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Lyfe Jennings|The Phoenix

The Phoenix

Lyfe Jennings

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What's surprising about Lyfe Jennings' career is that not only does his soulful music recall the freedom the soul genre experienced in the early '70s but how his major label, Sony, gives him that freedom in the rather stilted 21st century. Listening to his sophomore effort, The Phoenix, the question could be raised as to who is responsible for the album's heavy Kanye West and John Legend influence. Legend's emotional, piano-driven style rears its head often and West's elaborate ambition is all over the place, but a couple listens in, it's obvious that Jennings is responsible for all the unique moves and doubtful that Sony told him, "We need you to be our Kanye." The fact Sony gave the man's debut plenty of time to sink in with the public -- they worked it for an eternity by 21st century standards -- is a clue, but the proof is all over The Phoenix, a giant of an album with giant rewards, giant flaws, and grand swoops of unbridled creativity that somehow got Sony's stamp of approval. First off, there's a song-explaining interlude between practically every track, something that wears out its welcome in three listens or so. The interludes that bridge "Goodbye" (excellent and achingly poignant), "Let's Stay Together" (silky smooth), and "Biggie Nigga" (uplifting and fascinating) are especially clumsy, with Lyfe explaining how he faced the "making up is easier than breaking up" conundrum and made the more difficult choice, then made the easier choice, then dumped his lady for another girl who made him feel like the Notorious B.I.G. The chitter-chatter undermines this killer trilogy of songs, but if you want a really strange move, check out how the tougher-than-tough "Slow Down" (with G-Unit member Young Buck) uses the Gilligan's Island theme for its hook. As part of the whole, it works beautifully, as do the outlandish lyrics dropped into "Biggie Nigga" ("I was breast-fed by Godzilla") and "The River" ("I'm cursing the vagina that gave life to me"), since they're surrounded by eye-level views of Lyfe's past and his delivery is always convincing. On top of it all, he pulls off the tricky "sexual abstinence" song ("S.E.X.") without a hitch, throws out enough bold ideas and grand statements for two West records, and his raspy voice is as rich as ever. The Phoenix is a crazy, big, flawed album, but it's a trip, and a riveting one that anyone who loved his debut will want to take.

© David Jeffries /TiVo

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The Phoenix

Lyfe Jennings

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1
Intro (Album Version)
00:00:54

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Chester Jennings, Composer, Lyricist - Mike Schipp, Assistant Engineer - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

2
Slow Down (Album Version)
00:03:48

Lyfe Jennings feat. Young Buck and Doc Black, Associated Performer, Main Artist, Associated Performer - D.Brown, Composer, Lyricist - Lyfe Jennings, Producer - Mike Schipp, Assistant Engineer - G. Edmond, Composer, Lyricist - Kenneth Lloyd, Assistant Engineer - George Wyle, Composer, Lyricist - Dave Kutch, Mastering Engineer - Chester Jennings, Composer, Lyricist - Rich Keller, Recording Engineer - Sherwood Schwartz, Composer, Lyricist

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

3
Goodbye
00:05:05

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Chester Jennings, Composer, Lyricist - Rhemario "Rio" Webber, Producer - Mike Schipp, Assistant Engineer - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

4
Let's Stay Together (Album Version)
00:04:36

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Chester Jennings, Composer, Lyricist - Mike Schipp, Assistant Engineer - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

5
Biggie Nigga (Album Version) Explicit
00:02:41

Lyfe Jennings, Associated Performer, Guitar, Main Artist, Producer, Associated Performer, Guitar, Producer - Ricardo Ramos, Guitar - Chester Jennings, Composer, Lyricist - Mike Schipp, Assistant Engineer - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

6
Ghetto Superman (Album Version)
00:04:24

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Chester Jennings, Composer, Lyricist - Mike Schipp, Assistant Engineer - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

7
S.E.X. (Clean Version)
00:03:21

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - LaLa Brown, Associated Performer, Featured Artist - Lyfe Jennings featuring LaLa Brown, Associated Performer - Chester Jennings, Composer, Lyricist - Iman - Mike Schipp, Assistant Engineer - Sharad Barnes, Guitar - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

8
Down Here, Up There (Album Version)
00:03:13

Lyfe Jennings, Associated Performer, Guitar, Main Artist, Producer, Associated Performer, Guitar, Producer - Chester Jennings, Composer, Lyricist - Mike Schipp, Assistant Engineer - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

9
The River (Album Version)
00:03:13

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Chester Jennings, Composer, Lyricist - Rhemario "Rio" Webber, Producer - Mike Schipp, Assistant Engineer - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

10
Still Here (Album Version)
00:04:46

Lyfe Jennings feat. Three 6 Mafia and Project Pat, Associated Performer, Main Artist, Associated Performer - Chester Jennings, Composer, Lyricist - Rhemario "Rio" Webber, Producer - Lyfe Jennings, Producer - P. Beauregard, Composer, Lyricist - Mike Schipp, Assistant Engineer - J. Houston, Composer, Lyricist - Kenneth Lloyd, Assistant Engineer - P. Houston, Composer, Lyricist - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

11
More Than A Girl (Album Version)
00:04:23

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Chester Jennings, Composer, Lyricist - Rich Keller, Producer, Recording Engineer - Mike Schipp, Assistant Engineer - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

12
Stingy (Album Version)
00:04:14

Lyfe Jennings, Arranger, Associated Performer, Main Artist, Producer, Arranger, Associated Performer, Producer - Chester Jennings, Composer, Lyricist - Sharad Barnes, Guitar - Mike Schipp, Assistant Engineer - Sanford Allen, Violin - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Antoine Silverman, Violin - Phillip Patton, Violin - Rich Keller, Recording Engineer - Sandra Billingsly, Violin - Marl Feldman, Violin - Rachel Golub, Violin - Larenia Ponce, Violin - Susan Heerema, Violin - Jennifer Choi, Violin - Leonardo Suaret-Pag, Violin - Christina Courtin, Violin - Pauline Kim, Violin - Carol Poole, Violin - Ashley Horne, Violin - Gregg Augest, Bass - Ron Lawrence, Viola - Erik Friedlander, Cello - Kristina Cooper, Cello - Dave Eggar, Cello

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

13
Radio (Album Version)
00:03:36

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Chester Jennings, Composer, Lyricist - Rhemario "Rio" Webber, Producer - Mike Schipp, Assistant Engineer - Kenneth Lloyd, Assistant Engineer - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

14
Keep Ya Head Up (Album Version)
00:03:47

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Chance Jennings - Stan Vincent, Composer, Lyricist - Mike Schipp, Assistant Engineer - Charles Jennings - Tupac Amaru Shakur, Composer, Lyricist - Kenneth Lloyd, Assistant Engineer - Chris Darrington - Roger Troutman, Composer, Lyricist - Dave Kutch, Mastering Engineer - Jamie Redmond - Darryl L. Anderson, Composer, Lyricist - Rich Keller, Recording Engineer - Jade Jennings

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

15
I'll Always Love You (Album Version)
00:04:45

Lyfe Jennings, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Chester Jennings, Composer, Lyricist - Mike Houge, Assistant Engineer - Zaneta Tiggett - Dave Kutch, Mastering Engineer - Rich Keller, Recording Engineer

(P) 2006 SONY BMG MUSIC ENTERTAINMENT

Albumbeschreibung

What's surprising about Lyfe Jennings' career is that not only does his soulful music recall the freedom the soul genre experienced in the early '70s but how his major label, Sony, gives him that freedom in the rather stilted 21st century. Listening to his sophomore effort, The Phoenix, the question could be raised as to who is responsible for the album's heavy Kanye West and John Legend influence. Legend's emotional, piano-driven style rears its head often and West's elaborate ambition is all over the place, but a couple listens in, it's obvious that Jennings is responsible for all the unique moves and doubtful that Sony told him, "We need you to be our Kanye." The fact Sony gave the man's debut plenty of time to sink in with the public -- they worked it for an eternity by 21st century standards -- is a clue, but the proof is all over The Phoenix, a giant of an album with giant rewards, giant flaws, and grand swoops of unbridled creativity that somehow got Sony's stamp of approval. First off, there's a song-explaining interlude between practically every track, something that wears out its welcome in three listens or so. The interludes that bridge "Goodbye" (excellent and achingly poignant), "Let's Stay Together" (silky smooth), and "Biggie Nigga" (uplifting and fascinating) are especially clumsy, with Lyfe explaining how he faced the "making up is easier than breaking up" conundrum and made the more difficult choice, then made the easier choice, then dumped his lady for another girl who made him feel like the Notorious B.I.G. The chitter-chatter undermines this killer trilogy of songs, but if you want a really strange move, check out how the tougher-than-tough "Slow Down" (with G-Unit member Young Buck) uses the Gilligan's Island theme for its hook. As part of the whole, it works beautifully, as do the outlandish lyrics dropped into "Biggie Nigga" ("I was breast-fed by Godzilla") and "The River" ("I'm cursing the vagina that gave life to me"), since they're surrounded by eye-level views of Lyfe's past and his delivery is always convincing. On top of it all, he pulls off the tricky "sexual abstinence" song ("S.E.X.") without a hitch, throws out enough bold ideas and grand statements for two West records, and his raspy voice is as rich as ever. The Phoenix is a crazy, big, flawed album, but it's a trip, and a riveting one that anyone who loved his debut will want to take.

© David Jeffries /TiVo

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