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Instrumental Stylings sort of seemed like Vaughn's resume for a Hollywood scoring career. Sure enough, following the release of the album, he contributed the award-winning theme song to the television series Third Rock from the Sun, and much of the music from Instrumental Stylings was subsequently featured on the show. In fact, a couple of the album cuts were originally written for a 1991 muscle car documentary, Favorite Mopar, and a few others originally appeared in Vaughn's score to the documentary Wild Girl's Go Go Rama, so scoring is a function that he had already proven himself primed to tackle. Instrumental Stylings is not a soundtrack album, but it certainly tackles its fair share of instrumental touchstones. Vaughn shies away from no genre: bone-crunching surf, spaghetti western, drag-strip stompers, country-blues boogie, Italian soundtrack, breezy bossa nova, Tex-Mex cowboy ballads, noir Indian music, and numerous mix-and-match hybrids thereof. One of the most surprising aspects of the album is his ability to evoke a wildly eclectic array of sources and styles and create a palpable mood and atmosphere with each one using virtually the same basic instrumentation. The constants on the album are Vaughn's crazily reverbed guitar and rock-steady drumming. He also douses many of the songs with simplistic organ runs and a bevy of alien effects. Amazingly -- and it is a testament to his estimable skills -- Vaughn manages to make the album sound like a compilation of the finest camp sounds from exploitation flicks of the '50s and '60s. He is as gifted at replicating B-movie styles as Todd Rundgren is at reproducing pop/rock ones. It is virtually impossible to be put off by the retro stance of the music because it exudes such a joyous quality and is crafted so impeccably. It may have been created as incidental music, but it doesn't play as such. Instead, it hangs together as a tribute that is often better than the music it is meant to acknowledge.
© Stanton Swihart /TiVo
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BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
BEN VAUGHN, Composer, MainArtist
2017 Bar None Records 2017 Bar None Records
Albumbeschreibung
Instrumental Stylings sort of seemed like Vaughn's resume for a Hollywood scoring career. Sure enough, following the release of the album, he contributed the award-winning theme song to the television series Third Rock from the Sun, and much of the music from Instrumental Stylings was subsequently featured on the show. In fact, a couple of the album cuts were originally written for a 1991 muscle car documentary, Favorite Mopar, and a few others originally appeared in Vaughn's score to the documentary Wild Girl's Go Go Rama, so scoring is a function that he had already proven himself primed to tackle. Instrumental Stylings is not a soundtrack album, but it certainly tackles its fair share of instrumental touchstones. Vaughn shies away from no genre: bone-crunching surf, spaghetti western, drag-strip stompers, country-blues boogie, Italian soundtrack, breezy bossa nova, Tex-Mex cowboy ballads, noir Indian music, and numerous mix-and-match hybrids thereof. One of the most surprising aspects of the album is his ability to evoke a wildly eclectic array of sources and styles and create a palpable mood and atmosphere with each one using virtually the same basic instrumentation. The constants on the album are Vaughn's crazily reverbed guitar and rock-steady drumming. He also douses many of the songs with simplistic organ runs and a bevy of alien effects. Amazingly -- and it is a testament to his estimable skills -- Vaughn manages to make the album sound like a compilation of the finest camp sounds from exploitation flicks of the '50s and '60s. He is as gifted at replicating B-movie styles as Todd Rundgren is at reproducing pop/rock ones. It is virtually impossible to be put off by the retro stance of the music because it exudes such a joyous quality and is crafted so impeccably. It may have been created as incidental music, but it doesn't play as such. Instead, it hangs together as a tribute that is often better than the music it is meant to acknowledge.
© Stanton Swihart /TiVo
Informationen zu dem Album
- 1 Disc(s) - 16 Track(s)
- Gesamte Laufzeit: 00:49:50
- Künstler: Ben Vaughn
- Komponist: Ben Vaughn
- Label: Bar - None Records
- Genre: Pop/Rock Rock
2017 Bar None Records 2017 Bar None Records
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