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The Matches|A Band In Hope (Bonus Track Version)

A Band In Hope (Bonus Track Version)

The Matches

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After a start playing fairly ordinary pop-punk on their debut and an encouraging sense of experimentation on its follow-up, Oakland quartet the Matches don't seem to know exactly what they're doing on their third album. On the one hand, many songs draw inspiration not only from old-fashioned slickly commercial AOR hard rock (the fist-pumping roots of "Their City" and "We Are One" lead back to Bon Jovi) but also from current mainstream Top 40 paradigms. No kidding: the bouncy singsong pop of first single "Wake the Sun" could, with only the barest minimum of alteration in production style and arrangement, potentially be a chart-topping single for someone like Natasha Bedingfield or Jordin Sparks. Elsewhere, anthemic opener "AM Tilts," "Point Me Toward the Morning," and "Future Tense" are by the numbers commercial alt-rock sure to appeal to the style's core demographic. But as if in direct opposition to the rest of the album's grab for the brass ring, big chunks of A Band in Hope are almost shockingly unexpected, verging at times on just plain weird. The ballad "Darkness Rising," with its arrangement of solo grand piano and ornate, overdubbed close harmonies exploding into a bizarre martial kick-step climax, sounds like bandleader Shawn Harris has been listening to quite a bit of Queen and/or Andrew Lloyd Webber. Either way, it's kinda freaky, as are the woozy alt-folk psychedelia and deliberately bizarre, hiccuppy vocal affectations of "To Build a Mountain" and the truncated, inconclusive minute-long closer, "Proctor Drive." In this context, the two-minute pop-punk throwaway "Yankee in a Chip Shop," a gleeful Oakland/London culture clash set to the album's simplest and punkiest tune, stands out, in the likely unintentional sense that it's the only song on the album where the Matches don't sound like they're trying way too hard.

© Stewart Mason /TiVo

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A Band In Hope (Bonus Track Version)

The Matches

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1
AM Tilts
00:03:47

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

2
Their City
00:04:12

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

3
Wake The Sun
00:03:38

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

4
Darkness Rising
00:03:06

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

5
To Build a Mountain
00:03:15

GREEN, Composer, Lyricist - Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher - T Greezle Music (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

6
We Are One
00:03:02

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

7
Point Me Toward the Morning
00:02:52

Feldmann, Composer, Lyricist - Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher - Vegan Boy Music (ASCAP), MusicPublisher

2008 Epitaph 2008 Epitaph

8
From 24C
00:04:25

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

9
Clouds Crash
00:02:12

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

10
Between Halloweens
00:03:57

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

11
If I Were You
00:02:44

GREEN, Composer, Lyricist - Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher - T Greezle Music (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

12
Future Tense
00:03:09

GREEN, Composer, Lyricist - Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher - T Greezle Music (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

13
Yankee In a Chip Shop Explicit
00:02:16

Armstrong, Composer, Lyricist - Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

14
Proctor Rd.
00:01:11

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

15
Yankee In A Chip Shop (P.O.S. Remix) Explicit
00:02:15

Armstrong, Composer, Lyricist - Harris, Composer, Lyricist - The Matches, MainArtist - P.O.S., Remixer - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - How About A Bunch Of Trouble Music (ASCAP), MusicPublisher - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

16
My Doe, Part One
00:03:32

Harris, Composer, Lyricist - The Matches, MainArtist - DEVOTO, Composer, Lyricist - Whalen, Composer, Lyricist - San Souci, Composer, Lyricist - Hurwitz, Composer, Lyricist - xlocalsmusic (BMI), MusicPublisher

2008 Epitaph 2008 Epitaph

Albumbeschreibung

After a start playing fairly ordinary pop-punk on their debut and an encouraging sense of experimentation on its follow-up, Oakland quartet the Matches don't seem to know exactly what they're doing on their third album. On the one hand, many songs draw inspiration not only from old-fashioned slickly commercial AOR hard rock (the fist-pumping roots of "Their City" and "We Are One" lead back to Bon Jovi) but also from current mainstream Top 40 paradigms. No kidding: the bouncy singsong pop of first single "Wake the Sun" could, with only the barest minimum of alteration in production style and arrangement, potentially be a chart-topping single for someone like Natasha Bedingfield or Jordin Sparks. Elsewhere, anthemic opener "AM Tilts," "Point Me Toward the Morning," and "Future Tense" are by the numbers commercial alt-rock sure to appeal to the style's core demographic. But as if in direct opposition to the rest of the album's grab for the brass ring, big chunks of A Band in Hope are almost shockingly unexpected, verging at times on just plain weird. The ballad "Darkness Rising," with its arrangement of solo grand piano and ornate, overdubbed close harmonies exploding into a bizarre martial kick-step climax, sounds like bandleader Shawn Harris has been listening to quite a bit of Queen and/or Andrew Lloyd Webber. Either way, it's kinda freaky, as are the woozy alt-folk psychedelia and deliberately bizarre, hiccuppy vocal affectations of "To Build a Mountain" and the truncated, inconclusive minute-long closer, "Proctor Drive." In this context, the two-minute pop-punk throwaway "Yankee in a Chip Shop," a gleeful Oakland/London culture clash set to the album's simplest and punkiest tune, stands out, in the likely unintentional sense that it's the only song on the album where the Matches don't sound like they're trying way too hard.

© Stewart Mason /TiVo

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