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Joan Baez|In Concert

In Concert

Joan Baez

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Text in englischer Sprache verfügbar

Originally released in 1962, In Concert, Pt. 1 captures the undisputed queen of folk music at the onset of her fabled career. Featuring 20-bit remastering from the original analog tapes, exact replicas of the original artwork and liner notes, previously unreleased cuts, and additional liner notes, this installment of Vanguard's Original Master Series is a historic collection of contemporary and traditional folk. Though Baez was reportedly suffering from stage fright at the time of these recordings, which were cobbled from the fall of 1961 to the spring of 1962, her delivery is crystal clear and confident. The exhaustive selection of material represents her diverse influences, most notably African tradition ("Kumbaya"), gospel ("Gospel Ship"), negro spiritual ("My Lord What a Morning"), West African ("Danger Waters"), Brazilian ("Ate Amanha," which is sung in Portuguese), and blues ("Babe I'm Gonna Leave You"), Baez's performances still retain freshness and vitality after four decades.

© Tom Semioli /TiVo

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In Concert

Joan Baez

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1
Babe, I'm Gonna Leave You
00:03:12

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

2
Geordie
00:03:37

Traditional, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 1990 Vanguard Records, a Welk Music Group Company

3
Copper Kettle
00:02:44

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

4
Kumbaya
00:03:33

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

5
What Have They Done To The Rain
00:02:55

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

6
Black Is The Color Of My True Love's Hair
00:02:49

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

7
Danger Waters
00:03:38

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

8
Gospel Ship
00:03:00

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

9
House Carpenter
00:05:22

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

10
Pretty Boy Floyd
00:04:42

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

11
Lady Mary
00:02:51

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

12
Ate Amanha
00:02:30

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

13
Matty Groves
00:07:26

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

14
Streets Of Laredo
00:02:40

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

15
My Good Old Man
00:03:23

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

16
My Lord What A Morning
00:03:59

Unknown, Composer - Joan Baez, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

Albumbeschreibung

Originally released in 1962, In Concert, Pt. 1 captures the undisputed queen of folk music at the onset of her fabled career. Featuring 20-bit remastering from the original analog tapes, exact replicas of the original artwork and liner notes, previously unreleased cuts, and additional liner notes, this installment of Vanguard's Original Master Series is a historic collection of contemporary and traditional folk. Though Baez was reportedly suffering from stage fright at the time of these recordings, which were cobbled from the fall of 1961 to the spring of 1962, her delivery is crystal clear and confident. The exhaustive selection of material represents her diverse influences, most notably African tradition ("Kumbaya"), gospel ("Gospel Ship"), negro spiritual ("My Lord What a Morning"), West African ("Danger Waters"), Brazilian ("Ate Amanha," which is sung in Portuguese), and blues ("Babe I'm Gonna Leave You"), Baez's performances still retain freshness and vitality after four decades.

© Tom Semioli /TiVo

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