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Marty Wilde|Wilde About Marty

Wilde About Marty

Marty Wilde

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This is one rocking album, in terms of sound about three parts Gene Vincent to one part Everly Brothers ("Love of My Life") and two parts Elvis Presley ("Mean Woman Blues"). Marty Wilde was one of England's early rock & roll stars, good enough to get him compared with Americans of Gene Vincent's caliber (and appear with Vincent and Eddie Cochran when they toured England), and talented enough to generate a first-rate album in the studio, at a time when relatively few white American rock & rollers were able to do as much. Wilde About Marty consists of covers of some of Wilde's favorite American-spawned numbers, and they're not bad -- with Big Jim Sullivan on lead guitar and, in their pre-Shadows days, Brian "Licorice" Locking on bass and Brian Bennett at the drums, backing up his own band, the Wildcats, the playing is solid, and Wilde was an excellent singer, if a somewhat derivative one. He displays good depth on "Dream Lover" and lightens his voice for the Buddy Holly/Crickets number "You've Got Love," and makes a trio of unfortunate digression (understandable in the time) into teen pop with "I Flipped," "Are You Sincere?," and "Don't Pity Me," but around them cuts loose, by turns raw and almost lewd on "All American Boy" and "High School Confidential," and acquits himself well on "Splish Slash" and Arthur Crudup's "So Glad You're Mine." It's all produced by John Franz, who went on to play a similar role in Dusty Springfield's early career. Reissued on CD in 2003 paired with the singer's second LP, Showcase.

© Bruce Eder /TiVo

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Wilde About Marty

Marty Wilde

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1
Down the Line
00:01:53

ROY ORBISON, Composer, Lyricist - Marty Wilde, MainArtist

1959 Foggy Milan Records 1959 Foggy Milan Records

2
Love of My Life
00:02:27

Felice Bryant, Composer, Lyricist - Boudleaux Bryant, Composer, Lyricist - Marty Wilde, MainArtist

1959 Foggy Milan Records 1959 Foggy Milan Records

3
Put Me Down
00:01:55

Marty Wilde, MainArtist - Roland Janes, Composer, Lyricist

1959 Foggy Milan Records 1959 Foggy Milan Records

4
Blue Moon of Kentucky
00:01:58

Bill Monroe, Composer, Lyricist - Marty Wilde, MainArtist

1959 Foggy Milan Records 1959 Foggy Milan Records

5
Dream Lover
00:02:23

Bobby Darin, Composer, Lyricist - Marty Wilde, MainArtist

1959 Foggy Milan Records 1959 Foggy Milan Records

6
You've Got Love
00:02:00

Johnny Wilson, Composer, Lyricist - Norman Petty, Composer, Lyricist - ROY ORBISON, Composer, Lyricist - Marty Wilde, MainArtist

1959 Foggy Milan Records 1959 Foggy Milan Records

7
I Flipped
00:02:00

Marvin Moore, Composer, Lyricist - Marty Wilde, MainArtist - Bob Davie, Composer, Lyricist

1959 Foggy Milan Records 1959 Foggy Milan Records

8
All American Boys
00:02:44

Marty Wilde, MainArtist - Bill Parsons, Composer, Lyricist - Orville Lunsford, Composer, Lyricist

1959 Foggy Milan Records 1959 Foggy Milan Records

9
Mean Woman Blues
00:02:27

Marty Wilde, MainArtist - Claude Demetrius, Composer, Lyricist

1959 Foggy Milan Records 1959 Foggy Milan Records

10
Are You Sincere ?
00:02:48

Wayne Walker, Composer, Lyricist - Marty Wilde, MainArtist

1959 Foggy Milan Records 1959 Foggy Milan Records

11
High School Confidential
00:02:14

Ron Hargrave, Composer, Lyricist - Jerry Lee Lewis, Composer, Lyricist - Marty Wilde, MainArtist

1959 Foggy Milan Records 1959 Foggy Milan Records

12
Don't Pity Me
00:02:24

Lou Stallman, Composer, Lyricist - Marty Wilde, MainArtist - Sid Jackson, Composer, Lyricist

1959 Foggy Milan Records 1959 Foggy Milan Records

13
Splish Splash
00:01:44

Bobby Darin, Composer, Lyricist - Jean Murray, Composer, Lyricist - Marty Wilde, MainArtist

1959 Foggy Milan Records 1959 Foggy Milan Records

14
So Glad You're Mine
00:02:55

Arthur Crudup, Composer, Lyricist - Marty Wilde, MainArtist

1959 Foggy Milan Records 1959 Foggy Milan Records

Albumbeschreibung

This is one rocking album, in terms of sound about three parts Gene Vincent to one part Everly Brothers ("Love of My Life") and two parts Elvis Presley ("Mean Woman Blues"). Marty Wilde was one of England's early rock & roll stars, good enough to get him compared with Americans of Gene Vincent's caliber (and appear with Vincent and Eddie Cochran when they toured England), and talented enough to generate a first-rate album in the studio, at a time when relatively few white American rock & rollers were able to do as much. Wilde About Marty consists of covers of some of Wilde's favorite American-spawned numbers, and they're not bad -- with Big Jim Sullivan on lead guitar and, in their pre-Shadows days, Brian "Licorice" Locking on bass and Brian Bennett at the drums, backing up his own band, the Wildcats, the playing is solid, and Wilde was an excellent singer, if a somewhat derivative one. He displays good depth on "Dream Lover" and lightens his voice for the Buddy Holly/Crickets number "You've Got Love," and makes a trio of unfortunate digression (understandable in the time) into teen pop with "I Flipped," "Are You Sincere?," and "Don't Pity Me," but around them cuts loose, by turns raw and almost lewd on "All American Boy" and "High School Confidential," and acquits himself well on "Splish Slash" and Arthur Crudup's "So Glad You're Mine." It's all produced by John Franz, who went on to play a similar role in Dusty Springfield's early career. Reissued on CD in 2003 paired with the singer's second LP, Showcase.

© Bruce Eder /TiVo

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