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Wadada Leo Smith|Tao-Njia

Tao-Njia

Wadada Leo Smith

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Tao-Njia is a good album that's interesting, if not very active. Wadada Leo Smith's group Nda-Kulture performs the opening piece, "Another Wave More Waves," on an unusual instrumentation that works wonderfully: Smith switches between trumpet and flugelhorn while David Philipson plays two low drums and a frame drum, and Mika Noda performs on vibraphone, timpani, and tubular bells. The second piece, "Double Thunderbolt," is a composition in six parts composed as a memorial for Don Cherry. It begins with Smith playing bamboo flute, adding a Far Eastern meditative quality. A variety of Eastern bells and other instruments are rung as Harumi Makino Smith reads her poetry for two of the sections, followed each time by Smith soloing on trumpet. The final piece, and title track, is performed by the California EAR Unit and guests. Incorporating personal philosophy and beliefs into his compositions through mood and accompanying texts, Smith creates a warm album of spiritual instrumental music.

© Joslyn Layne /TiVo

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Tao-Njia

Wadada Leo Smith

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1
I. Another Wave More Waves
00:09:34

Wadada Leo Smith, Composer, MainArtist

1996 Tzadik 1996 Tzadik

2
II. Double Thunderbolt: Memorial For Don Cherry
00:12:16

Wadada Leo Smith, Composer, MainArtist

1996 Tzadik 1996 Tzadik

3
III. Tao-njia
00:21:17

Wadada Leo Smith, Composer, MainArtist

1996 Tzadik 1996 Tzadik

Albumbeschreibung

Tao-Njia is a good album that's interesting, if not very active. Wadada Leo Smith's group Nda-Kulture performs the opening piece, "Another Wave More Waves," on an unusual instrumentation that works wonderfully: Smith switches between trumpet and flugelhorn while David Philipson plays two low drums and a frame drum, and Mika Noda performs on vibraphone, timpani, and tubular bells. The second piece, "Double Thunderbolt," is a composition in six parts composed as a memorial for Don Cherry. It begins with Smith playing bamboo flute, adding a Far Eastern meditative quality. A variety of Eastern bells and other instruments are rung as Harumi Makino Smith reads her poetry for two of the sections, followed each time by Smith soloing on trumpet. The final piece, and title track, is performed by the California EAR Unit and guests. Incorporating personal philosophy and beliefs into his compositions through mood and accompanying texts, Smith creates a warm album of spiritual instrumental music.

© Joslyn Layne /TiVo

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