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Uri Caine|Live at the Village Vanguard

Live at the Village Vanguard

Uri Caine trio

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Pianist, composer, and bandleader Uri Caine takes time out from his myriad projects to record a straight jazz trio date at the illustrious Village Vanguard. For all of his wonderful quirks and musical personalities, Caine is foremost a fine jazz pianist and stylist. Along with bassist Drew Gress and drummer Ben Perowsky, that persona is on display here and it shines in a program of originals, a jazz classic, and standards. Caine's reading of Wayne Shorter's now canonical "Nefertiti" is elegant and stylish; it's full of twists and turns from the modal base and snakes its way through jazz and popular music history in the solo. The ensemble interplay here is almost symbiotic; each chromatic shift is anticipated by the rhythm section and glides into place. On Caine's "Most Wanted," the piece begins with a bluesy Ramsey Lewis Trio groove shimmer before elliptically mutating into a Bill Evans-styled harmonic exploration of the changes and modulations in the tune's melodic intervals -- complete with Latin-tinged rhythmic invention by Perowsky. The bopped-out, exceptionally long read of Irving Berlin's "Cheek to Cheek" amounts to a strident blowing session with Caine offering double-handed counterpoint at sometimes dizzying speeds. In all, this is a very satisfying date, offering a complex and erudite portrait of the pianist as a monster improviser and an exceptionally sophisticated arranger.

© Thom Jurek /TiVo

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Live at the Village Vanguard

Uri Caine

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1
Nefertiti (Live)
Wayne Shorter
00:09:03

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

2
All the Way (Live)
Jimmy Van Heusen
00:05:21

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

3
Stiletto (Live)
Uri Caine
00:07:38

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

4
I Thought About You (Live)
Jimmy Van Heusen
00:08:44

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

5
Otello (Live)
Uri Caine
00:06:33

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

6
Snaggletooth (Live)
Uri Caine
00:07:43

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

7
Go Deep (Live)
Uri Caine
00:09:33

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

8
Cheek to Cheek (Live)
Irving Berlin
00:09:10

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

9
Most Wanted (Live)
Uri Caine
00:06:34

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

10
Bushwack (Live)
Uri Caine
00:06:20

Uri Caine, piano - Drew Gress, basse - Ben Perowsky, batterie

2004 Winter & Winter 2004 Winter & Winter

Albumbeschreibung

Pianist, composer, and bandleader Uri Caine takes time out from his myriad projects to record a straight jazz trio date at the illustrious Village Vanguard. For all of his wonderful quirks and musical personalities, Caine is foremost a fine jazz pianist and stylist. Along with bassist Drew Gress and drummer Ben Perowsky, that persona is on display here and it shines in a program of originals, a jazz classic, and standards. Caine's reading of Wayne Shorter's now canonical "Nefertiti" is elegant and stylish; it's full of twists and turns from the modal base and snakes its way through jazz and popular music history in the solo. The ensemble interplay here is almost symbiotic; each chromatic shift is anticipated by the rhythm section and glides into place. On Caine's "Most Wanted," the piece begins with a bluesy Ramsey Lewis Trio groove shimmer before elliptically mutating into a Bill Evans-styled harmonic exploration of the changes and modulations in the tune's melodic intervals -- complete with Latin-tinged rhythmic invention by Perowsky. The bopped-out, exceptionally long read of Irving Berlin's "Cheek to Cheek" amounts to a strident blowing session with Caine offering double-handed counterpoint at sometimes dizzying speeds. In all, this is a very satisfying date, offering a complex and erudite portrait of the pianist as a monster improviser and an exceptionally sophisticated arranger.

© Thom Jurek /TiVo

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