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Pixies - Beneath the Eyrie (Deluxe)

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Beneath the Eyrie (Deluxe)

Pixies

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For once-epic bands that restart their careers, recording new music is always fraught with peril, namely being trapped into an unwinnable comparison with their former selves. The Pixies’ first four albums remain utterly timeless, still gleaming with an otherworldliness unlike anything else before or since. Not surprisingly the band was unable to recapture that edge or atmosphere in either of their post-reformation albums, Indie Cindy (2014) or Head Carrier (2016). Pixies purists will argue that the problem with the new records was the reduced role of Kim Deal, whose fractious relationship with Black Francis was the band's creative heart; the hair trigger tensions was what made the band so special before her final departure in 2013. Paz Lenchantin, who was a new addition for Head Carrier , has now settled in as a permanent contributing member, a change that may have inspired Francis to come up with the best collection of original tunes since 1991's Trompe le Monde.

With its steady beat, single note guitar signature and opening lines "I set my broken bone/with a twist and a crack," "Bird of Prey" has more than a whiff of earlier, more conventional songs like "Here Comes Your Man," and is easily one of the album's finest classic Pixies-like numbers. In tunes like "Los Surfers Muertos" and "St. Nazaire" where Francis shrieks the album's best couplet, "Her daddy's dead and her eyes are black/Smells like spliff and Armagnac," Beneath the Eyrie is a conventional four piece rock record. It’s gothy, reminiscent of Nick Cave in spots and vividly obsessed with darkness via lyrics that revel in terms like "venom wine" and "poisonous forest" and Black Francis opining that he's "succeeding as a failure" and yet is "ready for love." Recorded with too much compression and a crushing drum sound, the band has nevertheless finally made a worthy new record, one that both gives them a future and honors their towering past. © Robert Baird/Qobuz

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Beneath the Eyrie (Deluxe)

Pixies

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1
In the Arms of Mrs. Mark of Cain
00:04:12

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

2
On Graveyard Hill
00:03:25

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Composer, Bass Guitar, Backing Vocals, Writer - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

3
Catfish Kate
00:03:08

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

4
This Is My Fate
00:03:20

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

5
Ready for Love
00:02:33

Ralphs, Composer - John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

6
Silver Bullet
00:03:44

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

7
Long Rider
00:03:32

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Composer, Bass Guitar, Backing Vocals, Writer - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

8
Los Surfers Muertos
00:02:54

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Composer, Bass Guitar, Backing Vocals, Writer - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

9
St. Nazaire
00:02:27

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

10
Bird of Prey
00:02:37

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

11
Daniel Boone
00:04:52

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

12
Death Horizon
00:02:05

John Davis, Engineer - Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Tom Dalgety, Producer, Engineer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

13
The Good Works of Cyrus (Demo)
00:02:06

Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Justin Pizzoferrato, Engineer - Tom Dalgety, Producer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

14
Please, Don't Go (Demo)
00:02:57

Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Justin Pizzoferrato, Engineer - Tom Dalgety, Producer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

15
Chapel Hill (Demo)
00:01:21

Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Justin Pizzoferrato, Engineer - Tom Dalgety, Producer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

16
Caught in a Dream (Demo)
00:02:54

Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Justin Pizzoferrato, Engineer - Tom Dalgety, Producer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

17
Mal De Mer (Demo)
00:02:30

Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Justin Pizzoferrato, Engineer - Tom Dalgety, Producer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

18
Hey, Debussy (Demo)
00:03:22

Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Justin Pizzoferrato, Engineer - Tom Dalgety, Producer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

19
Under the Marigold (Demo)
00:03:29

Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Justin Pizzoferrato, Engineer - Tom Dalgety, Producer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

20
How I Learned to Earn Rewards (Demo)
00:02:59

Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Justin Pizzoferrato, Engineer - Tom Dalgety, Producer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

21
I Just Can't Break It to You (Demo)
00:03:40

Charles Thompson, Composer, Guitar, Vocals, Writer - Paz Lenchantin, Bass Guitar, Backing Vocals - David Lovering, Drums - Joey Santiago, Guitar - Pixies, MainArtist - Justin Pizzoferrato, Engineer - Tom Dalgety, Producer

2020 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited 2019 Pixies Recording Inc, under exclusive licence to BMG Rights Management (UK) Limited

Albumbeschreibung

For once-epic bands that restart their careers, recording new music is always fraught with peril, namely being trapped into an unwinnable comparison with their former selves. The Pixies’ first four albums remain utterly timeless, still gleaming with an otherworldliness unlike anything else before or since. Not surprisingly the band was unable to recapture that edge or atmosphere in either of their post-reformation albums, Indie Cindy (2014) or Head Carrier (2016). Pixies purists will argue that the problem with the new records was the reduced role of Kim Deal, whose fractious relationship with Black Francis was the band's creative heart; the hair trigger tensions was what made the band so special before her final departure in 2013. Paz Lenchantin, who was a new addition for Head Carrier , has now settled in as a permanent contributing member, a change that may have inspired Francis to come up with the best collection of original tunes since 1991's Trompe le Monde.

With its steady beat, single note guitar signature and opening lines "I set my broken bone/with a twist and a crack," "Bird of Prey" has more than a whiff of earlier, more conventional songs like "Here Comes Your Man," and is easily one of the album's finest classic Pixies-like numbers. In tunes like "Los Surfers Muertos" and "St. Nazaire" where Francis shrieks the album's best couplet, "Her daddy's dead and her eyes are black/Smells like spliff and Armagnac," Beneath the Eyrie is a conventional four piece rock record. It’s gothy, reminiscent of Nick Cave in spots and vividly obsessed with darkness via lyrics that revel in terms like "venom wine" and "poisonous forest" and Black Francis opining that he's "succeeding as a failure" and yet is "ready for love." Recorded with too much compression and a crushing drum sound, the band has nevertheless finally made a worthy new record, one that both gives them a future and honors their towering past. © Robert Baird/Qobuz

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