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Talk Talk|The Colour of Spring (1997 Remaster)

The Colour of Spring (1997 Remaster)

Talk Talk

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With It's My Life, Talk Talk proved that they could pull off an entire album of strong material. With The Colour of Spring, they took it one step further, moving to a near-concept song cycle, following the emotional ups and downs of relationships and pondering life in general. Musically, they built on the experimental direction of the previous album with interesting rhythms, sweeping orchestration, complex arrangements, and even a children's chorus to create an evocative, hypnotic groove. Though the songs were catchier on the earlier efforts and the ambient experimentation was more fully achieved later on, The Colour of Spring succeeded in marrying the two ideas into one unique sound for their most thoroughly satisfying album.

© Chris Woodstra /TiVo

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The Colour of Spring (1997 Remaster)

Talk Talk

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1
Happiness Is Easy (1997 Remaster)
00:06:30

Alan Gorrie, Bass - Tim Friese-Greene, Producer, Writer, Kurzweil Synthesizer - Robbie McIntosh, Guitar - Danny Thompson, Acoustic Bass - Steve Winwood, Organ - Martin Ditcham, Percussion - Phill Brown, Remastering Engineer - Mark Hollis, Vocals, Writer, Miscellaneous - Talk Talk, MainArtist - Morris Pert, Percussion - Denis Blackham, Remastering Engineer - Children from the school of Miss Speake, Children's Choir - Phil Reis, Percussion

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1997 Parlophone Records Ltd, a Warner Music Group Company

2
I Don't Believe in You (1997 Remaster)
00:05:01

Tim Friese-Greene, Producer, Piano, Writer - Robbie McIntosh, Guitar - Steve Winwood, Organ - Phill Brown, Remastering Engineer - Lee Harris, Drums - Mark Hollis, Vocals, Writer - Talk Talk, MainArtist - Paul Webb, Bass - Ian Curnow, Solo Synthesizer - Morris Pert, Percussion - David Roach, Soprano Saxophone - Gaynor Sadler, Harp - Dietmar Schillinger, Engineer - Denis Blackham, Remastering Engineer - Paul Schroeder, Engineer - Dennis Weinrich, Engineer - Pete Wooliscroft, Engineer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1997 Parlophone Records Ltd, a Warner Music Group Company

3
Life's What You Make It (1997 Remaster)
00:04:28

Tim Friese-Greene, Producer, Organ, Writer, Mellotron - Martin Ditcham, Percussion - David Rhodes, Guitar - Phill Brown, Remastering Engineer - Lee Harris, Drums - Mark Hollis, Piano, Lead Vocals, Writer - Talk Talk, MainArtist - Paul Webb, Backing Vocals - Dietmar Schillinger, Engineer - Denis Blackham, Remastering Engineer - Paul Schroeder, Engineer - Dennis Weinrich, Engineer - Pete Wooliscroft, Engineer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1997 Parlophone Records Ltd, a Warner Music Group Company

4
April 5th (1997 Remaster)
00:05:51

Tim Friese-Greene, Producer, Piano, Writer, Miscellaneous - Robbie McIntosh, Dobro - Phill Brown, Remastering Engineer - Mark Hollis, Organ, Vocals, Writer, Miscellaneous - Talk Talk, MainArtist - David Roach, Soprano Saxophone - Dietmar Schillinger, Engineer - Denis Blackham, Remastering Engineer - Paul Schroeder, Engineer - Dennis Weinrich, Engineer - Pete Wooliscroft, Engineer

© 1997 Parlophone Records Ltd, a Warner Music Group Company 1986 ℗ 1997 Parlophone Records Ltd, a Warner Music Group Company

5
Living in Another World (1997 Remaster)
00:06:56

Tim Friese-Greene, Producer, Writer - Robbie McIntosh, Guitar - Steve Winwood, Organ - Martin Ditcham, Percussion - David Rhodes, Guitar - Mark Feltham, Harmonica - Phill Brown, Remastering Engineer - Lee Harris, Drums - Mark Hollis, Piano, Lead Vocals, Writer - Talk Talk, MainArtist - Paul Webb, Backing Vocals, Bass - Morris Pert, Percussion - David Roach, Soprano Saxophone - Dietmar Schillinger, Engineer - Denis Blackham, Remastering Engineer - Paul Schroeder, Engineer - Dennis Weinrich, Engineer - Pete Wooliscroft, Engineer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1997 Parlophone Records Ltd, a Warner Music Group Company

6
Give It Up (1997 Remaster)
00:05:17

Tim Friese-Greene, Producer, Organ, Writer - Robbie McIntosh, Dobro - Martin Ditcham, Percussion - David Rhodes, Guitar - Phill Brown, Remastering Engineer - Mark Hollis, Piano, Vocals, Writer, Mellotron - Talk Talk, MainArtist - Ian Curnow, Solo Synthesizer - Dietmar Schillinger, Engineer - Denis Blackham, Remastering Engineer - Paul Schroeder, Engineer - Dennis Weinrich, Engineer - Pete Wooliscroft, Engineer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1997 Parlophone Records Ltd, a Warner Music Group Company

7
Chameleon Day (1997 Remaster)
00:03:20

Tim Friese-Greene, Producer, Writer, Miscellaneous - Phill Brown, Remastering Engineer - Mark Hollis, Piano, Vocals, Writer, Miscellaneous - Talk Talk, MainArtist - Dietmar Schillinger, Engineer - Denis Blackham, Remastering Engineer - Paul Schroeder, Engineer - Dennis Weinrich, Engineer - Pete Wooliscroft, Engineer

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1997 Parlophone Records Ltd, a Warner Music Group Company

8
Time It's Time (1997 Remaster)
00:08:13

Tim Friese-Greene, Producer, Organ, Piano, Writer - Robbie McIntosh, Acoustic Guitar - Martin Ditcham, Percussion - Phill Brown, Remastering Engineer - Mark Hollis, Guitar, Vocals, Writer, Melodica - Talk Talk, Performance, MainArtist - Morris Pert, Percussion - Dietmar Schillinger, Engineer - Denis Blackham, Remastering Engineer - Paul Schroeder, Engineer - Dennis Weinrich, Engineer - Pete Wooliscroft, Engineer - Ambrosia Choir, Choir

© 1997 Parlophone Records Ltd, a Warner Music Group Company ℗ 1997 Parlophone Records Ltd, a Warner Music Group Company

Albumbeschreibung

With It's My Life, Talk Talk proved that they could pull off an entire album of strong material. With The Colour of Spring, they took it one step further, moving to a near-concept song cycle, following the emotional ups and downs of relationships and pondering life in general. Musically, they built on the experimental direction of the previous album with interesting rhythms, sweeping orchestration, complex arrangements, and even a children's chorus to create an evocative, hypnotic groove. Though the songs were catchier on the earlier efforts and the ambient experimentation was more fully achieved later on, The Colour of Spring succeeded in marrying the two ideas into one unique sound for their most thoroughly satisfying album.

© Chris Woodstra /TiVo

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