, Lyricist

(P) 1982 Columbia Records, a division of Sony Music Entertainment

7
Lovers in the Night Album Version
00:04:25

Toto, Producer - Toto, Performer - Jim Horn, Saxophone - James Newton Howard, Conductor - James Newton Howard, Orchestrator - Bobby Kimball, Vocal - Joe Porcaro, Timpani - Steve Lukather, Vocal - Steve Lukather, Guitar - Steve Porcaro, Vocal - Steve Porcaro, Keyboards - Doug Sax, Mastering Engineer - David Hungate, Bass - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - David Paich, Vocal - David Paich, Orchestrator - David Paich, Keyboards - David Paich, Lyricist - David Paich, Composer - Tom Scott, Saxophone - Al Schmitt, Recording Engineer - Lenny Castro, Percussion - Lenny Castro, Congas

(P) 1982 Columbia Records, a division of Sony Music Entertainment

8
We Made It Album Version
00:03:55

Toto, Producer - Toto, Performer - Bobby Kimball, Vocal - Greg Ladanyi, Recording Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Steve Porcaro, Vocal - Steve Porcaro, Keyboards - David Hungate, Bass - Doug Sax, Mastering Engineer - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - David Paich, Vocal - David Paich, Keyboards - David Paich, Lyricist - David Paich, Composer - J. Porcaro, Composer - J. Porcaro, Lyricist

(P) 1982 Columbia Records, a division of Sony Music Entertainment

9
Waiting for Your Love Album Version
00:04:12

Toto, Producer - Toto, Performer - Tom Knox, Recording Engineer - Bobby Kimball, Vocal - Steve Lukather, Vocal - Steve Lukather, Guitar - Bob Kimball, Composer - Bob Kimball, Lyricist - David Hungate, Bass - Doug Sax, Mastering Engineer - Steve Porcaro, Vocal - Steve Porcaro, Keyboards - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - David Paich, Vocal - David Paich, Composer - David Paich, Lyricist - David Paich, Keyboards

(P) 1982 Columbia Records, a division of Sony Music Entertainment

10
Africa Album Version
00:04:55

Toto, Producer - Toto, Performer - Bobby Kimball, Vocal - Joe Porcaro, Recorder - Joe Porcaro, Percussion - Steve Lukather, Vocal - Steve Lukather, Guitar - Timothy B. Schmit, Background Vocal - David Hungate, Bass - Steve Porcaro, Vocal - Steve Porcaro, Keyboards - David Paich, Keyboards - David Paich, Vocal - David Paich, Lyricist - David Paich, Composer - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Al Schmitt, Recording Engineer - J. Porcaro, Lyricist - J. Porcaro, Composer - Lenny Castro, Percussion - Lenny Castro, Congas

(P) 1982 Columbia Records, a division of Sony Music Entertainment

Albumbeschreibung

It was do or die for Toto on the group's fourth album, and they rose to the challenge. Largely dispensing with the anonymous studio rock that had characterized their first three releases, the band worked harder on its melodies, made sure its simple lyrics treated romantic subjects, augmented Bobby Kimball's vocals by having other group members sing, brought in ringers like Timothy B. Schmit, and slowed down the tempo to what came to be known as "power ballad" pace. Most of all, they wrote some hit songs: "Rosanna," the old story of a lovelorn lyric matched to a bouncy beat, was the gold, Top Ten comeback single accompanying the album release; "Make Believe" made the Top 30; and then, surprisingly, "Africa" hit number one ten months after the album's release. The members of Toto may have more relatives who are NARAS voters than any other group, but that still doesn't explain the sweep they achieved at the Grammys, winning six, including Album of the Year and Record of the Year (for "Rosanna"). Predictably, rock critics howled, but the Grammys helped set up the fourth single, "I Won't Hold You Back," another soft rock smash and Top Ten hit. As a result, Toto IV was both the group's comeback and its peak; it remains a definitive album of slick L.A. pop for the early '80s and Toto's best and most consistent record. Having made it, the members happily went back to sessions, where they helped write and record Michael Jackson's Thriller.
© William Ruhlmann /TiVo

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Eliminator (Hi-Res Version)

ZZ Top

Aqualung (Steven Wilson Mix and Master)

Jethro Tull

What The Dead Men Say

Trivium

Thick as a Brick (Steven Wilson Mix and Master)

Jethro Tull

Mehr auf Qobuz
Von Toto

Overthinking

Toto

Toto

Toto

Toto Toto

Greatest Hits: 40 Trips Around The Sun

Toto

40 Tours Around The Sun

Toto

La Résidence

Toto

Playlists

Das könnte Ihnen auch gefallen...

Fine Young Cannibals (Remastered & Expanded)

Fine Young Cannibals

An Evening of New York Songs and Stories

Suzanne Vega

Bridge Over Troubled Water

Simon & Garfunkel

Bridge Over Troubled Water Simon & Garfunkel

Graceland (25th Anniversary Deluxe Edition)

Paul Simon

Sandglass

Kraan

Sandglass Kraan
Panorama-Artikel...
1969 - Die Gitarre auf ihrem Zenit

Gab es jemals einen Moment oder eine Zeitspanne in der Geschichte, in der die kreative Aktivität an der Gitarre einen erkennbaren Höhepunkt erreichte? Einen Zeitpunkt, an dem es in der populären Musik ein Zusammentreffen von routinierten Veteranen und furchtlosem Nachwuchs gab? Eine Zeit, in der die elektrischen Gitarren am lautesten kreischten, Jazzmen neue Wege einschlugen und musikalische Kompositionen regelmäßig durch sechssaitige Reißwölfe gedreht wurden? Ein offensichtlicher Anwärter: 1969. In diesen zwölf Monaten feierten Santana, Led Zeppelin, King Crimson und The Allman Brothers Band ihre Debüts und es war auch das Jahr, in dem Creedence Clearwater Revival drei großartige Alben herausbrachten und die Charts beherrschten.

Pixies, die Jahre bei 4AD

Ohne die Pixies hätte es Nirvana wohl nie gegeben. Ende der 80er Jahre revolutioniert das Quartett um Black Francis die Rockmusik mit einer originellen Textur und einem beispiellosen Genremix. Mit vier Alben für das Label 4AD machen die Pixies Surf-Punk-Noise-Pop und prägen einen einzigartigen Stil, der Rockfans ins Nirwana schickt.

Die Talking Heads-Revolution

Noch vierzig Jahre später beweist „Remain in Light“ mit dem verrückten Funk der Band von David Byrnes seine ganze Kraft und Stärke. Der auf einen kosmopolitischen Dancefloor katapultierte, kopflastige Postpunk hat sogar abertausend Gruppen wie LCD Soundsystem, Vampire Weekend oder Arcade Fire nachhaltig beeinflusst. Mit diesem vierten Album, das Brian Eno produziert hatte, machten Talking Heads ihre eigene Revolution. Und auch die des Rock.

Aktuelles...