Anonymous
The majority of compositions written through the Middle Ages and into the Renaissance are by people long forgotten, and attribution often remains a problem. In fact, it is not known who was responsible for the foundation works of Western classical music. Also unknown are the composers of many later songs, dance tunes, and marches that were integral to daily life and now also count as "classical." Early sacred music represented the official doctrine and aesthetics of the church; a composer's personal expression simply didn't count once the music was adopted for liturgical use, and, in many cases, it would have seemed presumptuous for an individual to take credit for a piece of sacred music. So although a very few specific medieval church composers, such as Hildegard of Bingen, are known, most early sacred music is the work of intentionally anonymous musician employed by the Catholic Church. In the realm of early secular music, a village musician might piece together a dance tune that became popular. Taken up by other players, the tune would pass by ear from village to village, and from generation to generation. The dance's origin would become obscure, even within the composer's lifetime. The rise of music publishing and commercial sale of scores in the Renaissance, and especially the Baroque era, began linking composers' names to their music. Yet some pieces were deliberately published anonymously for political or personal reasons, and many unscrupulous publishers simply neglected to name their composers, thereby avoiding the nuisance of paying them for their work. The survival of records from the Renaissance on has made it easier for musicologists to connect names to scores of debatable authorship written in the past four centuries or so. Yet scholars have sometimes been too quick to link a famous composer to an obscure composition and their attributions have often been dead wrong. Haydn's "Toy" symphony and Beethoven's "Jena" symphony, for example, turned out to be written by other composers. In some cases, crediting a score to "Anonymous" would remain the safest practice. Since the early twentieth century, the refinement of copyright laws, the availability of royalties, the rise of composer-advocacy groups, and cultural emphasis on individual achievement have all made it unlikely that any new work will appear without a solid attribution.
© TiVo
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L'académie du massacre
Französischer Chanson - Erschienen bei Les Productions Serge am 11.11.2003
16-Bit CD Quality 44.1 kHz - Stereo -
Carmina Burana
Ensemble Oni Wytars, Ensemble Unicorn
Vokalmusik (weltlich und geistlich) - Erschienen bei Naxos am 12.09.2002
16-Bit CD Quality 44.1 kHz - Stereo -
Trombett - Undt Musikalischer Taffeldienst
Klassik - Erschienen bei Fra Bernardo am 30.04.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Musique barbare
Französischer Chanson - Erschienen bei Les Productions Serge am 18.11.2008
16-Bit CD Quality 44.1 kHz - Stereo -
John Philip Sousa's Greatest Hits
The President's Own United States Marine Band
Klassik - Erschienen bei American Patriotic Classics am 06.11.2012
16-Bit CD Quality 44.1 kHz - Stereo -
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Pferdegeschichten (Zwölf Kindergeschichten rund um das Thema Pferde)
Hörbücher - Erschienen bei Schwager & Steinlein Verlag am 01.10.2013
16-Bit CD Quality 44.1 kHz - Stereo -
La parc La Vérendrye
Französischer Chanson - Erschienen bei Les Productions Serge am 01.02.2010
16-Bit CD Quality 44.1 kHz - Stereo -
Klemperer Rarities: Amsterdam, Vol. 2 (1951)
Klassik - Erschienen bei Archiphon am 05.06.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Das (Hör-)buch ohne Namen - Bourbon Kid, Teil 1 (Gekürzt)
Hörbücher - Erschienen bei Lübbe Audio am 14.07.2009
16-Bit CD Quality 44.1 kHz - Stereo -
Weihnachten: Die schönsten Märchen aus aller Welt (Geschichten zur Heiligen Nacht aus Europa, Skandinavien und Russland)
Hörbücher - Erschienen bei BÄNG Management & Verlag am 04.11.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Otto Klemperer conducts The Los Angeles Philharmonic Orchestra (1937-1938) (na Not Applicable - Hector Berlioz - Wolfgang Amadeus Mozart)
Klassik - Erschienen bei Symposium am 18.02.1997
16-Bit CD Quality 44.1 kHz - Stereo -
Warnung aus dem Weißen Haus - Ein hochrangiger Trump-Mitarbeiter packt aus (Ungekürzt)
Hörbücher - Erschienen bei Lübbe Audio am 12.12.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Sagen und Helden des Mittelalters (Die große Hörbuch Box)
Gottfried Von Strassburg, Konrad von Fußesbrunnen, Wolfram Von Eschenbach, Anonymous, Tim Eriksson
Hörbücher - Erschienen bei BÄNG Management & Verlag am 16.09.2022
16-Bit CD Quality 44.1 kHz - Stereo -
The Golden Era of the German Dance Orchestra: Juan Llossas und sein internationals deutsch-spanisches Tango-Orchester (1929-1940)
Pop - Erschienen bei Jube am 07.05.2013
16-Bit CD Quality 44.1 kHz - Stereo -
The Mix … Speed Garage
Pop/Rock - Erschienen bei The Mix am 01.05.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Les fêtes en enfer
Französischer Chanson - Erschienen bei Les Productions Serge am 15.11.2016
24-Bit 44.1 kHz - Stereo -
L'homme qui faisait reculer la musique
Französischer Chanson - Erschienen bei Les Productions Serge am 18.09.2009
16-Bit CD Quality 44.1 kHz - Stereo -
Canto Gregoriano
Slovenski Madrigalisti, Janez Bole
Klassik - Erschienen bei AV360 Music am 24.04.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Klemperer Rarities: Amsterdam, Vol. 10 (1956)
Klassik - Erschienen bei Archiphon am 05.06.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Musiques de la Bible (Mono Version)
Klassik - Erschienen bei BNF Collection am 01.01.1962
24-Bit 96.0 kHz - Stereo