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Bonnie Raitt|Home Plate  (2008 Remaster)

Home Plate (2008 Remaster)

Bonnie Raitt

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Homeplate takes Bonnie Raitt even further down the path toward mainstream production than the unjustly maligned Streetlights, but, ironically, it works better than its predecessor. Perhaps that's because producer Paul A. Rothchild has helped Raitt craft a record that's unapologetically pitched at the mainstream, where Streetlights often seemed to be torn between two worlds. The great thing about that is, regardless of the production, the essentials of Raitt's music have not changed. It remains a wonderful hybrid of American music, built on a thoroughly impressive set of songs, all delivered with Raitt's warm, expertly shaded, and undeniably sexy singing. She's such an accomplished singer, she sells these songs through productions that are much slicker than those that graced her earlier records, plus with a supporting crew of studio musicians. This production will undoubtedly dismay listeners that just like the earthiness of Give It Up, but Homeplate is still a success because, even though the recording is glossier, Raitt and her music remain the same and, if you're looking for that, it's still irresistible.

© Stephen Thomas Erlewine /TiVo

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Home Plate (2008 Remaster)

Bonnie Raitt

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1
What Do You Want the Boy to Do? (2008 Remaster)
00:03:19

Fred Tackett, Brass Arranger - BONNIE RAITT, Lead Vocals, MainArtist - Jerry Jumonville, Brass Arranger - Allen Toussaint, Writer - Freebo, Contributor

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

2
Good Enough (2008 Remaster)
00:02:56

Johanna Hall, Writer - JOHN HALL, Writer - Fred Tackett, Brass Arranger - BONNIE RAITT, Lead Vocals, MainArtist - Jerry Jumonville, Brass Arranger - Freebo, Contributor

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

3
Run Like a Thief (2008 Remaster)
00:03:02

J. D. SOUTHER, Writer - BONNIE RAITT, Lead Vocals, MainArtist

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

4
Fool Yourself (2008 Remaster)
00:03:04

Fred Tackett, Writer - BONNIE RAITT, Lead Vocals, MainArtist

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

5
My First Night Alone Without You (2008 Remaster)
00:03:07

Nick DeCaro, Arranger - Kin Vassy, Writer - Fred Tackett, Brass Arranger - BONNIE RAITT, Lead Vocals, MainArtist - Jerry Jumonville, Brass Arranger - Freebo, Contributor

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

6
Walk Out the Front Door (2008 Remaster)
00:03:09

Mark Jordan, Writer - Fred Tackett, Brass Arranger - BONNIE RAITT, Lead Vocals, MainArtist - Jerry Jumonville, Brass Arranger - Freebo, Contributor - Rip Stock, Writer

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

7
Sugar Mama (2008 Remaster)
00:03:45

Jai Winding, Contributor - Glen Clark, Writer - Fred Tackett, Brass Arranger - BONNIE RAITT, Lead Vocals, MainArtist - Jerry Jumonville, Brass Arranger - Freebo, Contributor

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

8
Pleasin' Each Other (2008 Remaster)
00:03:44

Bill Payne, Brass Arranger, Writer - BONNIE RAITT, Lead Vocals, MainArtist - Freebo, Contributor - Fran Tate, Writer

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

9
I'm Blowin' Away (2008 Remaster)
00:03:25

Eric Kaz, Writer - BONNIE RAITT, Lead Vocals, MainArtist

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

10
Your Sweet and Shiny Eyes (2008 Remaster)
00:02:47

Fred Tackett, Brass Arranger - BONNIE RAITT, Lead Vocals, MainArtist - Jerry Jumonville, Brass Arranger - Freebo, Contributor - Nan O'Bryne, Writer

© 1975 Warner Records Inc. ℗ 1975 Warner Records Inc.

Albumbeschreibung

Homeplate takes Bonnie Raitt even further down the path toward mainstream production than the unjustly maligned Streetlights, but, ironically, it works better than its predecessor. Perhaps that's because producer Paul A. Rothchild has helped Raitt craft a record that's unapologetically pitched at the mainstream, where Streetlights often seemed to be torn between two worlds. The great thing about that is, regardless of the production, the essentials of Raitt's music have not changed. It remains a wonderful hybrid of American music, built on a thoroughly impressive set of songs, all delivered with Raitt's warm, expertly shaded, and undeniably sexy singing. She's such an accomplished singer, she sells these songs through productions that are much slicker than those that graced her earlier records, plus with a supporting crew of studio musicians. This production will undoubtedly dismay listeners that just like the earthiness of Give It Up, but Homeplate is still a success because, even though the recording is glossier, Raitt and her music remain the same and, if you're looking for that, it's still irresistible.

© Stephen Thomas Erlewine /TiVo

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