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Prism|See Forever Eyes

See Forever Eyes

Prism

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Text in englischer Sprache verfügbar

Compared to their debut release, See Forever Eyes is of the same caliber, with more attention given to keyboardist John Hall and less appointed to the band's guitar players. One of Prism's best songs appears here in "Take Me Away," which became a Top 30 hit in their homeland. Bruce Fairbairn has Prism playing to a cleaner, crisper sound, utilizing the color and sheen of the synthesizers in place of harder guitar riffs, working well in some places and failing in others. "Take Me Away" does deserve its chart notoriety, making the best of Mitchell's sharp hooks and Tabak's floating vocals. The song was written by Allen Harlow, who wasn't part of Prism when he introduced it to them, but was added to the lineup after the band rehearsed the song in the studio. "Flyin" takes full advantage of the keyboards' piping energy better than any of the album's tracks, and "See Forever Eyes" is a solid hard rock tune with a crystallized grittiness. Bland fillers like "N-N-N-No," "Just Like Me," and "Crime Wave" are easy to pass over, lacking the creativity or the spark given to some of the other songs. A little flashier and more pop sounding, See Forever Eyes continues the group's sound from their first release, with greater magnitude and dimension coming from the instruments.

© Mike DeGagne /TiVo

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See Forever Eyes

Prism

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Ab 14.99 CHF/Monat

1
Hello
00:02:48

Bruce Fairbairn, Producer - JOHN HALL, Keyboards, AssociatedPerformer - Lindsay Mitchell, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - Clifford Prest, Composer - William McColl, Composer - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

2
Flyin'
00:04:33

Bruce Fairbairn, Producer - Shorty Hall, Composer - JOHN HALL, Keyboards, AssociatedPerformer - Lindsay Mitchell, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - Wanstall, Composer - Tabak, Composer - Hawriko, Composer - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

3
Nickels And Dimes
00:04:08

Bruce Fairbairn, Producer - JOHN HALL, Keyboards, AssociatedPerformer - Lindsay Mitchell, Composer, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - Allen Hawriko, Composer - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

4
Crime Wave
00:04:35

Bruce Fairbairn, Producer - L. Mitchell, Composer - JOHN HALL, Keyboards, AssociatedPerformer - Lindsay Mitchell, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

5
You're Like The Wind
00:03:43

Bruce Fairbairn, Producer - JOHN HALL, Keyboards, AssociatedPerformer - Jim Vallance, Composer - Lindsay Mitchell, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

6
N-N-N-No!
00:02:51

Bruce Fairbairn, Producer - JOHN HALL, Keyboards, AssociatedPerformer - Jim Vallance, Composer - Lindsay Mitchell, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

7
Take Me Away
00:03:18

Bruce Fairbairn, Producer - JOHN HALL, Keyboards, AssociatedPerformer - Lindsay Mitchell, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - Hawriko, Composer - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

8
You're My Reason
00:03:36

Bruce Fairbairn, Producer - JOHN HALL, Keyboards, AssociatedPerformer - Koren, Composer - Lindsay Mitchell, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

9
Just Like Me
00:04:40

Bruce Fairbairn, Producer - Carl Mitchell, Composer - Shorty Hall, Composer - JOHN HALL, Keyboards, AssociatedPerformer - Lindsay Mitchell, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - Wanstall, Composer - Hawriko, Composer - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

10
See Forever Eyes
00:05:10

Bruce Fairbairn, Producer - Unknown, Composer - JOHN HALL, Keyboards, AssociatedPerformer - Lindsay Mitchell, Guitar, AssociatedPerformer - Ted Carson, Mastering Engineer, StudioPersonnel - Prism, Producer, MainArtist - AB Bryant, Bass, AssociatedPerformer - Ron Tabak, Vocals, AssociatedPerformer

℗ 1978 Capitol Records, LLC

Albumbeschreibung

Compared to their debut release, See Forever Eyes is of the same caliber, with more attention given to keyboardist John Hall and less appointed to the band's guitar players. One of Prism's best songs appears here in "Take Me Away," which became a Top 30 hit in their homeland. Bruce Fairbairn has Prism playing to a cleaner, crisper sound, utilizing the color and sheen of the synthesizers in place of harder guitar riffs, working well in some places and failing in others. "Take Me Away" does deserve its chart notoriety, making the best of Mitchell's sharp hooks and Tabak's floating vocals. The song was written by Allen Harlow, who wasn't part of Prism when he introduced it to them, but was added to the lineup after the band rehearsed the song in the studio. "Flyin" takes full advantage of the keyboards' piping energy better than any of the album's tracks, and "See Forever Eyes" is a solid hard rock tune with a crystallized grittiness. Bland fillers like "N-N-N-No," "Just Like Me," and "Crime Wave" are easy to pass over, lacking the creativity or the spark given to some of the other songs. A little flashier and more pop sounding, See Forever Eyes continues the group's sound from their first release, with greater magnitude and dimension coming from the instruments.

© Mike DeGagne /TiVo

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