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Zebra|Zebra IV

Zebra IV

Zebra

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Neo-classic rockers Zebra return from hibernation with their first studio recording in 17 years. Unlike most bands, however, the trio remained active, touring the East Coast, with mastermind Randy Jackson fostering some low-key side projects (China Rain, Sign). Here and now, the one-two triumph of openers "Arabian Nights" and "Light of My Love" shows the boys haven't missed a trick since the halcyon daze of '80s AOR. As in Zebra's signature single, "Who's Behind the Door," Jackson still ponders deep thoughts like "Why" (a veritable "Blackbird" rewrite) and "Who Am I" (a bizarre take on the Bible with animal rights sentiments similar to the earlier FM chestnut "Bears"). And only Jackson could create a cosmic, comic crack like "So I Dance." Admittedly, the crass "Free" stands as one of his weaker moments, but Jackson soars everywhere else on Zebra IV: Freed from the sterile production marring the otherwise excellent 3.V, he pumps each tune with grandiosity while retaining his invaluable sense of melody. This vital component keeps Zebra dancing in the ruins of other post-pop/prog bands that search for vitality and marketability by sacrificing the simple hooks and passion that made them famous in the first place. Zebra is a proud dinosaur, and Zebra IV is an eminently listenable record of epic insignificance. Now here's hoping Zebra V comes along a little faster.

© Whitney Z. Gomes /TiVo

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Zebra IV

Zebra

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1
Arabian Nights
00:05:21

Randy Jackson, Composer - Zebra, MainArtist - Mark Hitt, Composer - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

2
Light Of My Love
00:03:52

Randy Jackson, Composer - Zebra, MainArtist - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

3
Who Am I
00:03:59

Randy Jackson, Composer - Zebra, MainArtist - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

4
Angels Calling
00:04:48

Randy Jackson, Composer - Zebra, MainArtist - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

5
KK Is Hiding
00:04:56

Randy Jackson, Composer - Zebra, MainArtist - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

6
Free
00:03:13

Randy Jackson, Composer - Zebra, MainArtist - Felix Hanemann, Composer - Guy Gelso, Composer - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

7
So I Dance
00:04:32

Randy Jackson, Composer - Zebra, MainArtist - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

8
Waiting To Die
00:07:53

Randy Jackson, Composer - Zebra, MainArtist - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

9
A World That Is Learning
00:04:05

Randy Jackson, Composer - Zebra, MainArtist - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

10
My Life Has Changed
00:04:51

Randy Jackson, Composer - Zebra, MainArtist - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

11
Why
00:05:10

Randy Jackson, Composer - Zebra, MainArtist - Riddy Diddy Publishing Corp, MusicPublisher

(C) 2009 Deep South Digital (P) 2009 Deep South Digital

Albumbeschreibung

Neo-classic rockers Zebra return from hibernation with their first studio recording in 17 years. Unlike most bands, however, the trio remained active, touring the East Coast, with mastermind Randy Jackson fostering some low-key side projects (China Rain, Sign). Here and now, the one-two triumph of openers "Arabian Nights" and "Light of My Love" shows the boys haven't missed a trick since the halcyon daze of '80s AOR. As in Zebra's signature single, "Who's Behind the Door," Jackson still ponders deep thoughts like "Why" (a veritable "Blackbird" rewrite) and "Who Am I" (a bizarre take on the Bible with animal rights sentiments similar to the earlier FM chestnut "Bears"). And only Jackson could create a cosmic, comic crack like "So I Dance." Admittedly, the crass "Free" stands as one of his weaker moments, but Jackson soars everywhere else on Zebra IV: Freed from the sterile production marring the otherwise excellent 3.V, he pumps each tune with grandiosity while retaining his invaluable sense of melody. This vital component keeps Zebra dancing in the ruins of other post-pop/prog bands that search for vitality and marketability by sacrificing the simple hooks and passion that made them famous in the first place. Zebra is a proud dinosaur, and Zebra IV is an eminently listenable record of epic insignificance. Now here's hoping Zebra V comes along a little faster.

© Whitney Z. Gomes /TiVo

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