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Fresh off the breakout success of the thought-provoking masterpiece Cabeça Dinossauro, Brazil's Titãs tried to raise their creative stakes for its strangely named follow-up, 1987 follow-up Jesus Não Tem Dentes no País dos Banguelas (rough translation: "Jesus has no teeth in a country of toothless people"). A troubled next step, the album arguably exceeded expectations when it came to caustic social commentary and unconventional art rock song structures, but its calculated abrasiveness fell well short of replicating Cabeça Dinossauro's naturally organic genius. "Todo Mundo Quer Amor" opens the album with violently nerve-jolting cut-and-paste techniques topped by Arnaldo Antunes' harsh concrete poetry, making the arrival of first song proper "Comida" feel like a welcome reprieve from chaos...and you're only two songs in! It's this sense of uneasy tension, as well as an over-reliance on samples and programmed sounds, that make the first half of Jesus Não Tem Dentes such a tough gruel to digest. Blaring with dance-synth chord bursts, songs like "Corações e Mentes," "Diversão," and the title track are also victimized by the dated overproduction techniques common to the 1980s. Thankfully, Titãs rediscover rock & roll on the LP's second half, where it is gratefully reunited with their ever-captivating political invective; specifically Sérgio Britto's refreshingly straightforward "Desordem," Branco Mello's bristling "Armas Pra Lutar" and the provocative band effort "Lugar Nenhum." A pair of art rock compositions sung by bassist Nando Reis wrap up this difficult CD on the up: "Nome aos Bois" name-checks everyone from Hitler to Nixon over the course of its accusatory two minutes, and the bonus track "Violencia" morbidly lists various cultures' favored torture tactics. More measured in their experimentation, these final songs also set the tone for 1989's return to form with the genre-busting Ô Blésq Blom.
© Eduardo Rivadavia /TiVo
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Nando Reis, Bass - Toni Bellotto, Guitar - Marcelo Fromer, Guitar - Sergio Britto, Keyboards, Percussion - Titãs, Vocals, MainArtist - Charles Gavin, Drums - Liminha, Producer - Arnaldo Antunes, Composer
© 1987 WEA International Inc. ℗ 1987 Warner Music Brazil Ltda
Nando Reis, Bass - Toni Bellotto, Guitar - Marcelo Fromer, Composer, Guitar - Sergio Britto, Composer, Keyboards, Percussion - Titãs, Vocals, MainArtist - Charles Gavin, Drums - Liminha, Producer - Arnaldo Antunes, Composer
© 1987 WEA International Inc. ℗ 1987 Warner Music Brasil Ltda.
Branco Mello, Composer - Titãs, MainArtist - Liminha, Producer - Marcelo Fromer and Toni Bellotto, Composer
© 1987 WEA International Inc. ℗ 1987 WEA International Inc.
Titãs, MainArtist - Liminha, Producer - Sérgio Britto and Marcelo Fromer, Composer
© 1987 WEA International Inc. ℗ 1987 WEA International Inc.
Nando Reis, Composer - Sergio Britto, Composer - Titãs, MainArtist - Liminha, Producer
© 1987 WEA International Inc. ℗ 1987 WEA International Inc.
Sergio Britto, Composer - Titãs, MainArtist - Liminha, Producer
© 1987 WEA International Inc. ℗ 1987 WEA International Inc.
Marcelo Fromer, Composer - Titãs, MainArtist - Liminha, Producer - Nanda Reis, Composer
© 1987 WEA International Inc. ℗ 1987 Warner Music Brasil Ltda.
Titãs, MainArtist - Liminha, Producer - Sérgio Britto-Marcelo Fromer-Toni Bellotto, Composer
© 1987 WEA International Inc. ℗ 1987 Warner Music Brazil Ltda
Marcelo Fromer, Composer - Sergio Britto, Composer - Titãs, MainArtist - Charles Gavin, Composer - Liminha, Producer
© 1987 WEA International Inc. ℗ 1987 Warner Music Brasil Ltda.
Nando Reis, Bass - Toni Bellotto, Composer, Guitar - Marcelo Fromer, Composer, Guitar - Sergio Britto, Composer, Keyboards, Percussion - Titãs, Vocals, MainArtist - Charles Gavin, Composer, Drums - Liminha, Producer - Arnaldo Antunes, Composer
© 1987 WEA International Inc. ℗ 1994 WEA International Inc.
Branco Mello, Composer - Titãs, MainArtist - Liminha, Producer - Arnaldo Antunes, Composer - Marcelo Fromer and Toni Bellotto, Composer
© 1987 WEA International Inc. ℗ 1987 WEA International Inc.
Nando Reis, Composer - Titãs, MainArtist - Liminha, Producer - Arnaldo Antunes, Composer - Marcelo Fromer and Toni Bellotto, Composer
© 1987 WEA International Inc. ℗ 1994 WEA International Inc.
Titãs, Vocals, MainArtist - Charles Gavin, Composer - Sérgio Brito, Composer
© 1987 WEA International Inc. ℗ 1990 WEA International Inc.
Albumbeschreibung
Fresh off the breakout success of the thought-provoking masterpiece Cabeça Dinossauro, Brazil's Titãs tried to raise their creative stakes for its strangely named follow-up, 1987 follow-up Jesus Não Tem Dentes no País dos Banguelas (rough translation: "Jesus has no teeth in a country of toothless people"). A troubled next step, the album arguably exceeded expectations when it came to caustic social commentary and unconventional art rock song structures, but its calculated abrasiveness fell well short of replicating Cabeça Dinossauro's naturally organic genius. "Todo Mundo Quer Amor" opens the album with violently nerve-jolting cut-and-paste techniques topped by Arnaldo Antunes' harsh concrete poetry, making the arrival of first song proper "Comida" feel like a welcome reprieve from chaos...and you're only two songs in! It's this sense of uneasy tension, as well as an over-reliance on samples and programmed sounds, that make the first half of Jesus Não Tem Dentes such a tough gruel to digest. Blaring with dance-synth chord bursts, songs like "Corações e Mentes," "Diversão," and the title track are also victimized by the dated overproduction techniques common to the 1980s. Thankfully, Titãs rediscover rock & roll on the LP's second half, where it is gratefully reunited with their ever-captivating political invective; specifically Sérgio Britto's refreshingly straightforward "Desordem," Branco Mello's bristling "Armas Pra Lutar" and the provocative band effort "Lugar Nenhum." A pair of art rock compositions sung by bassist Nando Reis wrap up this difficult CD on the up: "Nome aos Bois" name-checks everyone from Hitler to Nixon over the course of its accusatory two minutes, and the bonus track "Violencia" morbidly lists various cultures' favored torture tactics. More measured in their experimentation, these final songs also set the tone for 1989's return to form with the genre-busting Ô Blésq Blom.
© Eduardo Rivadavia /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 00:36:19
- Künstler: Titãs
- Komponist: Various Composers
- Label: WM Brazil
- Genre: Pop/Rock Rock
© 1987 WEA International Inc. ℗ 2002 WEA International Inc.
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