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Willie Watson|Folksinger Vol. 2

Folksinger Vol. 2

Willie Watson

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With this second album produced by David Rawlings, Gillian Welch’s work and life partner, Willie Watson maintains his attachment to traditional country, blues and gospel from the early 20th century which would give birth to folk music in the 60s. From the first title, it’s an entire time period that emerges and carries us on Samson And Delilah. While he was singing solo on his previous album, here the former member of Old Crow Medicine Show called upon the talented gospel band from Nashville, the Fairfield Four. We still remain in an economy of instruments in order to be as authentic as possible, but those choirs bring warmth and spirituality to the songs. On The Road Again grows in strength and Watson doesn’t hesitate to blast his voice in answer to the choir feeding the song of small words, assents and onomatopoeia. Besides that, we don’t forget the banjo solos of The Cuckoo Bird or the complete ease of guitar picking on Leavin' Blues. It would seem that Willie Watson has acquired a certain confidence and maturity in his choice of titles and in their interpretation. The whole is a lot more colorful, still as deep and aspires to something more joyful. It is yet again a new perspective on deep America and folk music that is magnificently told to the tune of a harmonica that we don’t get tired of. © Clara Bismuth/Qobuz

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Folksinger Vol. 2

Willie Watson

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1
Samson and Delilah
00:03:03

Willie Watson, Artist, MainArtist - Broken Banjo Music, MusicPublisher - (Trad.) arr. Willie Watson, Composer

2017 Acony Records, LLC 2017 Broken Banjo Music

2
Gallows Pole
00:04:06

Willie Watson, Artist, MainArtist - Broken Banjo Music, MusicPublisher - (Trad.) arr. Willie Watson, Composer

2017 Acony Records, LLC 2017 Broken Banjo Music

3
When My Baby Left Me
00:03:49

Willie Watson, Artist, MainArtist - Walter furry lewis, Composer - Boot House of Tunes, MusicPublisher

2017 Acony Records, LLC 2017 Boot House of Tunes

4
Dry Bones
00:03:44

Willie Watson, Artist, MainArtist - Broken Banjo Music, MusicPublisher - (Trad.) arr. Willie Watson, Composer

2017 Acony Records, LLC 2017 Broken Banjo Music

5
Walking Boss
00:02:48

Willie Watson, Artist, MainArtist - Thomas Clarence Ashley, Composer - Stormking Music Inc. (Adm by Figs. D Music, Inc.), MusicPublisher

2017 Acony Records, LLC 2017 Stormking Music Inc. (Adm by Figs. D Music, Inc.)

6
On the Road Again
00:02:27

Willie Watson, Artist, MainArtist - Broken Banjo Music, MusicPublisher - (Trad.) arr. Willie Watson, Composer

2017 Acony Records, LLC 2017 Broken Banjo Music

7
The Cuckoo Bird
00:03:12

Willie Watson, Artist, MainArtist - Broken Banjo Music, MusicPublisher - (Trad.) arr. Willie Watson, Composer

2017 Acony Records, LLC 2017 Broken Banjo Music

8
Always Lift Him Up and Never Knock Him Down
00:02:35

Alfred Reed, Composer - Willie Watson, Artist, MainArtist - Peer International Corp., MusicPublisher

2017 Acony Records, LLC 2017 Peer International Corp.

9
John Henry
00:02:45

Willie Watson, Artist, MainArtist - Broken Banjo Music, MusicPublisher - (Trad.) arr. Willie Watson, Composer

2017 Acony Records, LLC 2017 Broken Banjo Music

10
Leavin' Blues
00:03:29

Huddie Ledbetter, Composer - ALAN LOMAX, Composer - Willie Watson, Artist, MainArtist - Folkways Music Publishers Inc., MusicPublisher - Tro Essex Music Group, MusicPublisher

2017 Acony Records, LLC 2017 Folkways Music Publishers Inc. / Tro Essex Music Group

11
Take This Hammer
00:02:59

Huddie Ledbetter, Composer - Willie Watson, Artist, MainArtist - Folkways Music Publishers Inc., MusicPublisher - Tro Essex Music Group, MusicPublisher

2017 Acony Records, LLC 2017 Folkways Music Publishers Inc. / Tro Essex Music Group

Albumbeschreibung

With this second album produced by David Rawlings, Gillian Welch’s work and life partner, Willie Watson maintains his attachment to traditional country, blues and gospel from the early 20th century which would give birth to folk music in the 60s. From the first title, it’s an entire time period that emerges and carries us on Samson And Delilah. While he was singing solo on his previous album, here the former member of Old Crow Medicine Show called upon the talented gospel band from Nashville, the Fairfield Four. We still remain in an economy of instruments in order to be as authentic as possible, but those choirs bring warmth and spirituality to the songs. On The Road Again grows in strength and Watson doesn’t hesitate to blast his voice in answer to the choir feeding the song of small words, assents and onomatopoeia. Besides that, we don’t forget the banjo solos of The Cuckoo Bird or the complete ease of guitar picking on Leavin' Blues. It would seem that Willie Watson has acquired a certain confidence and maturity in his choice of titles and in their interpretation. The whole is a lot more colorful, still as deep and aspires to something more joyful. It is yet again a new perspective on deep America and folk music that is magnificently told to the tune of a harmonica that we don’t get tired of. © Clara Bismuth/Qobuz

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