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Linda Ronstadt|What's New

What's New

Linda Ronstadt

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Instead of trying to compete with a newer, fashion-conscious pop marketplace, Linda Ronstadt removed herself from the rat race, recording an album of traditional pop standards with Nelson Riddle. Ronstadt's voice isn't always showcased to a fine effect on these songs, but the record is an interesting change of pace. And it would have been more interesting if she hadn't repeated its formula on her next two records.

© Stephen Thomas Erlewine /TiVo

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What's New

Linda Ronstadt

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1
What's New? (LP Version)
00:03:57

Peter Asher, Producer - Linda Ronstadt, Lead Vocals, MainArtist - Don Grolnick, Piano - JOHN GUERIN, Drums - Doug Sax, MasteringEngineer - RAY BROWN, Bass Guitar - NELSON RIDDLE, Conductor, Arranger - Johnny Burke, Writer - Nathan Ross, Concertmaster - George Massenburg, Audio Recording Engineer, MixingEngineer - Bob Haggart, Writer - Anthony Terran, Solo Trumpet - Leonard Atkins, Concertmaster - Tommy Tedesco, Guitar - Barbara Rooney, Assistant Mixing Engineer, AssistantEngineer - Robert Spano, Assistant Mixing Engineer, AssistantEngineer

© 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

2
I've Got a Crush on You (LP Version)
00:03:29

Peter Asher, Producer - Linda Ronstadt, Lead Vocals, MainArtist - Don Grolnick, Piano - George Gershwin, Writer - Ira Gershwin, Writer - JOHN GUERIN, Drums - Doug Sax, MasteringEngineer - RAY BROWN, Bass Guitar - NELSON RIDDLE, Conductor, Arranger - Dennis Budimir, Guitar - Nathan Ross, Concertmaster - George Massenburg, Audio Recording Engineer, MixingEngineer - James Hughart, Bass Guitar - Anthony Terran, Solo Trumpet - Leonard Atkins, Concertmaster - Tommy Tedesco, Guitar - Barbara Rooney, Assistant Mixing Engineer, AssistantEngineer - Robert Spano, Assistant Mixing Engineer, AssistantEngineer

© 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

3
Guess I'll Hang My Tears out to Dry (LP Version)
00:04:15

Peter Asher, Producer - Linda Ronstadt, Lead Vocals, MainArtist - Don Grolnick, Piano - Jule Styne, Writer - JOHN GUERIN, Drums - Doug Sax, MasteringEngineer - Sammy Cahn, Writer - RAY BROWN, Bass Guitar - NELSON RIDDLE, Conductor, Arranger - Nathan Ross, Concertmaster - George Massenburg, Audio Recording Engineer, MixingEngineer - Leonard Atkins, Concertmaster - Tommy Tedesco, Guitar - Barbara Rooney, Assistant Mixing Engineer, AssistantEngineer - Robert Spano, Assistant Mixing Engineer, AssistantEngineer

© 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

4
Crazy He Calls Me (LP Version)
00:03:34

Peter Asher, Producer - Linda Ronstadt, Lead Vocals, MainArtist - Don Grolnick, Piano - JOHN GUERIN, Drums - Plas Johnson, Tenor Saxophone - Doug Sax, MasteringEngineer - RAY BROWN, Bass Guitar - NELSON RIDDLE, Conductor, Arranger - Carl Sigman, Writer - Nathan Ross, Concertmaster - George Massenburg, Audio Recording Engineer, MixingEngineer - Leonard Atkins, Concertmaster - Tommy Tedesco, Guitar - Sidney Keith Russell, Writer - Barbara Rooney, Assistant Mixing Engineer, AssistantEngineer - Robert Spano, Assistant Mixing Engineer, AssistantEngineer

© 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

5
Someone to Watch Over Me (LP Version)
00:04:13

Peter Asher, Producer - Linda Ronstadt, Lead Vocals, MainArtist - Don Grolnick, Piano - George Gershwin, Writer - Ira Gershwin, Writer - JOHN GUERIN, Drums - Doug Sax, MasteringEngineer - NELSON RIDDLE, Conductor, Arranger - Dennis Budimir, Guitar - Nathan Ross, Concertmaster - George Massenburg, Audio Recording Engineer, MixingEngineer - James Hughart, Bass Guitar - Leonard Atkins, Concertmaster - Barbara Rooney, Assistant Mixing Engineer, AssistantEngineer - Robert Spano, Assistant Mixing Engineer, AssistantEngineer

© 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

6
I Don't Stand a Ghost of a Chance (LP Version)
00:04:08

Peter Asher, Producer - Linda Ronstadt, Lead Vocals, MainArtist - Don Grolnick, Piano - JOHN GUERIN, Drums - Victor Young, Writer - Ned Washington, Writer - Doug Sax, MasteringEngineer - RAY BROWN, Bass Guitar - NELSON RIDDLE, Conductor, Arranger - Nathan Ross, Concertmaster - Bing Crosby, Writer - George Massenburg, Audio Recording Engineer, MixingEngineer - Leonard Atkins, Concertmaster - Tommy Tedesco, Guitar - BOB Cooper, Tenor Saxophone - Barbara Rooney, Assistant Mixing Engineer, AssistantEngineer - Robert Spano, Assistant Mixing Engineer, AssistantEngineer

© 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

7
What'll I Do? (LP Version)
00:04:08

Peter Asher, Producer - Linda Ronstadt, Lead Vocals, MainArtist - Don Grolnick, Piano - JOHN GUERIN, Drums - Doug Sax, MasteringEngineer - Irving Berlin, Writer - NELSON RIDDLE, Conductor, Arranger - Dennis Budimir, Guitar - Nathan Ross, Concertmaster - George Massenburg, Audio Recording Engineer, MixingEngineer - James Hughart, Bass Guitar - Leonard Atkins, Concertmaster - BOB Cooper, Solo Saxophone - Barbara Rooney, Assistant Mixing Engineer, AssistantEngineer - Robert Spano, Assistant Mixing Engineer, AssistantEngineer

© 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

8
Lover Man (Oh Where Can You Be?) (LP Version)
00:04:22

Peter Asher, Producer - Linda Ronstadt, Lead Vocals, MainArtist - Roger "Ram" Ramirez, Writer - Don Grolnick, Piano - Jimmy Davis, Writer - JOHN GUERIN, Drums - Doug Sax, MasteringEngineer - RAY BROWN, Bass Guitar - NELSON RIDDLE, Conductor, Arranger - Nathan Ross, Concertmaster - George Massenburg, Audio Recording Engineer, MixingEngineer - Chancy Welsch, Solo Trombone - Leonard Atkins, Concertmaster - Tommy Tedesco, Guitar - Jimmy Sherman, Writer - Barbara Rooney, Assistant Mixing Engineer, AssistantEngineer - Robert Spano, Assistant Mixing Engineer, AssistantEngineer

© 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

9
Goodbye (LP Version)
00:04:51

Peter Asher, Producer - Linda Ronstadt, Lead Vocals, MainArtist - Don Grolnick, Piano - JOHN GUERIN, Drums - Doug Sax, MasteringEngineer - RAY BROWN, Bass Guitar - NELSON RIDDLE, Conductor, Arranger - Gordon Jenkins, Writer - Nathan Ross, Concertmaster - George Massenburg, Audio Recording Engineer, MixingEngineer - Leonard Atkins, Concertmaster - Tommy Tedesco, Guitar - Barbara Rooney, Assistant Mixing Engineer, AssistantEngineer - Robert Spano, Assistant Mixing Engineer, AssistantEngineer

© 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1983 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

Albumbeschreibung

Instead of trying to compete with a newer, fashion-conscious pop marketplace, Linda Ronstadt removed herself from the rat race, recording an album of traditional pop standards with Nelson Riddle. Ronstadt's voice isn't always showcased to a fine effect on these songs, but the record is an interesting change of pace. And it would have been more interesting if she hadn't repeated its formula on her next two records.

© Stephen Thomas Erlewine /TiVo

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