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Carolyn Sampson|Purcell: Victorious Love

Purcell: Victorious Love

Carolyn Sampson

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The young English soprano Carolyn Sampson has been heard in ensemble recordings of music by Bach, Handel, and Monteverdi, among other mostly Baroque composers. In Purcell's songs, many drawn from otherwise forgotten theatrical productions, she has strong competition from Emma Kirkby, among other British stalwarts, but she stands up to them and more and she's on her way to becoming a major star. Her voice is not really large, but the occasional little explosions written into Purcell's scores show the power she keeps in reserve and her skill at working within chamber dimensions. She uses a plain, vibratoless tone just up to the edge, where you wonder what's coming next, and then slides into extremely agile decorations and ornaments, which would be mostly improvised in this repertory. Best of all is her dramatic sense for this music -- each track involves not just a melody but a theatrical character, and she is funny, flirtatious, passionate, humorous, and despondent in turn. The small continuo group, especially the unusually active harpsichord of Laurence Cummings, is notable for its sensitivity to Sampson's readings; this was no pickup group, or even historical-performance all-star group, but performers who obviously worked hard on creating unified interpretations. The BIS engineers can take home the triple crown for this disc. They bring the microphones up close and create an unresonant, chamber-theater sound that's right for Purcell (even if a church was the recording location), catching all the detail of the instrumental playing but none of the wheezing and instrument-scratching that bedevils so many recordings of this type. Anglophones will be able to understand every word Sampson sings, and perhaps the only complaint here is that the readers of the German and French booklet notes might also wish they had text translations as they're the only ones who might need the texts in the first place. An absolute delectation.

© TiVo

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Purcell: Victorious Love

Carolyn Sampson

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Pausanius, the Betrayer of his Country, Z. 585 (Henry Purcell)

1
Sweeter Than roses
00:03:25

Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer - Richard Norton, Lyricist

2007 BIS 2007 (P) BIS

2
The fatal hour comes on apace, Z. 421
00:03:45

Anonymous, Lyricist - Henry Purcell, Composer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

3
When First Amintas Sued for a Kiss, Z. 430
00:02:03

Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Thomas d'Urfey, Lyricist - Laurence Cummings, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

The Fairy Queen, Z. 629, Act V (Henry Purcell)

4
The Plaint: O let me weep
00:07:28

Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Elkanah Settle, Lyricist - Laurence Cummings, MainArtist, AssociatedPerformer - Sarah Sexton, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

The Indian Queen, Z. 630, Act IV (Henry Purcell)

5
They Tell Us That You Mighty Powers Above
00:03:19

Henry Purcell, Composer - John Dryden, Lyricist - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Jane Rogers, MainArtist, AssociatedPerformer - Andrea Morris, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer - Sarah Sexton, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

The Mock Marriage, Z. 605 (Henry Purcell)

6
Man Is for the Woman Made
00:01:28

Anonymous, Lyricist - Henry Purcell, Composer - Carolyn Sampson, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

7
From Silent Shades, Z. 370
00:04:35

Anonymous, Lyricist - Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

Oedipus, King of Thebes, Z. 583 (Henry Purcell)

8
Oedipus, Z. 583: Music for a While
00:04:01

Henry Purcell, Composer - John Dryden, Lyricist - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

The Fairy Queen, Z. 629, Act IV (Henry Purcell)

9
Now the Night Is Chas'd Away
00:01:39

Henry Purcell, Composer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Jane Rogers, MainArtist, AssociatedPerformer - Elkanah Settle, Lyricist - Andrea Morris, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer - Sarah Sexton, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

10
If Music be the Food of Love, Z. 379
00:03:41

Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Henry Heveningham, Lyricist - Laurence Cummings, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

The Fairy Queen, Z. 629, Act V (Henry Purcell)

11
Epithalamium: Thrice happy lovers
00:03:01

Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Elkanah Settle, Lyricist - Laurence Cummings, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

Of old when heroes thought It base, Z. 333, "Yorkshire Feast Song" (Henry Purcell)

12
No. 4, The Bashful Thames
00:02:48

Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Thomas d'Urfey, Lyricist - Andrea Morris, MainArtist, AssociatedPerformer - Sarah Sexton, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

The Indian Queen, Z. 630, Act III (Henry Purcell)

13
I Attempt from Love's Sickness to Fly in Vain
00:01:43

Henry Purcell, Composer - John Dryden, Lyricist - Carolyn Sampson, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

14
Oh! Fair Cedaria, hide those eyes, Z. 402
00:03:58

Anonymous, Lyricist - Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

King Arthur, Z. 628, Act V (Henry Purcell)

15
Fairest Isle
00:03:24

Henry Purcell, Composer - John Dryden, Lyricist - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Jane Rogers, MainArtist, AssociatedPerformer - Andrea Morris, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer - Sarah Sexton, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

O solitude, my sweetest choice, Z. 406 (Henry Purcell)

16
O solitude, my sweetest choice , Z. 406
00:05:23

Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Katherine Philips, Lyricist

2007 BIS 2007 (P) BIS

The Fairy Queen, Z. 629, Act III (Henry Purcell)

17
If Love's a Sweet Passion
00:03:24

Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Jane Rogers, MainArtist, AssociatedPerformer - Elkanah Settle, Lyricist - Andrea Morris, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer - Sarah Sexton, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

18
Tell me, some pitying angel, Z. 196, "the Blessed Virgin's Expostulation"
00:07:18

Nahum Tate, Lyricist - Henry Purcell, Composer - Anne-Marie Lasla, MainArtist, AssociatedPerformer - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer - Laurence Cummings, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

19
Now That the sun hath veiled his light, Z. 193, "an Evening Hymn on a Ground"
00:05:03

Henry Purcell, Composer - William Fuller, Lyricist - Carolyn Sampson, MainArtist, AssociatedPerformer - Elizabeth Kenny, MainArtist, AssociatedPerformer

2007 BIS 2007 (P) BIS

Albumbeschreibung

The young English soprano Carolyn Sampson has been heard in ensemble recordings of music by Bach, Handel, and Monteverdi, among other mostly Baroque composers. In Purcell's songs, many drawn from otherwise forgotten theatrical productions, she has strong competition from Emma Kirkby, among other British stalwarts, but she stands up to them and more and she's on her way to becoming a major star. Her voice is not really large, but the occasional little explosions written into Purcell's scores show the power she keeps in reserve and her skill at working within chamber dimensions. She uses a plain, vibratoless tone just up to the edge, where you wonder what's coming next, and then slides into extremely agile decorations and ornaments, which would be mostly improvised in this repertory. Best of all is her dramatic sense for this music -- each track involves not just a melody but a theatrical character, and she is funny, flirtatious, passionate, humorous, and despondent in turn. The small continuo group, especially the unusually active harpsichord of Laurence Cummings, is notable for its sensitivity to Sampson's readings; this was no pickup group, or even historical-performance all-star group, but performers who obviously worked hard on creating unified interpretations. The BIS engineers can take home the triple crown for this disc. They bring the microphones up close and create an unresonant, chamber-theater sound that's right for Purcell (even if a church was the recording location), catching all the detail of the instrumental playing but none of the wheezing and instrument-scratching that bedevils so many recordings of this type. Anglophones will be able to understand every word Sampson sings, and perhaps the only complaint here is that the readers of the German and French booklet notes might also wish they had text translations as they're the only ones who might need the texts in the first place. An absolute delectation.

© TiVo

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