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Deana Carter|I'm Just A Girl

I'm Just A Girl

Deana Carter

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Deana Carter had a hard time following up her acclaimed debut, 1995's Did I Shave My Legs For This?, stumbling with 1998's Everything's Gonna Be Alright before leaving Capitol Records and re-emerging nearly four and a half years later on Arista Nashville with I'm Just a Girl. A lot had happened in country music in the years that Carter sat out, including shifts toward both pop (in Shania Twain and Faith Hill) and roots (the O Brother Where Art Thou? phenomenon), and Carter continues to run outside the path by not pursuing either direction. Instead, she aims straight toward the heart of adult pop (slightly ironic, given the album's title and its 17 magazine-styled artwork), which really isn't too far off from where she was with on her first record. Still, there are telling differences: The production, apart from the closing raver "Girls' Night," is all smooth and polished, sweetened with pop and lacking nearly any hint of country, as well as the clear sense of humor. There's a keener eye toward a broader audience, right down to the cheesecake photos inside the liner notes, and the product placement in "I'm Just a Girl" sits uneasily (particularly since closing the chorus with "I'm a Chevy girl" makes it sound like an unofficial commercial). Those may seem disarming to those looking for the organic feel of Did I Shave My Legs, but Carter does this pleasing adult pop better than nearly any of her peers, partially because her ambitions are modest and her songwriting is sturdy and tuneful. At times, the production is so even, the music simply flows out of the speaker without distinction between tracks, but the result is a record that holds together as a nice mood piece while holding up as individual songs. True, it doesn't deliver a knockout punch upon the first listen, but it wasn't designed to. It's a quiet grower, filled with easy listening and sunny vibes. It might not earn quite the same audience as her debut, but this is about as good as adult-oriented pop gets in 2003.

© Stephen Thomas Erlewine /TiVo

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I'm Just A Girl

Deana Carter

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1
I'm Just A Girl
00:03:33

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Billy Mann, Composer, Lyricist - Bekka Bramlett - Lisa Cochran - Andrew Gold

(P) 2003 BMG Music

2
There's No Limit
00:03:29

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Randy Scruggs, Composer, Lyricist - Bekka Bramlett - Lisa Cochran

(P) 2003 BMG Music

3
You And Tequila
00:03:42

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Matraca Berg, Composer, Lyricist

(P) 2003 BMG Music

4
Me And The Radio
00:04:22

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Chuck Jones, Composer, Lyricist

(P) 2003 BMG Music

5
Cover Of A Magazine
00:04:38

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Wendy Waldman, Composer, Lyricist - Bekka Bramlett - Lisa Cochran - Andrew Gold

(P) 2003 BMG Music

6
Wildflower
00:04:18

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Chuck Jones, Composer, Lyricist - Crystal Taliefero

(P) 2003 BMG Music

7
Twice As Worth It
00:04:06

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Rivers Rutherford, Composer, Lyricist - Bekka Bramlett - Lisa Cochran

(P) 2003 BMG Music

8
Eddie
00:02:50

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer

(P) 2003 BMG Music

9
Waiting
00:04:36

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - Dwight Yoakam, Associated Performer, Composer, Lyricist, Main Artist, Associated Performer, Composer, Lyricist - Deana Carter featuring Dwight Yoakam, Associated Performer - DANN HUFF, Producer

(P) 2003 BMG Music

10
Liar
00:02:30

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Aimee Mayo, Composer, Lyricist - Chris Lindsey, Composer, Lyricist - Bekka Bramlett - Lisa Cochran

(P) 2003 BMG Music

11
Goodbye Train
00:04:33

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Matraca Berg, Composer, Lyricist

(P) 2003 BMG Music

12
Girls' Night
00:04:07

Deana Carter, Associated Performer, Composer, Lyricist, Main Artist, Producer, Associated Performer, Composer, Lyricist, Producer - DANN HUFF, Producer - Bekka Bramlett - Lisa Cochran

(P) 2003 BMG Music

Albumbeschreibung

Deana Carter had a hard time following up her acclaimed debut, 1995's Did I Shave My Legs For This?, stumbling with 1998's Everything's Gonna Be Alright before leaving Capitol Records and re-emerging nearly four and a half years later on Arista Nashville with I'm Just a Girl. A lot had happened in country music in the years that Carter sat out, including shifts toward both pop (in Shania Twain and Faith Hill) and roots (the O Brother Where Art Thou? phenomenon), and Carter continues to run outside the path by not pursuing either direction. Instead, she aims straight toward the heart of adult pop (slightly ironic, given the album's title and its 17 magazine-styled artwork), which really isn't too far off from where she was with on her first record. Still, there are telling differences: The production, apart from the closing raver "Girls' Night," is all smooth and polished, sweetened with pop and lacking nearly any hint of country, as well as the clear sense of humor. There's a keener eye toward a broader audience, right down to the cheesecake photos inside the liner notes, and the product placement in "I'm Just a Girl" sits uneasily (particularly since closing the chorus with "I'm a Chevy girl" makes it sound like an unofficial commercial). Those may seem disarming to those looking for the organic feel of Did I Shave My Legs, but Carter does this pleasing adult pop better than nearly any of her peers, partially because her ambitions are modest and her songwriting is sturdy and tuneful. At times, the production is so even, the music simply flows out of the speaker without distinction between tracks, but the result is a record that holds together as a nice mood piece while holding up as individual songs. True, it doesn't deliver a knockout punch upon the first listen, but it wasn't designed to. It's a quiet grower, filled with easy listening and sunny vibes. It might not earn quite the same audience as her debut, but this is about as good as adult-oriented pop gets in 2003.

© Stephen Thomas Erlewine /TiVo

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