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Michael Martin Murphey|The Best Of Michael Martin Murphey

The Best Of Michael Martin Murphey

Michael Martin Murphey

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This is a fair to middling 12-cut collection of Michael Martin Murphey's best material as licensed from Liberty (Capitol/EMI). In fact, it's identical in material and artwork to the collection of the same name released by EMI America in 1982. That doesn't take away from it at all, since some of the stuff here like "Geronimo's Cadillac" and "Wildfire" come from the very best of Murphey's earliest years. Don't look for any of the Sagebrush Symphony material, or anything from the more familiar Warner years because it's not here. This set was put together after Murphey left the label for greener pastures. Still, one can't help but admire the real songwriter and storyteller he was during this time, even if some of the later '70s stuff is almost pure schmaltz. Look to the aforementioned tracks, the crossover AOR smash "What's Forever For" that rivaled "Wildfire" as his most successful single ever, and "Carolina in the Pines" as stellar examples of '70s singer/songwriter fare at its best.

© Thom Jurek /TiVo

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The Best Of Michael Martin Murphey

Michael Martin Murphey

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1
Carolina In The Pines
00:04:10

MICHAEL MARTIN MURPHEY, Composer, MainArtist - JIM ED NORMAN, Producer

(c) 1995, 1984 Capitol Nashville ℗ 1984 Capitol Records Nashville

2
Geronimo's Cadillac
00:05:26

MICHAEL MARTIN MURPHEY, Composer, MainArtist - JIM ED NORMAN, Producer - Charles Quarto, Composer

(c) 1995, 1984 Capitol Nashville ℗ 1984 Capitol Records Nashville

3
Cherokee Fiddle
00:05:38

MICHAEL MARTIN MURPHEY, Composer, MainArtist - JIM ED NORMAN, Producer

(c) 1995, 1984 Capitol Nashville ℗ 1984 Capitol Records Nashville

4
Still Taking Chances
00:04:11

MICHAEL MARTIN MURPHEY, Author, MainArtist - JIM ED NORMAN, Producer

(c) 1995, 1984 Capitol Nashville ℗ 1982 Capitol Records, LLC

5
What's Forever For?
00:02:51

Rafe VanHoy, Author - MICHAEL MARTIN MURPHEY, MainArtist - JIM ED NORMAN, Producer

(c) 1995, 1984 Capitol Nashville ℗ 1982 Capitol Records, LLC

6
Wildfire
00:05:07

Larry Cansler, Author - MICHAEL MARTIN MURPHEY, Author, MainArtist

(c) 1995, 1984 Capitol Nashville ℗ 1984 Capitol Records Nashville

7
What She Wants
00:03:45

Kerry Chater, Composer - MICHAEL MARTIN MURPHEY, MainArtist - JIM ED NORMAN, Producer - Renee Armand, Composer

(c) 1995, 1984 Capitol Nashville ℗ 1984 Capitol Records Nashville

8
Love Affairs
00:03:33

Michael D'Abo, ComposerLyricist - MICHAEL MARTIN MURPHEY, MainArtist, ComposerLyricist - JIM ED NORMAN, Producer

(c) 1995, 1984 Capitol Nashville ℗ 1981 Capitol Records Nashville

9
Disenchanted
00:04:34

Chick Rains, ComposerLyricist - MICHAEL MARTIN MURPHEY, MainArtist, ComposerLyricist - JIM ED NORMAN, Producer, ComposerLyricist

(c) 1995, 1984 Capitol Nashville ℗ 1983 Capitol Records, LLC

10
Don't Count The Rainy Days
00:03:24

Jerry Careaga, Composer - MICHAEL MARTIN MURPHEY, MainArtist - JIM ED NORMAN, Producer - Wayland D. Holyfield, Composer

(c) 1995, 1984 Capitol Nashville ℗ 1983 Capitol Records, LLC

11
Will It Be Love By Morning?
00:02:26

Lewis Anderson, Author - Fred Koller, Author - MICHAEL MARTIN MURPHEY, MainArtist - JIM ED NORMAN, Producer

(c) 1995, 1984 Capitol Nashville ℗ 1983 Capitol Records, LLC

12
Radio Land
00:04:01

Chick Rains, ComposerLyricist - MICHAEL MARTIN MURPHEY, MainArtist, ComposerLyricist - JIM ED NORMAN, Producer, ComposerLyricist

(c) 1995, 1984 Capitol Nashville ℗ 1983 Capitol Records Nashville

Albumbeschreibung

This is a fair to middling 12-cut collection of Michael Martin Murphey's best material as licensed from Liberty (Capitol/EMI). In fact, it's identical in material and artwork to the collection of the same name released by EMI America in 1982. That doesn't take away from it at all, since some of the stuff here like "Geronimo's Cadillac" and "Wildfire" come from the very best of Murphey's earliest years. Don't look for any of the Sagebrush Symphony material, or anything from the more familiar Warner years because it's not here. This set was put together after Murphey left the label for greener pastures. Still, one can't help but admire the real songwriter and storyteller he was during this time, even if some of the later '70s stuff is almost pure schmaltz. Look to the aforementioned tracks, the crossover AOR smash "What's Forever For" that rivaled "Wildfire" as his most successful single ever, and "Carolina in the Pines" as stellar examples of '70s singer/songwriter fare at its best.

© Thom Jurek /TiVo

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