Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
It was never supposed to be like this: "(Sittin' On) The Dock of the Bay" was supposed to mark the beginning of a new phase in Otis Redding's career, not an ending. Producer/guitarist Steve Cropper had a difficult task to perform in pulling together this album, the first of several posthumous releases issued by Stax/Volt in the wake of Redding's death. What could have been a cash-in effort or a grim memorial album instead became a vivid, exciting presentation of some key aspects of the talent that was lost when Redding died. Dock of the Bay is, indeed, a mixed bag of singles and B-sides going back to July of 1965, one hit duet with Carla Thomas, and two, previously unissued tracks from 1966 and 1967. There's little cohesion, stylistic or otherwise, in the songs, especially when the title track is taken into consideration -- nothing else here resembles it, for the obvious reason that Redding never had a chance to follow it up. Despite the mix-and-match nature of the album, however, this is an impossible record not to love. Cropper chose his tracks well, selecting some of the strongest and most unusual among the late singer's orphaned songs: "I Love You More Than Words Can Say" is one of Redding's most passionate performances; "Let Me Come on Home" presents an ebullient Redding accompanied by some sharp playing, and "Don't Mess with Cupid" begins with a gorgeous guitar flourish and blooms into an intense, pounding, soaring showcase for singer and band alike. No one could complain about the album then, and it still holds more than four decades later.
© Bruce Eder /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Wayne Jackson, Trumpet - al jackson jr., Drums - Otis Redding, Lead Vocals, Writer, MainArtist - Donald 'Duck' Dunn, Bass Guitar - Steve Cropper, Producer, Guitar, Writer - Andrew "Love" Jackson, Tenor Saxophone
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Al Jackson, Drums - Wayne Jackson, Trumpet - Booker T. Jones, Writer - Andrew Love, Tenor Saxophone - Otis Redding, Vocals, MainArtist - Donald 'Duck' Dunn, Bass Guitar - Steve Cropper, Guitar - Eddie Floyd, Writer - Andrew "Love" Jackson, Saxophone
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Al Jackson, Writer - Wayne Jackson, Trumpet - Booker T. Jones, Keyboards, Piano, Writer - al jackson jr., Drums - Otis Redding, Lead Vocals, Writer, MainArtist - Isaac Hayes, Keyboards, Piano - Steve Cropper, Producer, Guitar - Donald "Duck" Dunn, Bass Guitar - Joe Arnold, Tenor Saxophone - Andrew "Love" Jackson, Tenor Saxophone
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Al Jackson, Drums - Booker T. Jones, Keyboards - Otis Redding, Lead Vocals, Writer, MainArtist - Isaac Hayes, Keyboards - Donald 'Duck' Dunn, Bass Guitar - Steve Cropper, Producer, Guitar
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Al Jackson, Drums - Booker T. Jones, Keyboards - Deanie Parker, Writer - Otis Redding, Lead Vocals, MainArtist - Isaac Hayes, Keyboards - Donald 'Duck' Dunn, Bass Guitar - Steve Cropper, Producer, Guitar, Writer - Eddie Floyd, Writer
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Al Jackson, Drums - Wayne Jackson, Trumpet - Otis Redding, Lead Vocals, MainArtist - Donald 'Duck' Dunn, Bass Guitar - Steve Cropper, Producer, Guitar - Billy Hill, Writer - Andrew "Love" Jackson, Tenor Saxophone
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Al Jackson, Drums - Booker T. Jones, Keyboards - Otis Redding, Lead Vocals, Writer, MainArtist - Isaac Hayes, Keyboards - Donald 'Duck' Dunn, Bass Guitar - Steve Cropper, Producer, Guitar
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Otis Redding, Vocals, MainArtist - Jimmy Mccracklin, Writer - Carla Thomas, MainArtist - Lowell Fulsom, Writer
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Wayne Jackson, Trumpet - Booker T. Jones, Producer, Keyboards, Organ - al jackson jr., Producer, Drums - Otis Redding, Lead Vocals, MainArtist - Isaac Hayes, Producer, Keyboards, Piano - Donald 'Duck' Dunn, Producer, Bass Guitar - Steve Cropper, Producer, Guitar - Jim Stewart, Producer - Joe Arnold, Tenor Saxophone - ROY ALFRED, Writer - Andy Gibson, Writer - Andrew "Love" Jackson, Tenor Saxophone - Nesuhi Ertugun, Producer
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Wayne Jackson, Trumpet - Booker T. Jones, Keyboards, Piano - al jackson jr., Drums - Otis Redding, Vocals, MainArtist - Sammy Coleman, Trumpet - Isaac Hayes, Keyboards, Piano - Gene "Bowlegs" Miller, Trumpet - Steve Cropper, Guitar - FLOYD NEWMAN, Saxophone - Donald "Duck" Dunn, Guitar - Jimmy Cox, Writer - Charles "Packy" Axton, Saxophone - Andrew "Love" Jackson, Saxophone
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1966 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Wayne Jackson, Trumpet - Booker T. Jones, Keyboards - al jackson jr., Drums - Otis Redding, Lead Vocals, Writer, MainArtist - Isaac Hayes, Producer, Keyboards - Gene "Bowlegs" Miller, Trumpet - Steve Cropper, Guitar - FLOYD NEWMAN, Baritone Saxophone - TOM DOWD, Engineer - Jim Stewart, Supervisor - Donald "Duck" Dunn, Bass Guitar - Andrew "Love" Jackson, Tenor Saxophone
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1968 ATLANTIC RECORDING CORP FOR THE US AND WEA INTERNATIONAL FOR THE REST OF THE WORLD OUTSIDE THE US
Albumbeschreibung
It was never supposed to be like this: "(Sittin' On) The Dock of the Bay" was supposed to mark the beginning of a new phase in Otis Redding's career, not an ending. Producer/guitarist Steve Cropper had a difficult task to perform in pulling together this album, the first of several posthumous releases issued by Stax/Volt in the wake of Redding's death. What could have been a cash-in effort or a grim memorial album instead became a vivid, exciting presentation of some key aspects of the talent that was lost when Redding died. Dock of the Bay is, indeed, a mixed bag of singles and B-sides going back to July of 1965, one hit duet with Carla Thomas, and two, previously unissued tracks from 1966 and 1967. There's little cohesion, stylistic or otherwise, in the songs, especially when the title track is taken into consideration -- nothing else here resembles it, for the obvious reason that Redding never had a chance to follow it up. Despite the mix-and-match nature of the album, however, this is an impossible record not to love. Cropper chose his tracks well, selecting some of the strongest and most unusual among the late singer's orphaned songs: "I Love You More Than Words Can Say" is one of Redding's most passionate performances; "Let Me Come on Home" presents an ebullient Redding accompanied by some sharp playing, and "Don't Mess with Cupid" begins with a gorgeous guitar flourish and blooms into an intense, pounding, soaring showcase for singer and band alike. No one could complain about the album then, and it still holds more than four decades later.
© Bruce Eder /TiVo
Informationen zu dem Album
- 1 Disc(s) - 11 Track(s)
- Gesamte Laufzeit: 00:31:01
- Künstler: Otis Redding
- Label: Elektra Records
- Genre: Soul/Funk/R&B Soul
© 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.