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Malicorne|Légende (Deuxième époque: 1978-1981)

Légende (Deuxième époque: 1978-1981)

Malicorne

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It's standard procedure to refer to Malicorne as "the French Fairport Convention," though the comparison isn't really that appropriate. While Fairport Convention took traditional British Isles folk music and put it through a rock & roll filter, Malicorne went clear back to renaissance France for its influences, and imposed less modernism on what it finds. The group was led by Gabriel Yacoub, a guitarist with an exceptional singing voice, and recorded and toured throughout the 1970s and into the 1980s before breaking up. Malicorne's albums are generally now available in the U.S. only as pricey and hard-to-find imports; this album remedies that regrettable situation somewhat by compiling the highlights from the group's last five albums. It opens with a 16th-century anti-war song, sung a cappella, then proceeds to demonstrate the band's remarkable stylistic range as it veers from adaptations of Renaissance dance tunes to modern folk-rock. The band's use of such ancient instruments as the hurdy-gurdy, krumhorn and rebec makes their sound unique, even when guitars and drums predominate. Highly recommended.
© Rick Anderson /TiVo

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Légende (Deuxième époque: 1978-1981)

Malicorne

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1
Le prince d'Orange (Live)
00:02:37

TRADITIONNEL, Composer, Lyricist - Gabriel Yacoub, Composer, Lyricist - Malicorne, MainArtist

Le Roseau Le Roseau

2
Danse bulgare
00:02:26

TRADITIONNEL, Composer - Malicorne, Composer, MainArtist

Le Roseau Le Roseau

3
Compagnons qui roulez en Provence
00:02:59

TRADITIONNEL, Composer, Lyricist - Malicorne, Composer, Lyricist, MainArtist

Le Roseau Le Roseau

4
La mule
00:03:43

TRADITIONNEL, Lyricist - Gabriel Yacoub, Composer - Malicorne, Lyricist, MainArtist

Le Roseau Le Roseau

5
Pierre de Grenoble / Shiarazzula marazzula (Live)
00:07:04

TRADITIONNEL, Composer, Lyricist - Gabriel Yacoub, Composer, Lyricist - Malicorne, MainArtist

Le Roseau Le Roseau

6
Halançoire en feu
00:05:40

Etienne Roda-gil, Lyricist - Malicorne, MainArtist - Olivier Zdrzalik, Composer

Le Roseau Le Roseau

7
La danse des damnés
00:04:48

TRADITIONNEL, Lyricist - Hughes De Courson, Composer - Malicorne, Lyricist, MainArtist

Le Roseau Le Roseau

8
Jean des loups
00:07:52

Gabriel Yacoub, Composer, Lyricist - Malicorne, MainArtist

Le Roseau Le Roseau

9
La conduite
00:03:47

TRADITIONNEL, Composer, Lyricist - Malicorne, Composer, Lyricist, MainArtist

Le Roseau Le Roseau

10
Chantier d'été
00:04:49

Etienne Roda-gil, Lyricist - Malicorne, MainArtist - Olivier Zdrzalik, Composer

Le Roseau Le Roseau

11
L'écolier assassin (Live)
00:10:51

TRADITIONNEL, Lyricist - Gabriel Yacoub, Composer - Malicorne, Lyricist, MainArtist

Le Roseau Le Roseau

12
Si l'amour prenait racine
00:02:41

TRADITIONNEL, Lyricist - Hughes De Courson, Composer - Malicorne, Lyricist, MainArtist

Le Roseau Le Roseau

13
Beau charpentier / Quand le cyprès
00:06:12

Etienne Roda-gil, Lyricist - Gabriel Yacoub, Composer - Malicorne, MainArtist

Le Roseau Le Roseau

14
Le mariage anglais (Live)
00:04:37

TRADITIONNEL, Composer, Lyricist - Malicorne, Composer, Lyricist, MainArtist

Le Roseau Le Roseau

15
Le départ des compagnons / La conduite
00:02:19

TRADITIONNEL, Composer - Malicorne, Composer, MainArtist

Le Roseau Le Roseau

Albumbeschreibung

It's standard procedure to refer to Malicorne as "the French Fairport Convention," though the comparison isn't really that appropriate. While Fairport Convention took traditional British Isles folk music and put it through a rock & roll filter, Malicorne went clear back to renaissance France for its influences, and imposed less modernism on what it finds. The group was led by Gabriel Yacoub, a guitarist with an exceptional singing voice, and recorded and toured throughout the 1970s and into the 1980s before breaking up. Malicorne's albums are generally now available in the U.S. only as pricey and hard-to-find imports; this album remedies that regrettable situation somewhat by compiling the highlights from the group's last five albums. It opens with a 16th-century anti-war song, sung a cappella, then proceeds to demonstrate the band's remarkable stylistic range as it veers from adaptations of Renaissance dance tunes to modern folk-rock. The band's use of such ancient instruments as the hurdy-gurdy, krumhorn and rebec makes their sound unique, even when guitars and drums predominate. Highly recommended.
© Rick Anderson /TiVo

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