Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Back in the days when studios were prohibitively expensive sonic temples where only the most professional, label-backed bands were able to afford time in their hallowed halls, lo-fi recording was more a thing of necessity than a stylistic choice. But now, in the era of easy-as-pie digital recording, a band has to go out of their way to really make something grimy. And while some might still think of this aesthetic as limited or restricting, Detroit garage punks Tyvek revel in the grime and uncertainty that can only be found when the needle is thoroughly buried in the red. While their fourth album, On Triple Beams, definitely follows in the skull-splitting footsteps of the band's earlier work, the album has a distinctively different feel. Rather than feeling crushed down and distorted, it feels more like you're in the basement with the band, evoking the sort of ear fatigue that will make anyone with tinnitus from one too many basement shows feel immediately nostalgic for the eardrum-destroying sounds that can only come from a punk band refracting off of dingy concrete walls. This roomy feeling helps the album feel more relatable and natural than other lo-fi records, giving the impression that this is a loud recording of loud music rather than simply a recording that was distorted into something new. Treatises on fidelity aside, On Triple Beams' marriage of the Dead Milkmen's irreverence and Wire's brilliant, repetitive simplicity makes the album one that will definitely scratch the itch for any punk fan, and will make a quick fan out of anyone not already on board with Tyvek's grinding punk goodness.
© Gregory Heaney /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Tyvek, MainArtist
(C) 2012 In The Red Records (P) 2012 In The Red Records
Albumbeschreibung
Back in the days when studios were prohibitively expensive sonic temples where only the most professional, label-backed bands were able to afford time in their hallowed halls, lo-fi recording was more a thing of necessity than a stylistic choice. But now, in the era of easy-as-pie digital recording, a band has to go out of their way to really make something grimy. And while some might still think of this aesthetic as limited or restricting, Detroit garage punks Tyvek revel in the grime and uncertainty that can only be found when the needle is thoroughly buried in the red. While their fourth album, On Triple Beams, definitely follows in the skull-splitting footsteps of the band's earlier work, the album has a distinctively different feel. Rather than feeling crushed down and distorted, it feels more like you're in the basement with the band, evoking the sort of ear fatigue that will make anyone with tinnitus from one too many basement shows feel immediately nostalgic for the eardrum-destroying sounds that can only come from a punk band refracting off of dingy concrete walls. This roomy feeling helps the album feel more relatable and natural than other lo-fi records, giving the impression that this is a loud recording of loud music rather than simply a recording that was distorted into something new. Treatises on fidelity aside, On Triple Beams' marriage of the Dead Milkmen's irreverence and Wire's brilliant, repetitive simplicity makes the album one that will definitely scratch the itch for any punk fan, and will make a quick fan out of anyone not already on board with Tyvek's grinding punk goodness.
© Gregory Heaney /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:32:13
- Künstler: Tyvek
- Label: In The Red
- Genre: Pop/Rock Rock Alternativ und Indie
(C) 2012 In The Red Records (P) 2012 In The Red Records
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.