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Gerhard Taschner|Sibelius, Bruch, Schubert & Paganini: Violin Works

Sibelius, Bruch, Schubert & Paganini: Violin Works

Gerhard Taschner

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The Archipel label has done listeners a great service by restoring this set of recordings by violinist Gerhardt Taschner. The remastered sound, even in the 1944 recording with the Berlin Philharmonic, is remarkably clear, full, and warm, making this album a great choice for anyone interested in great historical recordings. Of course, one of the things that makes it great is Taschner's playing. The album opens with the Sibelius violin concerto, the first two movements of which could stand alone as an ideal reference for how the piece should be played. Taschner's sound is very smooth and luxurious, intonation is generally precise, and he achieves a magnificent, romantic sound without every being sappy. The third movement of the concerto begins quite briskly and unfortunately seems to get away from Taschner a little bit. The Bruch concerto follows a similar pattern, with Taschner seeming to want to "wow" his audiences in the finale by pushing the tempo a little bit faster than he can really execute with precision. The remaining two works are pieces for violin and piano. Although the sound quality is quite different than the concerto recordings, it is still appealing. Taschner's performance of Schubert and Paganini, while adequate, is not as ravishing as his interpretations of the late-Romantic concertos. Despite the minor problems found in the concerto's third movements, this recording is still quite musically fulfilling.
© TiVo

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Sibelius, Bruch, Schubert & Paganini: Violin Works

Gerhard Taschner

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Violin Concerto in D Minor, Op. 47 (1905 Version) (Jean Sibelius)

1
I. Allegro moderato
00:14:36

Jean Sibelius, Composer - Kölner Rundfunk-Sinfonie-Orchester, Orchestra - Herbert Sandberg, Conductor - Gerhard Taschner, Artist, MainArtist

(C) 2007 Archipel (P) 2007 Archipel

2
II. Adagio di molto
00:08:42

Jean Sibelius, Composer - Kölner Rundfunk-Sinfonie-Orchester, Orchestra - Herbert Sandberg, Conductor - Gerhard Taschner, Artist, MainArtist

(C) 2007 Archipel (P) 2007 Archipel

3
III. Allegro ma non tanto
00:07:04

Jean Sibelius, Composer - Kölner Rundfunk-Sinfonie-Orchester, Orchestra - Herbert Sandberg, Conductor - Gerhard Taschner, Artist, MainArtist

(C) 2007 Archipel (P) 2007 Archipel

Violin Concerto No. 1 in G Minor, Op. 26 (1867 Version) (Max Bruch)

4
I. Allegro moderato
00:07:35

Max Bruch, Composer - Berlin Philharmonic, Orchestra - Gerhard Taschner, Artist, MainArtist - Hermann Abendroth, Conductor

(C) 2007 Archipel (P) 2007 Archipel

5
II. Adagio
00:09:11

Max Bruch, Composer - Berlin Philharmonic, Orchestra - Gerhard Taschner, Artist, MainArtist - Hermann Abendroth, Conductor

(C) 2007 Archipel (P) 2007 Archipel

6
III. Finale. Allegro energico
00:06:40

Max Bruch, Composer - Berlin Philharmonic, Orchestra - Gerhard Taschner, Artist, MainArtist - Hermann Abendroth, Conductor

(C) 2007 Archipel (P) 2007 Archipel

Violin Sonata in D Major, Op. Posth. 137 No. 1, D. 384 (Franz Schubert)

7
I. Allegro molto
00:04:12

Franz Schubert, Composer - Hans Altmann, Artist - Gerhard Taschner, Artist, MainArtist

(C) 2007 Archipel (P) 2007 Archipel

8
II. Andante
00:04:28

Franz Schubert, Composer - Hans Altmann, Artist - Gerhard Taschner, Artist, MainArtist

(C) 2007 Archipel (P) 2007 Archipel

9
III. Allegro vivace
00:04:06

Franz Schubert, Composer - Hans Altmann, Artist - Gerhard Taschner, Artist, MainArtist

(C) 2007 Archipel (P) 2007 Archipel

24 Caprices for Solo Violin, Op. 1, MS 25 (Niccolò Paganini)

10
No. 24 in A Minor
00:06:40

Niccolò Paganini, Composer - Hans Altmann, Artist - Gerhard Taschner, Artist, MainArtist

(C) 2007 Archipel (P) 2007 Archipel

Albumbeschreibung

The Archipel label has done listeners a great service by restoring this set of recordings by violinist Gerhardt Taschner. The remastered sound, even in the 1944 recording with the Berlin Philharmonic, is remarkably clear, full, and warm, making this album a great choice for anyone interested in great historical recordings. Of course, one of the things that makes it great is Taschner's playing. The album opens with the Sibelius violin concerto, the first two movements of which could stand alone as an ideal reference for how the piece should be played. Taschner's sound is very smooth and luxurious, intonation is generally precise, and he achieves a magnificent, romantic sound without every being sappy. The third movement of the concerto begins quite briskly and unfortunately seems to get away from Taschner a little bit. The Bruch concerto follows a similar pattern, with Taschner seeming to want to "wow" his audiences in the finale by pushing the tempo a little bit faster than he can really execute with precision. The remaining two works are pieces for violin and piano. Although the sound quality is quite different than the concerto recordings, it is still appealing. Taschner's performance of Schubert and Paganini, while adequate, is not as ravishing as his interpretations of the late-Romantic concertos. Despite the minor problems found in the concerto's third movements, this recording is still quite musically fulfilling.
© TiVo

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