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Dan Laurin|Songs of yesterday

Songs of yesterday

Dan Laurin

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Recorder player Carl Dolmetsch, son of Arnold Dolmetsch, the prime mover in the early music revival at the beginning of the 20th century, was focused not only on the music of the distant past but on bringing the recorder fully into the modern era. Besides inventing the plastic recorder, which became a foundational instrument in elementary music education, he commissioned a variety of new recorder works. For this CD, recorder player Dan Laurin revives pieces by six British composers that Dolmetsch and his accompanist Joseph Saxby played on recitals at Wigmore Hall between 1939 and 1965, some accompanied by piano and some by harpsichord. Much of the music, either tonal or modal, has the pleasant, lyrical meandering quality that seemed to be a defining characteristic of a number of less-than-major mid-century British composers. York Bowen's unabashedly melodic 1947 Sonatina and Lennox Berkeley's 1939 Sonatina, whose combination of cosmopolitan sophistication, soulfulness, and wit are somewhat reminiscent of Poulenc, are the most consistently successful works. Edmund Rubbra's Passacaglia sopra "Plusieurs regrets," which channels Renaissance figures through a modern sensibility, is also effective. Laurin's performances are technically skilled and expressive, and Anna Paradiso provides able accompaniment on piano and harpsichord. The album should appeal to fans of the recorder and of tonal modern chamber music.

© TiVo

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Songs of yesterday

Dan Laurin

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Recorder Sonata, Op. 121 (York Bowen)

1
I. Allegretto piacevole
00:03:47

York Bowen, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

2
II. Andante tranquillo
00:04:57

York Bowen, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

3
III. Allegro giocoso
00:03:16

York Bowen, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

Sonatina, Op. 128 (Edmund Rubbra)

4
I. Allegretto comodo
00:03:58

Edmund RUBBRA, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

5
II. Adagio mesto
00:03:20

Edmund RUBBRA, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

6
III. Variations on en la fuente del Rosel
00:04:31

Edmund RUBBRA, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

Aubade for Recorder and Piano (Cyril Scott)

7
Aubade
00:09:08

Cyril Scott, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

Recorder Sonata (Herbert Murrill)

8
I. Largo
00:01:55

Dan Laurin, MainArtist, AssociatedPerformer - Herbert Murrill, Composer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

9
II. Presto
00:02:03

Dan Laurin, MainArtist, AssociatedPerformer - Herbert Murrill, Composer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

10
III. Recitativo. Andante a piacere
00:02:16

Dan Laurin, MainArtist, AssociatedPerformer - Herbert Murrill, Composer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

11
IV. Finale. Allegro non troppo
00:01:22

Dan Laurin, MainArtist, AssociatedPerformer - Herbert Murrill, Composer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

Recorder Sonatina (Walter Leigh)

12
I. Allegretto
00:03:18

Walter Leigh, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

13
II. Larghetto, molto tranquillo
00:04:10

Walter Leigh, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

14
III. Allegro, leggiero
00:02:47

Walter Leigh, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

15
Passacaglia sopra Plusieurs regrets, Op. 113
00:05:05

Edmund RUBBRA, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

Recorder Sonatina, Op. 13 (Lennox Berkeley)

16
I. Moderato
00:03:56

Lennox Berkeley, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

17
II. Adagio
00:04:49

Lennox Berkeley, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

18
III. Allegro moderato
00:02:41

Lennox Berkeley, Composer - Dan Laurin, MainArtist, AssociatedPerformer - Anna Paradiso, MainArtist, AssociatedPerformer

2010 BIS 2010 (P) BIS

Albumbeschreibung

Recorder player Carl Dolmetsch, son of Arnold Dolmetsch, the prime mover in the early music revival at the beginning of the 20th century, was focused not only on the music of the distant past but on bringing the recorder fully into the modern era. Besides inventing the plastic recorder, which became a foundational instrument in elementary music education, he commissioned a variety of new recorder works. For this CD, recorder player Dan Laurin revives pieces by six British composers that Dolmetsch and his accompanist Joseph Saxby played on recitals at Wigmore Hall between 1939 and 1965, some accompanied by piano and some by harpsichord. Much of the music, either tonal or modal, has the pleasant, lyrical meandering quality that seemed to be a defining characteristic of a number of less-than-major mid-century British composers. York Bowen's unabashedly melodic 1947 Sonatina and Lennox Berkeley's 1939 Sonatina, whose combination of cosmopolitan sophistication, soulfulness, and wit are somewhat reminiscent of Poulenc, are the most consistently successful works. Edmund Rubbra's Passacaglia sopra "Plusieurs regrets," which channels Renaissance figures through a modern sensibility, is also effective. Laurin's performances are technically skilled and expressive, and Anna Paradiso provides able accompaniment on piano and harpsichord. The album should appeal to fans of the recorder and of tonal modern chamber music.

© TiVo

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