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The Universal International Orchestra|Touch Of Evil

Touch Of Evil

The Universal International Orchestra

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Fifty years passed between the release of Orson Welles' last Hollywood production Touch of Evil and this 2008 reissue of Henry Mancini's soundtrack to the classic noir film, and the age of the music is apparent in its foggy reproduction. The surface hiss and the fairly compressed audio are the first things one notices, and the flat monaural wall of sound on most of the tracks makes this seem like a direct transfer from tape with minimal enhancements. Still, this is a fairly clean remastering, and despite the occasionally boxy sound, the tracks are pretty boisterous and loud, so most of the instruments clearly come through. There is a pretty even distribution of '50s-era rock & roll, bossa nova, Latin jazz, boogie woogie, and blues styles in Mancini's score, and the sessions conducted by Joseph Gershenson have an authentic feeling for the time and are quite energetic and spontaneous for being studio recordings. Except for the opening bars and the last four tracks, there is little orchestral music in this soundtrack, and Mancini's use of low brass and percussion for ominous effect is sparing; the bulk of this album comes across as a vintage popular collection rather than as sinister mood music for one of the greatest B movies of all time.

© TiVo

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Touch Of Evil

The Universal International Orchestra

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1
Touch Of Evil (Main Title)
00:03:31

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

2
Orson Around
00:02:46

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

3
Susan
00:02:21

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

4
Son Of Raunchy
00:03:05

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

5
Strollin' Blues
00:02:40

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

6
Borderline Montuna
00:02:03

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

7
Lease Breaker
00:02:48

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

8
Tana's Theme
00:02:26

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

9
Background For Murder
00:07:22

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

10
Rock Me To Sleep
00:02:42

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

11
Ku Ku
00:02:43

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

12
Reflection
00:03:02

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

13
The Big Drag
00:02:22

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

14
Blue Pianola
00:03:15

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

15
The Boss
00:01:08

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

16
Bar Room Rock
00:01:17

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

17
Pigeon Caged
00:00:56

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

18
Flashing Nuisance
00:01:38

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

19
Something For Susan
00:01:40

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

20
The Chase
00:01:01

The Universal International Orchestra, MainArtist

© 2008 El Records ℗ 2008 El Records

Albumbeschreibung

Fifty years passed between the release of Orson Welles' last Hollywood production Touch of Evil and this 2008 reissue of Henry Mancini's soundtrack to the classic noir film, and the age of the music is apparent in its foggy reproduction. The surface hiss and the fairly compressed audio are the first things one notices, and the flat monaural wall of sound on most of the tracks makes this seem like a direct transfer from tape with minimal enhancements. Still, this is a fairly clean remastering, and despite the occasionally boxy sound, the tracks are pretty boisterous and loud, so most of the instruments clearly come through. There is a pretty even distribution of '50s-era rock & roll, bossa nova, Latin jazz, boogie woogie, and blues styles in Mancini's score, and the sessions conducted by Joseph Gershenson have an authentic feeling for the time and are quite energetic and spontaneous for being studio recordings. Except for the opening bars and the last four tracks, there is little orchestral music in this soundtrack, and Mancini's use of low brass and percussion for ominous effect is sparing; the bulk of this album comes across as a vintage popular collection rather than as sinister mood music for one of the greatest B movies of all time.

© TiVo

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