Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
B.J. Nilsen's follow-up to 2007's The Short Night is in essence an extension of the well-crafted drone and found-sound ambient aesthetic of that and earlier work, but then again, there's little surprise that Nilsen would not radically change his approach. But The Invisible City has something in it that is a distinct difference, namely a kind of subterranean focus on the possibilities of entrancing -- often ominous -- rhythm that suggests the most aggressive work of composers like Robert Hampson. Short songs like "Phase and Amplitude" especially seem to show this off, but the longer tracks on The Invisible City are no less able to explore this -- the highlight being "Virtual Resistance," which goes through the greatest transformation during its length. Beginning with crazy, almost cracked sounds, its main tones take a more soothing approach that ends up leading into an extended section that almost -- but never quite -- feels like it's about to suddenly explode into a full-on rock rampage. The tension, accentuated by the concluding appearance of shuffled, ghostly beats of sorts, is exquisitely handled, reflecting what might be his best individual piece to date. The opening "Gravity Station" helps set the possibilities as well by starting with calm yet high-pitched drones before swirling chaos settles in toward the end, like the station of the title is heading to Earth at a rapid rate.
© Ned Raggett /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Benny Jonas Nilsen, Composer - BJNilsen, MainArtist - Touch Music [MCPS], MusicPublisher
2010 Touch 2010 Touch
Benny Jonas Nilsen, Composer - BJNilsen, MainArtist - Touch Music [MCPS], MusicPublisher
2010 Touch 2010 Touch
Benny Jonas Nilsen, Composer - BJNilsen, MainArtist - Touch Music [MCPS], MusicPublisher
2010 Touch 2010 Touch
Benny Jonas Nilsen, Composer - BJNilsen, MainArtist - Touch Music [MCPS], MusicPublisher
2010 Touch 2010 Touch
Benny Jonas Nilsen, Composer - BJNilsen, MainArtist - Touch Music [MCPS], MusicPublisher
2010 Touch 2010 Touch
Benny Jonas Nilsen, Composer - BJNilsen, MainArtist - Touch Music [MCPS], MusicPublisher
2010 Touch 2010 Touch
Benny Jonas Nilsen, Composer - BJNilsen, MainArtist - Touch Music [MCPS], MusicPublisher
2010 Touch 2010 Touch
Benny Jonas Nilsen, Composer - BJNilsen, MainArtist - Touch Music [MCPS], MusicPublisher
2010 Touch 2010 Touch
Albumbeschreibung
B.J. Nilsen's follow-up to 2007's The Short Night is in essence an extension of the well-crafted drone and found-sound ambient aesthetic of that and earlier work, but then again, there's little surprise that Nilsen would not radically change his approach. But The Invisible City has something in it that is a distinct difference, namely a kind of subterranean focus on the possibilities of entrancing -- often ominous -- rhythm that suggests the most aggressive work of composers like Robert Hampson. Short songs like "Phase and Amplitude" especially seem to show this off, but the longer tracks on The Invisible City are no less able to explore this -- the highlight being "Virtual Resistance," which goes through the greatest transformation during its length. Beginning with crazy, almost cracked sounds, its main tones take a more soothing approach that ends up leading into an extended section that almost -- but never quite -- feels like it's about to suddenly explode into a full-on rock rampage. The tension, accentuated by the concluding appearance of shuffled, ghostly beats of sorts, is exquisitely handled, reflecting what might be his best individual piece to date. The opening "Gravity Station" helps set the possibilities as well by starting with calm yet high-pitched drones before swirling chaos settles in toward the end, like the station of the title is heading to Earth at a rapid rate.
© Ned Raggett /TiVo
Informationen zu dem Album
- 1 Disc(s) - 8 Track(s)
- Gesamte Laufzeit: 01:02:38
- Künstler: BJNilsen
- Komponist: Benny Jonas Nilsen
- Label: Touch
- Genre: Electronic
2010 Touch 2010 Touch
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.